1
" When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth......But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself.Love possesses not nor would it be possessed; For love is sufficient unto love. And think not you can direct the course of love, if it finds you worthy, directs your course. Love has no other desire but to fulfil itself." But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully. "
2
" When love beckons to you, follow him,
Though his ways are hard and steep.
And When his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And When he speaks to you believe in him,
Though his voice may shatter your dreams as the north wind lays waste the garden...
But if in your fear you would seek only love’s peace and love’s pleasure,
Then it is better for you that you cover your nakedness and pass out of
love’s threshing-floor,
Into the seasonless world where you shall laugh, but not all of your laughter,
and weep, but not all of your tears...
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully. "
― Kahlil Gibran , The Prophet
4
" Drualt took Freya's warm hand,
Her strong hand,
Her sword hand,
And pressed it to his lips,
Pressed it to his heart.
Come with me,' he said.
Come with me to battle,
My love. Tarry at my side.
Stay with me
When battle is done.
Tarry at my side.
Laugh with me,
And walk with me
The long, long way.
Tarry with me,
My love, at my side. "
― Gail Carson Levine , The Two Princesses of Bamarre (The Two Princesses of Bamarre, #1)
5
" Roads Go Ever On
Roads go ever ever on,
Over rock and under tree,
By caves where never sun has shone,
By streams that never find the sea;
Over snow by winter sown,
And through the merry flowers of June,
Over grass and over stone,
And under mountains in the moon.
Roads go ever ever on,
Under cloud and under star.
Yet feet that wandering have gone
Turn at last to home afar.
Eyes that fire and sword have seen,
And horror in the halls of stone
Look at last on meadows green,
And trees and hills they long have known.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with eager feet,
Until it joins some larger way,
Where many paths and errands meet.
The Road goes ever on and on
Down from the door where it began.
Now far ahead the Road has gone,
And I must follow, if I can,
Pursuing it with weary feet,
Until it joins some larger way,
Where many paths and errands meet.
And whither then? I cannot say.
The Road goes ever on and on
Out from the door where it began.
Now far ahead the Road has gone.
Let others follow, if they can!
Let them a journey new begin.
But I at last with weary feet
Will turn towards the lighted inn,
My evening-rest and sleep to meet. "
― J.R.R. Tolkien , The Lord of the Rings
14
" I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. " What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here" —he glanced at Buttercup—" and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive." You are only alive now because you said 'to the pain.' I want that phrase explained." My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—" And then my right eye, and then my ears, and shall we get on with it?" the Prince said.Wrong!" Westley’s voice rang across the room. " Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!" The sword crashed to the floor. "
15
" How can you protect yourself by carrying a sword if you don’t know how to use it?’
Not me, sir. Other people. They see the sword and don’t attack me,’ said Maladict patiently.
Yes, but if they did, lad, you wouldn’t be any good with it,’ said the sergeant.
No, sir. I’d probably settle for just ripping their heads off, sir. That’s what I mean by protection, sir. Theirs, not mine. And I’d get hell from the League if I did that, sir. "
― Terry Pratchett , Monstrous Regiment (Discworld, #31; Industrial Revolution, #3)
16
" Da. This is going very well already." Thomas barked out a laugh. " There are seven of us against the Red King and his thirteen most powerful nobles, and it's going well?" Mouse sneezed." Eight," Thomas corrected himself. He rolled his eyes and said, " And the psycho death faerie makes it nine." " It is like movie," Sanya said, nodding. " Dibs on Legolas." " Are you kidding?" Thomas said. " I'm obviously Legolas. You're . . ." He squinted thoughtfully at Sanya and then at Martin. " Well. He's Boromir and you're clearly Aragorn." " Martin is so dour, he is more like Gimli." Sanya pointed at Susan. " Her sword is much more like Aragorn's." " Aragorn wishes he looked that good," countered Thomas." What about Karrin?" Sanya asked." What--for Gimli?" Thomas mused. " She is fairly--" " Finish that sentence, Raith, and we throw down," said Murphy in a calm, level voice." Tough," Thomas said, his expression aggrieved. " I was going to say 'tough.' " As the discussion went on--with Molly's sponsorship, Mouse was lobbying to claim Gimli on the basis of being the shortest, the stoutest, and the hairiest--" Sanya," I said. " Who did I get cast as?" " Sam," Sanya said.I blinked at him. " Not . . . Oh, for crying out loud, it was perfectly obvious who I should have been." Sanya shrugged. " It was no contest. They gave Gandalf to your godmother. You got Sam. "
20
" Pity the nation that is full of beliefs and empty of religion.
Pity the nation that wears a cloth it does not weave
and eats a bread it does not harvest.
Pity the nation that acclaims the bully as hero,
and that deems the glittering conqueror bountiful.
Pity a nation that despises a passion in its dream,
yet submits in its awakening.
Pity the nation that raises not its voice
save when it walks in a funeral,
boasts not except among its ruins,
and will rebel not save when its neck is laid
between the sword and the block.
Pity the nation whose statesman is a fox,
whose philosopher is a juggler,
and whose art is the art of patching and mimicking
Pity the nation that welcomes its new ruler with trumpeting,
and farewells him with hooting,
only to welcome another with trumpeting again.
Pity the nation whose sages are dumb with years
and whose strongmen are yet in the cradle.
Pity the nation divided into fragments,
each fragment deeming itself a nation. "
― Kahlil Gibran , The Garden of The Prophet