the contours QUOTES

1 " Love is not the absence of logic
but logic examined and recalculated
heated and curved to fit
inside the contours of the heart "

― Tammara Webber , Easy (Contours of the Heart, #1)

2 " ...why can't I stop all the moving and look out over the vast arrangements and find by the contours and colors and qualities of light where my father is, not to solve anything but just simply even to see it again one last time, before what, before it ends, before it stops. But it doesn't stop; it simply ends. It is a final pattern scattered without so much as a pause at the end, at the end of what, at the end of this. "

― Paul Harding

3 " He knew me in all the ways that truly mattered: the shape of my fears, the contours of my dreams. "

― Justina Chen

4 " Often, people build stories in their mind which have no basis in the contours of reality. Those which build these images, are building such images which are based on their relatively limited sense of understanding about the particular subject or person. This is a " fill in the blank" reality, which often manifests itself into the hearts and the minds of those who have a " fill in the blank" mindset, not the person with the here said reality.The universe is designed in a way that reflects itself, just like a mirror, showing you exactly who you are to yourself, not who others are. Your largest and most concealed insecurities have their way of presenting themselves to you in a fashion that is relative to your self designed way of communication.This short writing is a reminder that your preconceived notions on a particular subject or person, are a construct of your inner mind and emotional-relational well being and not of others. This is one of the largest fundamental truths in which you must have large insight to carefully watch who and what you massacre with your personal thoughts.Having a keen sense of control on this subject will lead you to enlightenment in many platforms of life. "

5 " I couldn’t talk about it, about them—not yet. So I breathed “Later” and hooked my feet around his legs, drawing him closer. I placed my hands on his chest, feeling the heart beating beneath. This—I needed this right now. It wouldn’t wash away what I’d done, but … I needed him near, needed to smell and taste him, remind myself that he was real—this was real.
“Later,” he echoed, and leaned down to kiss me.
It was soft, tentative—nothing like the wild, hard kisses we’d shared in the hall of throne room. He brushed his lips against mine again. I didn’t want apologies, didn’t want sympathy or coddling. I gripped the front of his tunic, tugging him closer as I opened my mouth to him.
He let out a low growl, and the sound of it sent a wildfire blazing through me, pooling and burning in my core. I let it burn through that hole in my chest, my soul. Let it raze through the wave of black that was starting to press around me, let it consume the phantom blood I could still feel on my hands. I gave myself to that fire, to him, as his hands roved across me, unbuttoning as he went.
I pulled back, breaking the kiss to look into his face. His eyes were bright—hungry—but his hands had stopped their exploring and rested firmly on my hips. With a predator’s stillness, he waited and watched as I traced the contours of his face, as I kissed every place I touched.
His ragged breathing was the only sound—and his hands soon began roaming across my back and sides, caressing and teasing and baring me to him. When my traveling fingers reached his mouth, he bit down on one, sucking it into his mouth. It didn’t hurt, but the bite was hard enough for me to meet his eyes again. To realize that he was done waiting—and so was I.
He eased me onto the bed, murmuring my name against my neck, the shell of my ear, the tips of my fingers. I urged him—faster, harder. His mouth explored the curve of my breast, the inside of my thigh.
A kiss for each day we’d spent apart, a kiss for every wound and terror, a kiss for the ink etched into my flesh, and for all the days we would be together after this. Days, perhaps, that I no longer deserved. But I gave myself again to that fire, threw myself into it, into him, and let myself burn. "

― Sarah J. Maas , A Court of Thorns and Roses (A Court of Thorns and Roses, #1)

6 " A police photograph is like a passport photograph: the intelligence which casts a veil over the crude common shape is never recorded by the cheap lens. No one can deny the contours of the flesh, the shape of nose and mouth, and yet we protest, This isn't me. "

― Graham Greene , The Ministry of Fear

7 " ...he lacked the sort of ambition that JB and Jude had, that grim, trudging determination that kept them at the studio or office longer than anyone else, that gave them that slightly faraway look in their eyes that always made him think a fraction of them was already living in some imagined future, the contours of which were crystallized only to them. "

― Hanya Yanagihara , A Little Life

8 " Words are not cubicles for truth telling. Words do not allow us to touch the face of God or define the contours of the soul. Words are imprecise and cannot capture all aspects of reality or replicate all facets of a person’s emotional mélange. Language allows for limited explorations of reality and minimal probing of the human mind. I accept that the only possible relation between language and the world is the image displayed in each person’s head by the picture invoking ability of language. Select word pictures might accurately portray what I perceive and still be vague, blatantly inaccurate, completely meaningless, misleading, distorted, or incomprehensible in other persons’ minds. "

9 " It was magic to be above [the clouds], to see their uppermost contours, the way they caught the light and held it, their vast shadows moving upon the face of the earth. I wished I could open the window and know what the world sounded like at that altitude. I thought about the solitude of that world, how it must be inhabited by the voice of the wind, only. ... I thought about what my crows saw as they flew above canyons and treetops, the birds-eye view of life. They would recognize specific trees, perches, and nesting sites from a completely different perspective than I could. Their maps differed from mine; they knew the topography, the contours of the landscape, on a much grander scale. "

― Elizabeth J. Church , The Atomic Weight of Love

10 " Here in Alpha City, we have a common saying: “What we call ‘sky’ is merely a figment of our narrative.” The most dreamy-eyed among us seem to adorn themselves and their aspirations in that proverb and you’ll see it everywhere: in advertisements on the sides of streetcars and auto-rickshaws, spelled out in studs and rhinestones on designer jackets, emblazoned in the intricate designs of facial tattoos—even painted on city walls by putrid vandals and inspiring street artists.

There is something glorious about kneading out into the doughy firmament the depth and breadth of one’s own universe, in rendering the contours of a sky whose limits are predicated only upon the bounds of one’s own imagination. The fact of the matter is that we cannot see the natural sky at all here. It is something like a theoretical mathematical expression: like the square-root of ‘negative one’—certainly it could be said to have a purpose for existing, but to cast eyes upon it, in its natural quantity, would be something akin to casting one’s eyes upon the raw elements comprising our everyday sustenance. How many of us have even borne close witness to the minute chemical compounds that react to lend battery power to our portable electronics? The sky is indeed such a concealed fixture now. It is fair to say that we have purged our memories of its true face and so we can only approximate a canvas and project our desires upon it to our heart’s dearest fancy. The most cynical among us would ostensibly declare it an unavoidable tragedy, but perhaps even these hardened individuals could not remember the naked sky well enough to know if what they were missing was something worthwhile. Perhaps, it’s cynical of me to say so! In any case, we have our searchlights pointed upwards and crisscrossing that expanse of heavens as though to make some sensational and profane joke of ourselves to the surrounding universe. We beam already video images of beauty pageants and dancing contests with smiling mannequins who look like buffoons. And so, the face of space cloaks itself behind our light pollution—in this respect, our mirrored sidewalks and lustrous streets do little to help our cause—and that face remains hidden from us in its jeering ridicule, its mocking laughter at this inexorable farce of human existence. "

― Ashim Shanker

11 " It was strange learning the contours of another’s loneliness. You could never know it all at once; like stepping inside a dark cave, you felt along the walls, bumped into jagged edges. "

― Brit Bennett , The Mothers

12 " She sat, rediscovering the fullness of her first tongue in one long submersion. Again and again she would pause on a word Melio uttered. She would roll it around in her mind, feeling the contours of it. At times her mouth gaped open, her lips moving as if she were drinking in his words instead of breathing. "

― David Anthony Durham , Acacia: The War with the Mein (Acacia, #1)

13 " In building a path through the self to the far shore of awareness, we have to carefully pick our way through our own wilderness. If we can put our minds into a place of surrender, we will have an easier time feeling the contours of the land. We do not have to break our way through as much as we have to find our way around the major obstacles. We do not have to cure every neurosis, we just have to learn how not to be caught by them. "

― Mark Epstein , Going to Pieces Without Falling Apart: A Buddhist Perspective on Wholeness

14 " Moonlight knew no colors and traced the contours of the terrain only very softly. It covered the land a dirty gray, strangling life all night long. This world molded in lead, where nothing moved but the wind that fell sometimes like a shadow over the gray forests, and where nothing lived but the scent of the naked earth, was the only world he accepted, for it was much like the world of his soul. "

― Patrick Süskind , Perfume: The Story of a Murderer

15 " While Daniel disappeared into his room, probably to limn the contours of some exquisite constellation of philosophical nonsense for his internship applications and gasp in the throes of his overachieving OCDness. "

― Michelle Hodkin , The Unbecoming of Mara Dyer (Mara Dyer, #1)

16 " Of course, there were innumerable conversions during these years, as Christianity became the religion of Western Europe and Christendom took its characteristic shape. Many of these were undramatic – serfs responding to the importunity of their lords – or group events, as in the conversion of Clovis’s troops. But for many others there was no longer need of conversion. The contours of Christian experience had shifted. Whereas up to the time of Augustine there had been four stages of initiation and incorporation into the church, there were no typically two. The first stage was brief and obligatory – baptism in the days or months after birth. The second stage would happen later and would take longer – if it took place at all – when confirmation happened and when parents instructed their children and godparents instructed their godchildren in the beliefs and behavior of the Christian church. Indeed, at this time of the rapid spread of Christianity into new territories, it was vitally necessary that the baptizands be taught well. The heroic and valorous values of the folk, the glorious narratives of warriors, the adulation of wealth and strength – all of these were as firmly in place in seventh-century Gaul as the pagan values and narratives had been in third-century Rome. If Christianity were to be a religion of revelation that could challenge the commonplaces of Gallic society, if new habits were to be taught and new role models were to be adopted, there would have to be some form of postbaptismal pastoral follow-up. "

― , The Change of Conversion and the Origin of Christendom

17 " That could also be because at one point during the film, our hands found each other. And when I felt Michael's middle finger caress the inside of my palm, it sent a tickle up my spine, and the fingers of my right hand were soon exploring his left hand, and we each took turns tracing the contours of the other's hands. "

― Zack Love , The Syrian Virgin (The Syrian Virgin #1)

18 " I'd been surprised by the depth of emotion that was invested in that curiously archaic phrase 'great power'. What would it mean, I'd asked myself, to the lives of working journalists, salaried technocrats and so on if India achieved 'great power status'? What were the images evoked by this tag?

Now, walking through this echoing old palace, looking at the pictures in the corridors, this aspiration took on, for the first time, the contours of an imagined reality. This is what the nuclearists wanted: to sign treaties, to be pictured with the world's powerful, to hang portraits on their walls, to become ancestors. On the bomb they had pinned their hopes of bringing it all back. "

― Amitav Ghosh , Countdown

19 " We are leading as thorough a study of 'alienation's positive pole' as of its negative pole. As a consequence of our diagnosis of the poverty of wealth, we are able to establish the world map of the extreme wealth of poverty. These speaking maps of a new topography will be in fact the first realization of 'human geography.' On them we will replace oil-deposits with the contours of layers of untapped pedestrian consciousness. "

― , The Situationists and the City: A Reader

20 " Sri Lanka is an island that everyone loves at some level inside themselves. A very special island that travellers, from Sinbad to Marco Polo, dreamed about. A place where the contours of the land itself forms a kind of sinewy poetry. "