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1 " Shrieking Brooke’s name as loudly as I could, out in the corridor, I brought her running quickly to my room.‘What’s happened, what’s wrong?’ she immediately cried concerned, legging it up the stairs two at a time. She appeared breathless outside the kitchen door. Brian appeared sleepily at his door too, awoken by the noise, and watched us.‘She’s moving,’ I cried.‘What? Flutters like before?’‘No more, here feel.’ I grabbed her hand and pushed it down onto myexposed belly. Brian averted his eyes as I stood, belly out and top up over my bra, in the middle of the corridor.‘I can’t push you that hard,’ she exclaimed, pulling back her fingers surprised. ‘It will hurt you, or her, I can’t do that.’‘Yes, you can,’ I insisted. ‘You won’t hurt us.’ I pulled her hand back and pushed her long fingers into my belly and we stood waiting, hardly daring to breathe. You kicked again, hard into my side, under Brooke’s long pink fingernails. Brooke jumped away from me in shock and then burst out laughing. She clapped her hands together delighted.‘Well?’ I asked her.‘She kicked me,’ Brooke shrieked still jumping up and down clapping. ‘She kicked me. That was amazing, let me do it again.’ She came back over towards me slowly. Cautiously she pushed her fingers into the same spot on my side. We waited again in silence and I saw her face slightly drop as the seconds ticked by.‘Ah it works,’ she yelled, as again she jumped back shocked as the tiny little feet thudded from my insides at her hand. ‘I love it. Do it again.’ I laughed and then Brian stepped forward.‘Can I have a go?’ he asked quietly, fiddling with his hands and stepping out of his room towards us.‘Of course you can, come here.’And that is how we spent the next few minutes out in the corridor by the kitchen, shrieking, whooping, and jumping around. If anyone had been in the house, I know they would probably have thought we were all mad. Mad, no. Thrilled and excited, most definitely.Baby girl, you did that to us. Thank you. "
― Emily Williams , Letters to Eloise
2 " Standing in the corridor was a large plastic bin on wheels. He looked inside. Empty tins of dog food. That explained the spaghetti with meat sauce. Oh well, he'd eaten worse. "
― Charlie Higson , The Enemy (The Enemy, #1)
3 " He laughed and was about to retort when she grabbed his collar and pulled him into her. She clamped her lips around his mouth and mashed her face into his. He took a step back in surprise and she went with him, stepping in a patch of wet floor. Her legs went out from under her and flailed as she fell, whacking him in the throat on the way down. She looked up at him as he gagged and coughed, and from across the corridor she could hear Tanith laughing hysterically. " I think I need practice," Valkyrie muttered. "
4 " After a moment or two a man in brown crimplene looked in at us, did not at all like the look of us and asked us if we were transit passengers. We said we were. He shook his head with infinite weariness and told us that if we were transit passengers then we were supposed to be in the other of the two rooms. We were obviously very crazy and stupid not to have realized this. He stayed there slumped against the door jamb, raising his eyebrows pointedly at us until we eventually gathered our gear together and dragged it off down thecorridor to the other room. He watched us go past him shaking his head in wonder and sorrow at the stupid futility of the human condition in general and ours in particular, and then closed the door behind us.The second room was identical to the first. Identical in all respects other than one, which was that it had a hatchway let into one wall. A large vacant-looking girl was leaning through it with her elbows on the counter and her fists jammed up into her cheekbones. She was watching some flies crawling up the wall, not with any great interest because they were not doing anything unexpected, but at least they were doing something. Behind her was a table stacked with biscuits, chocolate bars, cola, and a pot of coffee, and we headed straight towards this like a pack of stoats. Just before we reached it, however, we were suddenly headed off by a man in blue crimplene, who asked us what we thought we were doing in there. We explained that we were transit passengers on our way to Zaire, and he looked at us as if we had completely taken leave of our senses.'Transit passengers? he said. 'It is not allowed for transit passengers to be in here.' He waved us magnificently away from the snack counter, made us pick up all our gear again, and herded us back through the door and away into the first room where, a minute later, the man in the brown crimplene found us again.He looked at us. Slow incomprehension engulfed him, followed by sadness, anger, deep frustration and a sense that the world had been created specifically to cause him vexation. He leaned back against the wall, frowned, closed his eyes and pinched the bridge of his nose.'You are in the wrong room,' he said simply. `You are transit passengers. Please go to the other room.'There is a wonderful calm that comes over you in such situations, particularly when there is a refreshment kiosk involved. We nodded, picked up our gear in a Zen-like manner and made our way back down the corridor to the second room. Here the man in blue crimplene accosted us once more but we patiently explained to him that he could fuck off. "
― Douglas Adams , Last Chance to See
5 " When he pursed his lips and dropped a hand into his coat pocket, the last thing Nur expected him to pull out was a cricket ball. " I'd hoped for a disruptor at least," she muttered reprovingly. The Doctor slipped three fingers around the ball and hefted it experimentally. " I thought we'd try something a little less excessive." He breathed gently on to the maroon leather and polished it on his leg as the Sontaran finally tossed the Kshatriya aside and stopped to pick up its fallen weapon. He stepped around the corner, sighting along his free arm as the Sontaran straightened, its back fully turned. The cricket ball flashed down the length of the corridor in the blink of an eye, punching into the back of the Sontaran's collar and ricocheting away. To Nur's astonishment, the alien spasmed and crashed to the floor like a falling tree. " Out for a duck," the Doctor commented, blowing across his fingertips. " I've never seen anything killed by a cricket ball before." " You haven't yet. He'll wake up in a few minutes. "
6 " I stood in the corridor feeling like an angry pebble. It didn't matter where I rolled off to. The mystery and treachery of the world continued, and a pebble like me could get angry over anything it liked and it wouldn't do any good. Librarians not reading, I thought to myself. Sometimes I don't know why I bother. "
― Lemony Snicket , Why Is This Night Different from All Other Nights? (All the Wrong Questions, #4)
7 " If you board the wrong train, it is no use running along the corridor in the other direction. "
― Dietrich Bonhoeffer
8 " He had gone again and, emboldened by his first successful trip, had chosen a different sort of world to enter, that of THE MONK. He had studied the book with great care and finally selected a passage that was purely descriptive.The result was the same. The instant he closed the top of the showcase, he was transported to the world described in the open pages. He found himself standing - and shivering - in a dank corridor that, he knew, was far underground. Feeble candlelight flickered in the distance, off to his left. Water dripped down the gleaming walls and startled rats scurried past his feet. The air was stale and unpleasant. Down the corridor to his left, he could hear singing but could not make out the words. Then suddenly, from his right, he heard a woman's high-pitched scream, its sound caroming off the wet, stone walls of the passageway. He jumped, his skin crawling at the back of his neck.And found himself back in his warm and familiar room.(" I Shall Not Leave England Now" ) "
9 " Our personal story has many chapters that reconnoiter universal themes. We each struggle to understand ourselves and aspire to make ourselves known to the world. We struggle to win the love of other people. We seek to pick all the low hanging fruit that we come across in our journey through the corridor of time. We write our story in the Niagara of emotional experiences that flowing watercourse makes us human. We use a profusion of words, symbols, and the nuances pulled from a rich library of language to depict the cascade of our visions, sounds, smells, tastes, feelings, dreams, and infelicitous thoughts. We use logical and dialectal thought processes when communing with our inner self. We use self-speak along with the esemplastic powers of poetic imagination, sprinkled with the fizz of creativity, to cohere disparate chapters of our life into a unified whole and relay the effervescence of our story to other people. "
― , Dead Toad Scrolls
10 " ... If there are twenty identical doors in the corridor and you need somebody to enter one of them, what would you do? That’s right, put „No entry“ sign on the right door. Visit is guaranteed "
11 " Then my sole relief was to walk along the corridor of the third storey, backwards and forwards, safe in the silence and solitude of the spot, and allow my mind's eye to dwell on whatever bright visions rose before it - and, certainly, they were many and glowing; to let my heart be heaved by the exultant movement, which, while it swelled it in trouble, expanded it with life; and, best of all, to open my inward ear to a tale that was never ended - a tale my imagination created, and narrated continuously; quickened with all of incident, life, fire, feeling, that I desired and had not in my actual existence. "
― Charlotte Brontë , Jane Eyre
12 " After wandering the world and living on the Continent I had long tired of well-behaved, fart-free gentlemen who opened the door and paid the bills but never had a story to tell and were either completely asexual or demanded skin-burning action until the morning light. Swiss watch salesmen who only knew of “sechs” as their wake-up hour, or hairy French apes who always required their twelve rounds of screwing after the six-course meal.I suppose I liked German men the best. They were a suitable mixture of belching northerner and cultivated southerner, of orderly westerner and crazy easterner, but in the post-war years they were of course broken men. There was little you could do with them except try to put them right first. And who had the time for that? Londoners are positive and jolly, but their famous irony struck me as mechanical and wearisome in the long run. As if that irony machine had eaten away their real essence. The French machine, on the other hand, is fuelled by seriousness alone, and the Frogs can drive you beyond the limit when they get going with their philosophical noun-dropping. The Italian worships every woman like a queen until he gets her home, when she suddenly turns into a slut. The Yank is one hell of a guy who thinks big: he always wants to take you the moon. At the same time, however, he is as smug and petty as the meanest seamstress, and has a fit if someone eats his peanut butter sandwich aboard the space shuttle. I found Russians interesting. In fact they were the most Icelandic of all: drank every glass to the bottom and threw themselves into any jollity, knew countless stories and never talked seriously unless at the bottom of the bottle, when they began to wail for their mother who lived a thousand miles away but came on foot to bring them their clean laundry once a month. They were completely crazy and were better athletes in bed than my dear countrymen, but in the end I had enough of all their pommel-horse routines.Nordic men are all as tactless as Icelanders. They get drunk over dinner, laugh loudly and fart, eventually start “singing” even in public restaurants where people have paid to escape the tumult of the world. But their wallets always waited cold sober in the cloakroom while the Icelandic purse lay open for all in the middle of the table. Our men were the greater Vikings in this regard. “Reputation is king, the rest is crap!” my Bæring from Bolungarvík used to say. Every evening had to be legendary, anything else was a defeat. But the morning after they turned into weak-willed doughboys.But all the same I did succeed in loving them, those Icelandic clodhoppers, at least down as far as their knees. Below there, things did not go as well. And when the feet of Jón Pre-Jón popped out of me in the maternity ward, it was enough. The resemblances were small and exact: Jón’s feet in bonsai form. I instantly acquired a physical intolerance for the father, and forbade him to come in and see the baby. All I heard was the note of surprise in the bass voice out in the corridor when the midwife told him she had ordered him a taxi. From that day on I made it a rule: I sacked my men by calling a car.‘The taxi is here,’ became my favourite sentence. "
― Hallgrímur Helgason
13 " A person must claim the meaning behind his or her existence. How we live is our final testament to what we believed in and our journey through the corridor of time determines our decisive character. "
14 " From the essay on Love, in which he describes as a wilderness experience his daily visits with his wife to a hospital 3,000 miles from home in a strange city, where someone he loves is in danger of dying. “When the worst finally happens, or almost happens, a kind of peace comes. I had passed beyond grief, beyond terror, all but beyond hope, and it was thee, in that wilderness, that for the first time in my life I caught sight of something of what it must be like to love God truly. It was only a glimpse, but it was like stumbling on fresh water in the desert, like remembering something so huge and extraordinary that my memory had been unable to contain it. Though God was nowhere to be clearly seen, nowhere to be clearly heard, I had to be near him—even in the elevator riding up to her floor, even walking down the corridor to the one door among all those doors that had her name taped on it. I loved him because there was nothing else left. I loved him because he seemed to have made himself as helpless in his might as I was in my helplessness. I loved him not so much in spite of there being nothing in it for me but almost because there was nothing in it for me. For the first time in my life, there in that wilderness, I caught a glimpse of what it must be like to love God truly, for his own sake, to love him no matter what. If I loved him with less than all my heart, soul, and will, I loved him with at least as much of them as I had left for loving anything…I did not love God, God knows, because I was some sort of saint or hero. I did not love him because I suddenly saw the light (there was almost no light at all) or because I hoped by loving him to persuade him to heal the young woman I loved. I loved him because I couldn’t help myself. I loved him because the one who commands us to love is the one who also empowers us to love, as there in the wilderness of that dark and terrible time I was, through no doing of my own, empowered to love him at least a little, at least enough to survive. And in the midst of it, these small things happened that were as big as heaven and earth because through them a hope beyond hopelessness happened. “O Israel, hope in the Lord from this time forth and for evermore.”…The final secret, I think, is this: that the words “You shall love the Lord your God” become in the end less a command than a promise. "
15 " That room was Rolandsen’s world. Rolandsen was not just irresponsibility and inebriation, he was also great thinker and inventor. There was a smell of acids that permeated the corridor and came to the notice of every visitor. Rolandsen made no secret of the fact that he had all these medicaments there solely to disguise the aroma of all the brandy he consumed. But this was part of an act designed purely to give himself an air of inscrutability. "
― Knut Hamsun , Dreamers
16 " ...the solitude was intoxicating. On my first night there I lay on my back on the sticky carpet for hours, in the murky orange pool of city glow coming through the window, smelling heady curry spices spiraling across the corridor and listening to two guys outside yelling at each other in Russian and someone practicing stormy flamboyant violin somewhere, and slowly realizing that there was not a single person in the world who could see me or ask me what I was doing or tell me to do anything else, and I felt as if at any moment the bedsit might detach itself from the buildings like a luminous soap bubble and drift off into the night, bobbing gently above the rooftops and the river and the stars. "
― Tana French , In the Woods (Dublin Murder Squad, #1)
17 " There was noise in the corridor outside Alice’s office; and though it was nothing of concern, they separated. Roger stood, fingers tucked into his waistcoat pockets, admiring prints on the wall that held no interest for him. The noise was Melanie, but her voice, a length of razor wire wrapped in a soufflé, eventually faded. "
― Andrew Barrett , A Long Time Dead (The Dead Trilogy, #1)
18 " I..." He struggled to answer. " When everything was quiet, I went up to the corridor and the curtain in the livingroom was open just a crack... I could see outside. I watched, only for a few seconds." He had not seen the outside world for twenty-two months.There was no anger or reproach.It was Papa who spoke.How did it look?" Max lifted his head, with great sorrow and great astonishment. " There were stars," he said. " They burned by eyes. "
19 " Mother knocked once on my door and walked in my room to see me on my bed with the book tight in my grasp. She looked at my night dress and smiled. “Expecting company?” She asked. I flushed. “It was a gift from Aunt Rose. It is only fair that I wear it considering I do not see her that often anymore.” My voice was firm as I looked down at my night dress. The fabric was silky, and the color was minty-green. It made my skin tone much more noticeable and it made my hair stand out from the rest of me. “Are you sure you are not expecting Alexander?” She asked me sitting at the edge of my bed with a smile not only on her face, but in her eyes. “Why do you insist I dress for him?” I returned. “I did not insist that,” Mother answered softly. “I was simply curious as to why you were wearing it. Plus,” Mother flashed me a bright smile. “I saw Alexander walking around the corridor a few minutes ago.” My heart raced. Mother could see my reaction to that and looked back at my night dress. “It is a very pretty dress; I just wish you were to get it in a year or two from now. It seems so….” “Grown up?” I offered. “I suppose it does, yes,” Mother agreed quietly. She ran her hand on the lace that covered the bottom rim of the dress and said, “However the word I was going to say was…suggestive. "
― Barbara C. Doyle , Finding Redemption
20 " The riot screws did not stop there, they dragged him down the corridor where ten other nameless screws repeatedly coshed him over the head and face and body. Dingus by now was totally out cold, he had received the equivalent injuries of someone who was involved in a car crash. "
― , Scottish Hard Bastards
