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the bench  QUOTES

7 " But then something happened, Ray, something amazing. Something..." That white cop sitting next to me? He took a long look at my mother when she came in, just like, absorbed her, and then without even turning to me, he just put his hand on my back, up between my neck and shoulder..." And all he did was squeeze. Give me a little squeeze of sympathy, then rubbed that same spot with his palm for maybe two, three seconds, and that was it." But I swear to you, nobody, in my entire life up to that point had ever touched me with that kind of tenderness. I had never experienced a sympathetic hand like that, and Ray, it felt like lightning." I mean, the guy did it without thinking, I'm sure. And when dinnertime rolled around he had probably forgotten all about it. Forgot about me, too, for that matter... But I didn't forget." I didn't walk around thinking about it nonstop either, but something like seven years later when I was at community college? The recruiting officer for the PD came on campus for Career Day, and I didn't really like college all that much to begin with, so I took the test for the academy, scored high, quit school and never looked back." And usually when I tell people why I became a cop I say because it would keep Butchie and Antoine out of my life, and there's some truth in that." But I think the real reason was because that recruiting officer on campus that day reminded me, in some way, you know, conscious or not, of that housing cop who had sat on the bench with me when I was thirteen." In fact, I don't think it, I know it. As sure as I'm standing here, I know I became a cop because of him. For him. To be like him. God as my witness, Ray. The man put his hand on my back for three seconds and it rerouted my life for the next twenty-nine years." It's the enormity of small things... Adults, grown-ups, us, we have so much power... And sometimes when we find ourselves coming into contact with certain kinds of kids? Needy kids? We have to be ever so careful... "

10 " Encouragement, Love, HopeThere was a man that struggled with every step and walked each step with fear. As we all know when you walk and pave a path of fear, the steps slow down and the true light of faith dims. His family did, however, stand behind him. Though his steps were slow and not going far, his family followed covering each of those steps with encouragement and hope. As he kept walking and turned his head, the people who cared most weren't clear. His fear had taken over and there was uncertainty that slowed him down even further. The family that stands behind you is the one who gives you the push you need to keep going.The man was saddened with fear and started to sob. Mystery of the unknown was the overwhelming door he wasn't ready to open. His family followed right behind him, saying, " We are there for you, you are strong; you can make it through the toughest path with the strongest light of hope." It seemed he couldn't hear all that was said. It was as if he wasn't truly listening to the strongest words, but to the heavy negativity that kept drowning him in his fear. His steps slowed down even further. He cried some more and was shaken even more by the unknown that was ahead. It was that he didn't want to take a chance of what could come ahead, what could be the most enlightening and most life changing steps he could take to better himself in the future.His family still stood behind him with every step he took. Every time he looked back it was getting dimmer and dimmer, but they were still there. They spoke softly to him, " Everybody has risks in their lives, even obstacles they must over come. It will only make you stronger in the end, without risks in life, there is no chance." He didn't hear them speak; he heard it as if it was another language, something so far from understanding.The man found a bench and sat down. He was tired and didn't want to walk any further. His eyes filled with tears that streamed down his cheeks. His hands starting to cover his face, drowning in the fear that was overwhelming him. Again his loving family was there, but he couldn't see. They were around him with heart-filling encouragement and love, and best of all, that blessedness of hopeThe man lay down on the bench; his tears had soaked his cheeks and palms of his hands and fell asleep. When he awoke, his eyes slowly opened, trying to look around, finding that he was in an unfamiliar place. His vision was a bit fuzzy. He looked down and started to realize he wasn't on the bench anymore.He saw his legs and started to look up further; he was in a hospital gown. The man's eyes grew even more confused. He stood there in silence as his head slowly tilted up. He didn't understand why here was there.His eyes turn and he looks, as he notices numerous cords "

17 " In life,” he said, “there are no essentially major or minor characters. To that extent, all fiction and biography, and most historiography, are a lie. Everyone is necessarily the hero of his own life story. Hamlet could be told from Polonius’s point of view and called The Tragedy of Polonius, Lord Chamberlain of Denmark. He didn’t think he was a minor character in anything, I daresay. Or suppose you’re an usher in a wedding. From the groom’s viewpoint he’s the major character; the others play supporting parts, even the bride. From your viewpoint, though, the wedding is a minor episode in the very interesting history of your life, and the bridge and groom both are minor figures. What you’ve done is choose to play the part of a minor character: it can be pleasant for you to pretend to be less important you know you are, as Odysseus does when he disguises as a swineherd. And every member of the congregation at the wedding sees himself as the major character, condescending to witness the spectacle. So in this sense fiction isn’t a lie at all, but a true representation of the distortion that everyone makes of life.
“Now, not only are we the heroes of our own life stories–we’re the ones who conceive the story, and give other people the essences of minor characters. But since no man’s life story as a rule is ever one story with a coherent plot, we’re always reconceiving just the sort of hero we are, and consequently just the sort of minor roles that other people are supposed to play. This is generally true. If any man displays almost the same character day in and day out, all day long, it’s either because he has no imagination, like an actor who can play only one role, or because he has an imagination so comprehensive that he sees each particular situation of his life as an episode in some grand over-all plot, and can so distort the situations that the same type of hero can deal with them all. But this is most unusual.
“This kind of role-assigning is myth-making, and when it’s done consciously or unconsciously for the purpose of aggrandizing or protecting your ego–and it’s probably done for this purpose all the time–it becomes Mythotherapy. Here’s the point: an immobility such as you experienced that time in Penn Station is possible only to a person who for some reason or other has ceased to participate in Mythotherapy. At that time on the bench you were neither a major nor a minor character: you were no character at all. It’s because this has happened once that it’s necessary for me to explain to you something that comes quite naturally to everyone else. It’s like teaching a paralytic how to walk again. "

John Barth