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the bad boy  QUOTES

1 " Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive
insect of glitter, a chandelier shining at the end

of a long tunnel. Thirteen years ago, you hid the hurt
in your voice under a blanket and said there’s two kinds
of women—those you write poems about

and those you don’t. It’s true. I never brought you
a bouquet of sonnets, or served you haiku in bed.
My idea of courtship was tapping Jane’s Addiction

lyrics in Morse code on your window at three A.M.,
whiskey doing push-ups on my breath. But I worked
within the confines of my character, cast

as the bad boy in your life, the Magellan
of your dark side. We don’t have a past so much
as a bunch of electricity and liquor, power

never put to good use. What we had together
makes it sound like a virus, as if we caught
one another like colds, and desire was merely

a symptom that could be treated with soup
and lots of sex. Gliding beside you now,
I feel like the Benjamin Franklin of monogamy,

as if I invented it, but I’m still not immune
to your waterfall scent, still haven’t developed
antibodies for your smile. I don’t know how long

regret existed before humans stuck a word on it.
I don’t know how many paper towels it would take
to wipe up the Pacific Ocean, or why the light

of a candle being blown out travels faster
than the luminescence of one that’s just been lit,
but I do know that all our huffing and puffing

into each other’s ears—as if the brain was a trick
birthday candle—didn’t make the silence
any easier to navigate. I’m sorry all the kisses

I scrawled on your neck were written
in disappearing ink. Sometimes I thought of you
so hard one of your legs would pop out

of my ear hole, and when I was sleeping, you’d press
your face against the porthole of my submarine.
I’m sorry this poem has taken thirteen years

to reach you. I wish that just once, instead of skidding
off the shoulder blade’s precipice and joyriding
over flesh, we’d put our hands away like chocolate

to be saved for later, and deciphered the calligraphy
of each other’s eyelashes, translated a paragraph
from the volumes of what couldn’t be said. "

Jeffrey McDaniel

4 " Imagine what it's like to be (untouchable)
Better not take a chance on me (untouchable)
I'm the bad boy your mama told you about
I'm dangerous, without a doubt
Even coming off a ten-year drought
Untouchable

I'm the rose with hidden thorns (untouchable)
Don't tell me that you haven't been warned (untouchable)
I'm pretty poison under the skin,
The bite of the apple that's a mortal sin
In a game of love you'll never win
Untouchable

My reputation's fairly earned (untouchable)
If you play with fire, you will get burned (untouchable)
Stay out of the kitchen if you can't take the heat,
My kisses are deadly as they are sweet,
I'm a runaway bus on a dead-end street
Untouchable

Fools rush in, that's what they say(untouchable)
But angels fall, too, most every day (untouchable)
I'm the snake in the garden, the siren on the reef
I have the face of a saint and the heart of a thief
I'll promise you love! And bring you nothing but grief
Untouchable

Hearing Jonah sing like this was like watching him slice himself open and show off his insides. Why would he do that? Why would be write such a song?
And then Emma answered her own question. Because good music always tells the truth, no matter how much it hurts.
Emma couldn't be the only one who felt the bite of the blade, but everyone else seemed to take it in stride. Did they know? Did they all know about Jonah?
Of course they did. They were there when it happened. They'd allow Jonah to keep the secrets that were most important to him. She knew she shouldn't resent that, but she still did. They must have known she was falling for him. They must have. "

Cinda Williams Chima , The Sorcerer Heir (The Heir Chronicles, #5)