3
" Many women are singing together of this:
one is in a shoe factory cursing the machine,
one is at the aquarium tending a seal,
one is dull at the wheel of her Ford,
one is at the toll gate collecting,
one is tying the cord of a calf in Arizona,
one is straddling a cello in Russia,
one is shifting pots on the stove in Egypt,
one is painting her bedroom walls moon color,
one is dying but remembering a breakfast,
one is stretching on her mat in Thailand,
one is wiping the ass of her child,
one is staring out the window of a train
in the middle of Wyoming and one is
anywhere and some are everywhere and all
seem to be singing, although some can not
sing a note. "
― Anne Sexton , The Complete Poems
6
" There's no way out," he announced with satisfaction, " and no amount of wishful dreaming will produce one. The demon won't go back in its bottle, the face-off is for ever, the embrace gets tighter and the toys cleverer with every generation, and there's no such thing for either side as enough security. Not for the main players, not for the nasty little newcomers who each year run themselves up a suitcase bomb and join the club. We get tired of believing that, because we're human. We may even con ourselves into believing the threat has gone away. It never will. Never, never, never." " So, who'll save us then, Walt?" Barley asked. " You and Nedsky?" " Vanity, if anything will, which I doubt," Walter retorted. " No leader wants to go down in history as the ass who destroyed his country in an afternoon. And funk, I suppose. Most of our gallant politicians do have a narcissistic objection to suicide, thank God. "
14
" I guess I´m too used to sitting in a small room and making
words do a few things. I see enough of humanity at the
racetracks, the supermarkets, gas stations, freeways, cafes,
etc. This can´t be helped. But I feel like kicking myself in
the ass when I go to gatherings, even if the drinks are free.
It never works for me. I´ve got enough clay to play with.
People empty me. I have to get away to refill. I´m what´s best
for me, sitting here slouched, smoking a beedie and watching
this creen flash the words. Seldom do you meet a rare or
interesting person. It´s more than galling, it´s a fucking
constant shock. It´s making a god-damned grouch out of me.
Anybody can be a god-damned grouch and most are. Help! "
― Charles Bukowski , The Captain is Out to Lunch and the Sailors Have Taken Over the Ship
19
" This is a love story, Michael Deane says.
But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story. "
― Jess Walter , Beautiful Ruins