Home > Topic > the campfire
1 " s father's words. But they are as empty on his lips as they feel in my ears. This was has taken everything from him. I see in his eyes how broken he is. how terribly hard he is trying to be his father's son. If he could, he would choose to be back by the campfire we made in the highlands of the Institute. He would return to the days of glory when life was simple, when friends seemed true. But wishing for the past doesn't clean the blood from either of our hands. "
2 " ...while epic fantasy is based on the fairy tale of the just war, that’s not one you’ll find in Grimm or Disney, and most will never recognize the shape of it. I think the fantasy genre pitches its tent in the medieval campground for the very reason that we even bother to write stories about things that never happened in the first place: because it says something subtle and true about our own world, something it is difficult to say straight out, with a straight face. Something you need tools to say, you need cheat codes for the human brain--a candy princess or a sugar-coated unicorn to wash down the sour taste of how bad things can really get.See, I think our culture has a slash running through the middle of it, too. Past/Future, Conservative/Liberal, Online/Offline. Virgin/Whore. And yes: Classical/Medieval. I think we’re torn between the Classical Narrative of Self and the Medieval Narrative of Self, between the choice of Achilles and Keep Calm and Carry On.The Classical internal monologue goes like this: do anything, anything, only don’t be forgotten. Yes, this one sacrificed his daughter on a slab at Aulis, that one married his mother and tore out his eyes, and oh that guy ate his kids in a pie. But you remember their names, don’t you? So it’s all good in the end. Give a Greek soul a choice between a short life full of glory and a name echoing down the halls of time and a long, gentle life full of children and a quiet sort of virtue, and he’ll always go down in flames. That’s what the Iliad is all about, and the Odyssey too. When you get to Hades, you gotta have a story to tell, because the rest of eternity is just forgetting and hoping some mortal shows up on a quest and lets you drink blood from a bowl so you can remember who you were for one hour.And every bit of cultural narrative in America says that we are all Odysseus, we are all Agamemnon, all Atreus, all Achilles. That we as a nation made that choice and chose glory and personal valor, and woe betide any inconvenient “other people” who get in our way. We tell the tales around the campfire of men who came from nothing to run dotcom empires, of a million dollars made overnight, of an actress marrying a prince from Monaco, of athletes and stars and artists and cowboys and gangsters and bootleggers and talk show hosts who hitched up their bootstraps and bent the world to their will. Whose names you all know. And we say: that can be each and every one of us and if it isn’t, it’s your fault. You didn’t have the excellence for it. You didn’t work hard enough. The story wasn’t about you, and the only good stories are the kind that have big, unignorable, undeniable heroes. "
― Catherynne M. Valente
3 " I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you’re recreating the experience of life, not just relaying a ‘this happened, then that happened’ kind of narrative. The specific details and layers of depth that make the world of the story — and what the character is experiencing in that world — as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. "
― Lara Campbell McGehee
4 " Technology is the campfire around which we tell our stories. "
― Laurie Anderson
5 " I follow the path we’ve taken so many times this summer – across the front, down the street, cut back through a neighbor’s yard, down the stairs to the beach, past the pier, through the campfire labyrinth, up to the deck of the Shack, and straight into Sam’s arms. Without speaking, he kisses me hard on the mouth and I kiss him back, sobbing and crumpling into his chest like a broken puppet. "
― Sarah Ockler , Twenty Boy Summer
6 " When an entire world had abandoned us, or at least while we felt like that, and even when nasty ogres killed my monk and Arnd's chevalier the brutal way, gathering to be a group of heroes & heroines gave us the recovery and idealism to live-on nonetheless.I had hate, contempt, puzzled looks, and sometimes even understanding for those mainstreamers who knew nothing but sex about adulthood. As I have the roots of a European Barbarian who shared his tales at the campfire (old way of books) PLUS knowing that the intimicy of a mature relationship can be spoiled by sex, but it can never be built and maintained by sex alone...Nah, much to contemplative and honest. Let's link-in some light-hearted fun:Mikey Mason, over at youtube dot come has the songs 'Best Game Ever, and Summer of 83'... "
― Andrè M. Pietroschek
7 " When an entire world had abandoned us, or at least while we felt like that, and even when nasty ogres killed my monk and Arnd's chevalier the brutal way, gathering to be a group of heroes & heroines gave us the recovery and idealism to live-on nonetheless.I had hate, contempt, puzzled looks, and sometimes even understanding for those mainstreamers who knew nothing but sex about adulthood. As I have the roots of a European Barbarian who shared his tales at the campfire (old way of books) PLUS knowing that the intimacy of a mature relationship can be spoiled by sex, but it can never be built and maintained by sex alone...Nah, much to contemplative and honest. Let's link-in some light-hearted fun:Mikey Mason, over at youtube dot com has the songs 'Best Game Ever, and Summer of 83'... "
― , Attempted Poetry
8 " We smoked fat cigars by the campfire and they tasted like wood and ash. The inhale and exhale was exciting. Blowing smoke rings in the calm forest air was followed by a deep swallow of cheap beer, and this too was exciting. There was no judgment in the wild, and so indulgences were plentiful. There were no regulators here and we were free to indulge in the deep intoxications that made our minds free. "
― Daniel J. Rice , The UnPeopled Season: Journal from a North Country Wilderness