2
" The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. " Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. " Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. " Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. " I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. " I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. " None made," he said. " I'm not making a new pot just for you." " But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. " Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, " What was that?" " I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. " That's wonderful. I'll wait here. "
10
" She drank in the sight of him, sure that anything so perfect had to be a dream. He seemed bigger with just a towel wrapped around his waist. It was amazing what wonders clothing could hide. Over six feet of long muscled male. Bronzed skin, lightly dusted with hair seemed to glow as he walked towards her. He moved like an athlete. Strong, confident strides that ate up the distance between them in no time. Her hands wanted to touch him, anywhere, everywhere. His impossibly flat, firm stomach seemed to call out for her mouth to trace the ridges; her tongue eagerly memorizing every smooth, muscled inch. “Lose the towel.” She wasn’t asking, she was pleading. Jack let the cloth fall to the floor. Eyes wide Rose gasped. Mother Nature had been very kind to Jack Winston, and she was about to be a very grateful beneficiary. “Rose, sweetheart,” Jack stepped back when she would have touched him. “Oh, come on, Jack,” she groaned in frustration. “I’ve been a very good girl. Now it’s time for my reward. "
16
" I have written various words, verbs, adjectives, and adverbs, and bits of dismantled sentences, fragments of expressions and descriptions and all kinds of tentative combinations. Every now and again I pick up one these particles, these molecules of texts, hold it up to the light and examine it carefully, turn it in various directions, lean forward and rub or polish it, hold it up to the light again, rub it again slightly, then lean forward and fit it into the texture of the cloth I am weaving. Then I stare at it from different angles, still not entirely satisfied, and take it out again and replace it with another word, or try to fit it into another niche in the same sentence, then remove, file it down a tiny bit more, and try to fit it in again, perhaps at a slightly different angle. Or deploy it differently. Perhaps farther down the sentence. Or at the beginning of the next one. Or should I cut it off and make it into a one-word sentence on its own?
I stand up. Walk around the room. Return to the desk. Stare at it for a few moments or longer, cross out the whole sentence or tear up the whole page. I give up in despair. I curse myself aloud and curse writing in general and the language as a whole, despite which I sit down and start putting the whole thing together all over again. [p.268] "
― Amos Oz , A Tale of Love and Darkness