3
" Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn’t break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world’s presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful. "
― Frédéric Gros , A Philosophy of Walking
7
" There comes a point in one's life where the people whom we grew up admiring begin to die, leaving a great chasm in the world. This is awful enough to deal with without having anything so annoying as feelings getting in the way of personal equanimity. And then, possibly even more horribly, there comes a time in one's life when the people whom we grew up with or the people who are in our same age group begin to die. I have had the disagreeable business of having to watch colleagues only a few years my senior perish without warning, though premonition would not soften the blow. I am now realizing that I am entering this time, the dreadful gateway of existence, the one that leads to watching the ebb and flow of time, the great rote and sussuration of life and death, and being able to do nothing but welter in misery and pine over the dregs of hideous mortality. Death is an unaccountable business, one that robs the living of the peace we believe to be --perhaps mistakenly-- our birthright, one which asks the living to pay for the departed in the currency of feelings, leaving us to wallow in emotional debt. There is a loneliness about behind left behind as is there a thrill of horror for what lies beyond. The sum total of living is to sacrifice peace in favour of finding it, which makes little sense at all. I often wonder if the dead know we grieve for them, as the penury of pity only disconcerts ourselves. It is poor comfort, the business of mourning, for what is there really to mourn about excepting our own desire for reconciliation, something which no one, not even the dead, can furnish? "
12
" Intermission. Mare Internum.
We will have a brief pause now. If this novel were a theater, you could go out into the lobby, wait in line for a drink, or for the bathroom. Give people a chance to admire your clothes, hair, or jewels. Step outside for some air or a smoke. Backstage the crew would be busy transforming the scenery, actors would change their costumes and redo their makeup, Some would be done until final curtain, others awaiting their first entrance.
But we're not in the theater, and I am not letting you go outside this story, not really. Where we are is more like a pause between breaths. Whether you're inhaling or exhaling, there's a pause just before, like the pause you can feel more than hear before the tide reverses. Where we are is the point of intersection in the figure eight. Turned on its side the eight becomes the symbol of infinity.
You can make this figure with your hips when you dance. Over and over you will return to that moment of balance before your weight shifts from one hip to the other. The balance of this story is about to shift. The scenery is changing, as we make our slow way across Mare Internum. A journey I am not going to describe.
When the story begins again, some of the people you have come to know and love, or not, Dido, Bertha, Paulina, Reginus, and Joseph will appear less frequently...
I don't like it when characters fade form the story, so I am apologizing in advance, but life is like that. We leave people and places and times behind. We encounter new ones. Sometimes we can't see the patterns or connections, but they are there, between one breath and the next. In the ebb and flow of tides. In the rhythm of the dance. "
― , The Passion of Mary Magdalen (Maeve Chronicles, #2)
15
" Of the things I had not known when I started out, I think the most important was the degree to which the legacy of the McCarthy period still lived. It had been almost seven years since Joe McCarthy had been censured when John Kennedy took office, and most people believed that his hold on Washington was over. ... among the top Democrats, against whom the issue of being soft on Communism might be used, and among the Republicans, who might well use the charge, it was still live ammunition. ...
McCarthyism still lingered ... The real McCarthyism went deeper in the American grain than most people wanted to admit ... The Republicans’ long, arid period out of office [twenty years, ended by the Eisenhower administration], accentuated by Truman’s 1948 defeat of Dewey, had permitted the out-party in its desperation, to accuse the leaders of the governing party of treason. The Democrats, in the wake of the relentless sustained attacks on Truman and Acheson over their policies in Asia, came to believe that they had lost the White House when they lost China. Long after McCarthy himself was gone, the fear of being accused of being soft on Communism lingered among the Democratic leaders. The Republicans had, of course, offered no alternative policy on China (the last thing they had wanted to do was suggest sending American boys to fight for China) and indeed there was no policy to offer, for China was never ours, events there were well outside our control, and our feudal proxies had been swept away by the forces of history. But in the political darkness of the time it had been easy to blame the Democrats for the ebb and flow of history.
The fear generated in those days lasted a long time, and Vietnam was to be something of an instant replay after China. The memory of the fall of China and what it did to the Democrats, was, I think, more bitter for Lyndon Johnson than it was for John Kennedy. Johnson, taking over after Kennedy was murdered and after the Kennedy patched-up advisory commitment had failed, vowed that he was not going to be the President of the United States who lost the Great Society because he lost Saigon. In the end it would take the tragedy of the Vietnam War and the election of Richard Nixon (the only political figure who could probably go to China without being Red-baited by Richard Nixon) to exorcise those demons, and to open the door to China. "
― David Halberstam , The Best and the Brightest
