1
" Through the door at the end of the hall, Bushrod could see daylight. Gray and sullen it was, but daylight all the same. Through the years Bushrod had seen the dawn come to many fields, after many hard fights, and it was always a sacred moment to him--proof that the universe was still intact in spite of the blood on the ground, the hosts of Departed beginning their first day in eternity, the dead horses and broken gun carriages and scattered equipment--in spite of all the panoramic ruin of the battlefield so brutal and grotesque that it was a wonder God did not bury it in darkness forever--and with it the guilty living, who crept from their holes or their stiff blankets and looked about with astonishment on what they had done. But God never would bury it. He always seemed to want to start over again, whether out of anger or pity Bushrod could not say. And now here was another dawn, after another great fight, and once more God had permitted Bushrod Carter to live. "
― Howard Bahr , The Black Flower: A Novel of the Civil War
2
" Four times during the first six days they were assembled and briefed and then sent back. Once, they took off and were flying in formation when the control tower summoned them down. The more it rained, the worse they suffered. The worse they suffered, the more they prayed that it would continue raining. All through the night, men looked at the sky and were saddened by the stars. All through the day, they looked at the bomb line on the big, wobbling easel map of Italy that blew over in the wind and was dragged in under the awning of the intelligence tent every time the rain began. The bomb line was a scarlet band of narrow satin ribbon that delineated the forward most position of the Allied ground forces in every sector of the Italian mainland.For hours they stared relentlessly at the scarlet ribbon on the map and hated it because it would not move up high enough to encompass the city.When night fell, they congregated in the darkness with flashlights, continuing their macabre vigil at the bomb line in brooding entreaty as though hoping to move the ribbon up by the collective weight of their sullen prayers. " I really can't believe it," Clevinger exclaimed to Yossarian in a voice rising and falling in protest and wonder. " It's a complete reversion to primitive superstition. They're confusing cause and effect. It makes as much sense as knocking on wood or crossing your fingers. They really believe that we wouldn't have to fly that mission tomorrow if someone would only tiptoe up to the map in the middle of the night and move the bomb line over Bologna. Can you imagine? You and I must be the only rational ones left." In the middle of the night Yossarian knocked on wood, crossed his fingers, and tiptoed out of his tent to move the bomb line up over Bologna. "
6
" They went forth to battle, but they always fell; Their eyes were fixed above the sullen shields; Nobly they fought and bravely, but not well, And sank heart-wounded by a subtle spell. They knew not fear that to the foeman yields, They were not weak, as one who vainly wields A futile weapon; yet the sad scrolls tell How on the hard-fought field they always fell. It was a secret music that they heard, A sad sweet plea for pity and for peace; And that which pierced the heart was but a word, Though the white breast was red-lipped where the sword Pressed a fierce cruel kiss, to put surcease On its hot thirst, but drank a hot increase. Ah, they by some strange troubling doubt were stirred, And died for hearing what no foeman heard. "
10
" Better a fallen rocket than never a burst of light. Dante reserved a place in his Inferno for those who wilfully live in sadness - sullen in the sweet air, he says. Your 'honour' is all shame and timidity and compliance. Pure of stain! But the artist is the secret criminal in our midst. He is the agent of progress against authority. you are right to be a scholar. A scholar is all scruple, an artist is none. The artist must lie, cheat, deceive, be untrue to nature and contemptuous of history. I made my life into my art and it was an unqualified success. The blaze of my immolation threw its light into every corner of the land where uncounted young men sat each in his own darkness. What would I have done in Megara!? - think what I would have missed! I awoke the imagination of the century. I banged Ruskin's and Pater's heads together, and from the moral severity of one and the aesthetic soul of the other I made art a philosophy that can look the twentieth century in the eye. I had genius, brilliancy, daring, I took charge of my own myth. I dipped my staff into the comb of wild honey. I tasted forbidden sweetness and drank the stolen waters. I lived at the turning point of the world where everything was waking up new - the New Drama, the New Novel, New Journalism, New Hedonism, New Paganism, even the New Woman. Where were you when all this was happening? "
― , The Invention of Love
11
" Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear
so suddenly last night? It’s not like you to simply vanish without saying—”
“I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.”
Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask.
“Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea.
“Doing what?” Daisy asked blankly.
Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she
was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady? "
― Lisa Kleypas , It Happened One Autumn (Wallflowers, #2)
14
" What would it mean in practice to eliminate all the 'negative people' from one's life? It might be a good move to separate from a chronically carping spouse, but it is not so easy to abandon the whiny toddler, the colicky infant, or the sullen teenager. And at the workplace, while it's probably advisable to detect and terminate those who show signs of becoming mass killers, there are other annoying people who might actually have something useful to say: the financial officer who keeps worrying about the bank's subprime mortgage exposure or the auto executive who questions the company's overinvestment in SUVs and trucks. Purge everyone who 'brings you down,' and you risk being very lonely, or, what is worse, cut off from reality. "
― Barbara Ehrenreich , Bright-Sided: How the Relentless Promotion of Positive Thinking Has Undermined America
15
" Momo would have been delighted, except that most of the newcomers had no idea how to play. All they did was sit around looking bored and sullen and watching Momo and her friends. Sometimes they deliberately broke up the other children's games and spoiled everything. Squabbles and scuffles were frequent, though these never lasted long because Momo's presence had its usual effect on the newcomers, too, so they soon started having bright ideas themselves and joining in with a will. The trouble was, new children turned up nearly every day, some of them from distant parts of the city, and one spoilsport was enough to ruin the game for everyone else. But there was another thing that Momo couldn't quite understand - a thing that hadn't happened until very recently. More and more often these days, children turned up with all kind of toys you couldn't really play with: remote-controlled tanks that trundled to and fro but did little else, or space rockets that whizzed around on strings but got nowhere, or model robots that waddled along with eyes flashing and heads swiveling but that was all. They were highly expensive toys such as Momo's friends had never owned, still less than Momo herself. Most noticeable of all, they were so complete, down to the tiniest detail, that they left nothing at all to the imagination. Their owners would spend hours watching them, mesmerized but bored, as they trundled, whizzed, and waddled along. Finally, when that palled, they would go back to the familiar old games in which a couple of cardboard boxes, a torn tablecloth, a molehill or a handful of pebbles were quite sufficient to conjure up a whole world of make believe. "
