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1 " Chakravyuh mein ghusne se pehle,Before entering the circle of deceit,kaun tha mein aur kaisa tha, who I was, and what I was,yeh mujhe yaad hi na rahega. I would not remember.Chakravyuh mein ghusne ke baad, After entering the circle of deceit,mere aur chakravyuh ke beech, (there was) between me and the circle,sirf ek jaanleva nikat’ta thi, only a deathly intimacyiska mujhe pata hi na chalega. that I never realised. "
2 " She loved so much misteries tha she became one "
― John Green , Paper Towns
3 " Reflecting back on the journey to the“Great Outdoors”places me in a different tonal mood, filledup with hope and passion, not resentful,suppressed relics of anger unresolvedDid you listen to the winds?What did you hear?Did you listen to the trees?What knowledge did they bring you?Did you listen to the birds?What songs did they sing to you?Did you listen to the Universe(s)?What messages did they bring you?Did you listen to the ancestors?What hope did they send you?Did you really listen?Close your eyes and open up your fullheart and listen againNot for meDo it 4 UrSelfDo it 4 tha FutureLook beyond UrSelfOpen up UrSelfLove ThySelfQuiet the chatter of your mind, closethe racing tracks and be still andquiet so that U can hear whatthey’re trying to say to U.Be appreciative for what U have beenbestowed and blessed to be stewards of, pleasedo not take this to mean: Destroy, dominate,and control.Let it mean be cognizant of the complexity, respect truebiodiversity, respect and honor all Life, allow for balance, andrecognize evolutionary adaptability in all of Creation.The winds are blowing good tidings and blessingsin this here direction as this one poem comesto a close while striving for the rootedness of anancient Sequoia so high up in the sky and deeply rootedin our common Mother. Listen to my woes of lonelinessand see that will Life all around, NO one is truly lonely or alone. "
― Irucka Ajani Embry , Balancing the Rift: Reconnectualizing the Pasenture
4 " Deep inside her (ih her harrowed soul) she felt a glowing ember of fury at the man responsible for this. Tha man who had put her in this position. She looked at the pistol lying beside the basin, and knew that if he were here, she would use it on him without a moment's hesitation. Knowing that made her feel confused about herself. It also made her feel a little stronger. "
― Stephen King , Full Dark, No Stars
5 " It is tha action that we're taking NOWThat will determine our FUTURE lives. "
6 " seesth thou a man tha isn't GRATEFUL? He is a GREAT FOOL "
7 " Because I'm on the phone, Mom!" " Fooling around with your friends again! Who is that?" " Ahmadinejad." " Oh, my goodness! What is he saying?" " That he wants to see Jeezy at the Beacon tonight. Putin's going too. He scalped a ticket from Kim Jong Il. All tha gangstas are going." " Don't be so fresh, young man!" " Gotta go," he says to me. " Enemy forces have dropped a Momshell." " Fall back, solider. Over and out. "
8 " ..[My friend Marco said]. essentially, humans are alive for the purpose of journey, a kind of three-act structure. They are born and spend several years discovering themselves and the world, then plod through a long middle in which they are compelled to search for a mate and reproduce and also create stability out of natural instability and then they find themselves at an ending tha seems to be designed for reflection. At the end, their bodies are slower, they are not as easily distracted, they do less work, and they think and feel about a life lived rather than look forward to a life getting started. He didn't know what the point of the journey was, but he did believe we were designed to search for and find something. And he wondered out loud if the point wasn't the search but the transformation the search creates. ...[I wondered] that we were designed to live through something rather than to attain something, and the thing we were meant to live through was designed to change us. The point of a story is the character arc, the change. "
― Donald Miller , A Million Miles in a Thousand Years: What I Learned While Editing My Life
9 " Suddenly an unexpected series of sounds began to be heard in this place up against the starry sky. They were the notes of Oak´s flute. It came from the direction of a small dark object under the hedge - a shephard´s hut - now presenting an outline to which an unintiated person might have been puzzled to attach either meaning or use. ... Being a man not without a frequent consciousness that there was some charm in this life he led, he stood still after looking at the sky as a useful instrument, and regarded it in an appreciative spirit, as a work of art superlatively beautiful. For a moment he seemed impressed with the speaking loneliness of the scene, or rather with the complete abstraction from all its compass of the sights and sounds of man. ... Oak´s motions, though they had a quiet energy, were slow, and their deliberateness accorded well with his occupation. Fitness being the basis of beauty, nobody could have denied tha his steady swings and turns in and about the flock had elements of grace. His special power, morally, physically, and mentally, was static. ... Oak was an intensely human man: indee, his humanity tore in pieces any politic intentions of his which bordered on strategy, and carried him on as by gravitation. A shadow in his life had always been that his flock should end in mutton - that a day could find a shepherd an arrant traitor to his gentle sheep. "
― Thomas Hardy , Far From the Madding Crowd
10 " To be able to help a 13-year-old kid from the Bronx follow her dreams just by letting her know she's not forgotten in this crazy world - that's why I got involved with Frum Tha Ground Up. "
