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1 " I who know many present things by my art," replied the Hermit with a smile, " have yet little knowledge of things future. Therefore I do not know whether any man or woman or beast in the whole world will be alive when the sun sets tonight. But be of good hope. The damsel is likely to live as long as any her age. "
2 " But in truth, neither the lonely meditations of the hermit nor the turmulos raptures of the reveller, are capable of satisfying man’s heart. From the one we gather unquiet speculation, from the other satiety. The mind flags beneath the weight of thought, and droops in thee heartless intercourse of those whose sole aim is amusement. There is no fruition in their vacant kindness, and sharp rocs lur beneath the smiling ripples of these shallow waters. "
― Mary Wollstonecraft Shelley
3 " Yes. They are the words that finally turned me into the hermit I have now become. It was quite sudden. I saw them, and I knew what I had to do." The sign read:" Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion." " It seemed to me," said Wonko the Sane, " that any civilization that had so far lost its head as to need to include a set of detailed instructions for use in a package of toothpicks, was no longer a civilization in which I could live and stay sane. "
4 " The Queen is controlling, the Witch is sadistic, the Hermit is fearful, and the Waif is helpless.And each requires a different approach. Don't let the Queen get the upper hand; be wary even of accepting gifts because it engenders expectations. Don't internalize the Hermit's fears or become limited by them. Don't allow yourself to be alone with the Witch; maintain distance for your own emotional and physical safety. And with the Waif, don't get pulled into her crises and sense of victimization. Pay attention to your own tendencies to want to rescue her, which just feeds the dynamic. "
― , Understanding the Borderline Mother
5 " The boy in the tree sobs uncontrollably when I tell him about the Hermit and my mother, yet his eyes light up each time I mention Hannah. And every single time he asks, “Taylor, what about the Brigadier who came searching for you that day? Whatever became of him?” I try to explain that the Brigadier is of no importance to my story, but he always shakes his head as if he knows better. "
― Melina Marchetta , On the Jellicoe Road
6 " I and me are always too deeply in conversation: how could I endure it,if there were not a friend?The friend of the hermit is always the third one: the third one is the float which prevents the conversation of the two from sinking into the depth. "
― Friedrich Nietzsche , Thus Spoke Zarathustra
7 " Loneliness—since I was trying to escape it—was hell; and yet for the hermit who seeks it, it is apparently happiness. "
― Kōbō Abe , The Face of Another
8 " For the wanderer astray, the hermit seeking the lost booksTo him the bitter path of knowledge is truly germaneAnd to gaze at the grand canvas of depravity, the deified crooksAll the depth of duplicity of the celestial rulers most profane. "
― T.M. Lakomy
9 " Those who live in retirement, whose lives have fallen amid the seclusion of schools or of other walled-in and guarded dwellings, are liable to be suddenly and for a long while dropped out of the memory of their friends, the denizens of a freer world. Unaccountably, perhaps, and close upon some space of unusually frequent intercourse—some congeries of rather exciting little circumstances, whose natural sequel would rather seem to be the quickening than the suspension of communication—there falls a stilly pause, a wordless silence, a long blank of oblivion. Unbroken always is this blank; alike entire and unexplained. The letter, the message once frequent, are cut off; the visit, formerly periodical, ceases to occur; the book, paper, or other token that indicated remembrance, comes no more.Always there are excellent reasons for these lapses, if the hermit but knew them. Though he is stagnant in his cell, his connections without are whirling in the very vortex of life. That void interval which passes for him so slowly that the very clocks seem at a stand, and the wingless hours plod by in the likeness of tired tramps prone to rest at milestones—that same interval, perhaps, teems with events, and pants with hurry for his friends.The hermit—if he be a sensible hermit—will swallow his own thoughts, and lock up his own emotions during these weeks of inward winter. He will know that Destiny designed him to imitate, on occasion, the dormouse, and he will be conformable: make a tidy ball of himself, creep into a hole of life's wall, and submit decently to the drift which blows in and soon blocks him up, preserving him in ice for the season.Let him say, " It is quite right: it ought to be so, since so it is." And, perhaps, one day his snow-sepulchre will open, spring's softness will return, the sun and south-wind will reach him; the budding of hedges, and carolling of birds and singing of liberated streams will call him to kindly resurrection. Perhaps this may be the case, perhaps not: the frost may get into his heart and never thaw more; when spring comes, a crow or a pie may pick out of the wall only his dormouse-bones. Well, even in that case, all will be right: it is to be supposed he knew from the first he was mortal, and must one day go the way of all flesh, As well soon as syne. "
10 " Gamache watched the old poet. He knew what was looming behind the Mountain. What crushed all before it. The thing the Hermit most feared. The Mountain most feared.Conscience....Which is why, Gamache knew, it was vital to be aware of actions in the present. Because the present became the past, and the past grew. And got up, and followed you.And found you ...Who wouldn't be afraid of this? "
― Louise Penny , The Brutal Telling (Chief Inspector Armand Gamache, #5)
11 " But the more shrewdly and earnestly we study the histories of men, the less ready shall we be to make use of the word ‘artificial.’ Nothing in the world has ever been artificial. Many customs, many dresses, many works of art are branded with artificiality because the exhibit vanity and self-consciousness: as if vanity were not a deep and elemental thing, like love and hate and the fear of death. Vanity may be found in darkling deserts, in the hermit and in the wild beasts that crawl around him. It may be good or evil, but assuredly it is not artificial: vanity is a voice out of the abyss. "
― G.K. Chesterton , Five Types