Home > Topic > the Statue
1 " As when, O lady mine,With chiselled touchThe stone unhewn and coldBecomes a living mould,The more the marble wastes,The more the statue grows. "
― Michelangelo Buonarroti
2 " The Marquis sighed. " I thought it was just a legend," he said. " Like the alligators in the sewers of New York City." Old Bailey nodded, sagely: " What, the big white buggers? They're down there. I had a friend lost a head to one of them." A moment of silence. Old Naeiley handed the statue back to the Marquis. Then he raised his hand, and snapped it, like a crocodile hand, at the Carabas. " It was OK," gurned Old Bailey with a grin that was most terrible to behold. " He had another. "
3 " Freedom, however, is not the last word. Freedom is only part of the story and half of the truth. Freedom is but the negative aspect of the whole phenomenon whose positive aspect is responsibleness. In fact, freedom is in danger of degenerating into mere arbitrariness unless it is lived in terms of responsibleness. That is why I recommend that the Statue of Liberty on the East Coast be supplemented by a Statue of Responsibility on the West Coast. "
― Viktor E. Frankl , Man's Search for Meaning
4 " THAT'S IT!" Terminus cried. " That's AGAINST THE RULES!" Polybotes frowned, obviously confused that he was being told off by a statue. " What are you?" he growled. " Shut up!" He pushed the statue over and turned back to Percy." Now I'm MAD!" Terminus shrieked. " I'm strangling you. Feel that? Those are my hands around your neck, you big bully. Get over here! I'm going to head-butt you so hard-- "
5 " The mind is at every stage a theater of simultaneous possibilities. Consciousness consists in the comparison of these with each other, the selection of some, and the suppression of the rest by the reinforcing and inhibiting agency of attention. The highest and most elaborated mental products are filtered from the data chosen by the faculty next beneath, out of the mass offered by the faculty below that, which mass in turn was sifted from a still larger amount of yet simpler material, and so on. The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest. Just so the world of each of us, how so ever different our several views of it may be, all lay embedded in the primordial chaos of sensations, which gave the mere matter to the thought of all of us indifferently. We may, if we like, by our reasonings unwind things back to that black and jointless continuity of space and moving clouds of swarming atoms which science calls the only real world. But all the while the world we feel and live in will be that which our ancestors and we, by slowly cumulative strokes of choice, have extricated out of this, like sculptors, by simply removing portions of the given stuff. Other sculptors, other statues from the same stone! Other minds, other worlds from the same monotonous and inexpressive chaos! Your world is but one in a million alike embedded, alike real to those who may abstract them. How different must be the worlds in the consciousness of ant, cuttlefish, or crab! "
― William James , The Principles of Psychology
6 " I have a rule." " Elaborate." The statue is still warm from the previous visitors. " I ask myself, if the worst happened—if I did get knocked up-would I be embarrassed to tell my child who his father was? If the answer is anywhere even remotely close to yes, then there's no way." He nods slowly. " That's a good rule. "
7 " It was about as easy getting the Statue of Liberty to spread cunny, which did take some dynamite persuasion. "
― William T. Vollmann
8 " He greeted me in his usual attire - pajama pants. " Hey stranger!" he said, hugging me for a few long seconds. " I've already set up the board. Can I get you some rose" I nodded, overwhelmingly relieved to be with another human being - even if he was really a wolf in grandma's clothing. Or was he just a wolf in wolf's clothing? After all, he wore pajamas... Hmmm. I contemplated all this as he poured me a glass of wine." Mind if I smoke?" he asked as he lit up a joint and motioned me over to the sleek brown couch. Italian, of course.Through the three windows that faced south, north, and west, I saw the Statue of Liberty, and Ellis Island, where I had paid to have my parents' names inscribed in the immigrant wall of honor. Some American Dream this was! "
9 " She became fascinated by the statue of Edith Cavell and would stand at the base of it in the freezing cold of a December morning, looking up: -Patriotism is not enough. I must have no hatred or bitterness for anyone-. Sometimes those words made her cry. The tears would come uncontrollably and they would not stop. And in those moments Anna found forgiveness and it made her free. But they were only moments. Forgiveness is a hard thing to hang on to. "
10 " 10. Never allow your imagination to stop. It was the imagination of great people that brought us the internet, the pyramids, cars, airplanes, boats, great novels, beautiful painting, classical songs, great movies, water irrigation, solar panels, the statue of liberty, the wall of china and so forth. Never under estimate your imagination. "
― Tasha Hoggatt
11 " Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that " Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music! "
12 " I saw the statue completely different now. I'd decided that he wasn't pointing to anything or anyone. Now all I could see was that he was reaching out his hand to someone. For me that explained the expression on his face that I'd never quite been able to understand before. He was hopeful and nervous and scared and a little bit proud of himself for doing it - extending his hand to someone, not knowing if they'd take it. This was, I had realized, one of the scariest things of all, requiring much more courage than sailing across an ocean and landing on an unknown shore At least that's what I saw. Clark and Tom's new theory was that he was a time traveler who'd somehow been transported to the past and was just trying to hail a cab. "
13 " This womens skin is shimmering and pale, her long black hair is tied with dozens of silver ribbons that fall over her shoulders. Her gown is white, covered in what to Bailey looks like looping black embroidery, but as he walks closer he sees that the black marks are actually words written across the fabric. When he is near enough to read parts of the gown, he realizes that they are love letters, inscribed in handwritten text. Words of desire and longing wrapping around her waist, flowing down the train of her gown as it spills over the platform. The statue herself is still, but her hand is held out and only then does Bailey notice the young woman with a red scarf standing in front of her, offering the love letter-clad statue a sungle crimson rose.The movement is so subtle that it is almost undetectable, but slowly, very, very slowly, the statue reaches to accept the rose.Her fingers open, and the young woman with the rose waits patiently as the statue gradually closes her hand around the stem, releasing it only when it is secure.....The statue is lifting the rose, gradually, to her face. Her eye lids slowly close. "
― Erin Morgenstern , The Night Circus
14 " The main objects of all science, the freedom and happiness of man. . . . [are] the sole objects of all legitimate government.(A plaque with this quotation, with the first phrase omitted, is in the stairwell of the pedestal of the Statue of Liberty.) "
― Thomas Jefferson , Writings: Autobiography / Notes on the State of Virginia / Public and Private Papers / Addresses / Letters
15 " The president, the secretary of state, the businessman, the preacher, the vendor, the spies, the clients and managers—all walking around Wall Street like chickens with their heads cut off—rushing to escape bankruptcy—plotting to melt down the Statue of Liberty—to press more copper pennies—to breed more headless chickens—to put more feathers in their caps—medals, diplomas, stock certificates, honorary doctorates—eggs and eggs of headless chickens—multitaskers—system hackers—who never know where they’re heading--northward, backward, eastward, forward, and never homeward—(where is home)—home is in the head—(but the head is cut off)—and the nest is full of banking forms and Easter eggs with coins inside. Beheaded chickens, how do you breed chickens with their heads cut off? By teaching them how to bankrupt creativity. "
― Giannina Braschi
16 " He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?”He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.”Confused, Tom stepped past him into the bunk. Then he gawked, too.Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW?Tom began to laugh.“She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.”That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved.He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games.“My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe.Just then, Vik’s new roommate bustled into the bunk.He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory:NAME: Giuseppe NicholsRANK: USIF, Grade IV Middle, Alexander DivisionORIGIN: New York, NYACHIEVEMENTS: Runner-up, Van Cliburn International Piano CompetitionIP: 2053:db7:lj71::291:ll3:6e8SECURITY STATUS: Top Secret LANDLOCK-4Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.”Tom smothered his laughter. “Wow. He already has your number, man.”Vik shot him a look of death as Tom backed out of the bunk. "
― S.J. Kincaid
17 " In the small central square of Ljubljana, the statue of the poet stares fixedly at something. If you follow his gaze, you will see, on the other side of the square, the face of a woman carved into the stone of one of the houses. That was where Julia had lived. Even after death, Prešeren gaze for all eternity on his Impossible love. "
― Paulo Coelho , Veronika Decides to Die
18 " If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore. "
― Francesca Lia Block , I Was a Teenage Fairy
19 " They yoked themselves to a car and drew her all the long way through dust and heat. Everyone admired their filial piety when they arrived and the proud and happy mother standing before the statue prayed that Hera would reward them by giving them the best gift in her power. As she finished her prayer the two lads sank to the ground. They were smiling and they looked as if they were peacefully asleep but they were dead. (Biton and Cleobis) "
― Edith Hamilton , Mythology
20 " Tell me when it's over " Thalia said. Her eyes were shut tight. The statue was holding on to us so we couldn't fall but still Thalia clutched his arm like it was the most important thing in the world. " Everything's fine " I promised. " Are... are we very high " I looked down. Below us a range of snowy mountains zipped by. I stretched out my foot and kicked snow off one of the peaks. " Nah " I said. " Not that high. "