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1 " In this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And no, they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. What you put into it to nourish your body they will snatch away and give you leavins instead. No, they don't love your mouth. You got to love it. This is flesh I'm talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. and all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver--love it, love it and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize. "
― Toni Morrison , Beloved
2 " Her arms groped forward to guide her when her tears blocked her vision in darkness. Then she couldn't run any more. She sank to her knees and began to cry in her terror. She wanted Gary.She suddenly felt strong arms around her. She bent her head to bury it in Gary's shoulder, trembling in the darkness.Whimpering like a small animal in a trap, she pushed herself closer to him and said in a choked voice, " I'm so frightened!" " I know, my love," the voice said. " I'm so sorry you were hurt." She felt herself being pulled up to him, his grip around her tight. It was a strange feeling in this pitch-black hallway, where not even the light of the moon cast any illumination. The lips she touched were cold and yet they responded to her with an unusual warmth. His hands massaged her back. Something, Melanie thought, was wrong with that. The hands were too smooth, not like a plastered wrist would feel." Gary?" she asked, backing away. She didn't trust what she couldn't see." My love," the voice whispered, " there is no need to fear now. I shall protect you from those who mean you harm. "
3 " My love has saved me. It wraps strong arms around me when I cry with despair;it gives me the routine of a working week to lend vicarious structure to my shapeless days. It brings me daily laughter, a reason to keep washing...and it slices me open with guilt. "
― , Girl in the Dark
4 " As if grabbed by strong arms that were not there, he felt himself being lifted. Raising skyward and spinning, he fought to regain orientation. The winds were holding him and carrying him higher. Spinning him sickeningly, senses askew, his focus was being lost. "
― Stephen Craig , The Tortured Clouds of Kh'all (A Flash Fiction Fantasy)
5 " The Luidaeg sighed and put her arms around me, pulling me close. " Come here," she said. " I need to hold someone, and you need to be held. It's a fair trade. Just for a little while, and then we can go on being what we are." I thought about objecting, but dismissed the idea and nestled against her, enjoying the feeling of security given by knowing someone bigger and stronger than I was would stop anything from hurting me. That's all childhood is, after all: strong arms to hold back the dark, a story to keep the shadows dancing, and a candle to mark the long journey into day. A song to keep the flights of angels at bay. How many miles to Babylon? Sorry. I don't care. "
6 " He had a hint of a Southern drawl, as if he’d worked hard to hide it, but couldn’t quite rid himself of the last of it. It was rough and gravelly, and had the seductive warmth of sinking into strong arms in front of a cozy fire. To my surprise, a spark of that long-dead heat stirred in my belly. This wasn’t the sort of response a woman should have to finding a strange man in her barn. "
― Margaret Madigan , Gambling on the Outlaw (Nevada Bounty Book 1)