6
" Dad was on the porch, pacing back and forth in that uneven stride he had on account of having a gimp leg. When he saw, he let out a yelp of delight and started hobbling down the steps towards us. Mom came running out of the house. She sank down on her knees, clasped her hands in front of her, and started praying up to the heavens, thanking the Lord for delivering her children from the flood.It was she who had saved us, she declared, by staying up all night praying. " You get down on your knees and thank your guardian angel," she said. " And thank me, too." Helen and Buster got down and started praying with Mom, but I just stood there looking at them. The way I saw it. I was the one who'd saved us all, not Mom and not some guardian angel. No one was up in that cottonwood tree except the three of us. Dad came alongside me and put his arms around my shoulders." There weren't no guardian angel, Dad," I said. I started explaining how I'd gotten us to the cottonwood tree in time, figuring out how to switch places when our arms got tired and keeping Buster and Helen awake through the long night by quizzing them.Dad squeezed my shoulder. " Well, darling," he said, " maybe the angel was you. "
8
" Often, beyond the next turning, footfalls of a herd galloping across stone were heard, or further in the distance, with reassuring grunts, a wild boar could be seen, trotting with steady stride along the edge of the road with her sow and a whole procession of young in tow. And then one's heart beat faster upon advancing a little into the subtle light: one might have said that the path had suddenly become wild, thick with grass, its dark paving-slabs engulfed by nettles, blackthorn and sloe, so that it mingled up time past rather than crossing country-side, and perhaps it was going to issue forth, in the chiaroscuro of thicket smelling of moistened down and fresh grass, into one of those glades where animals spoke to men. "
― Julien Gracq
10
" He slouches,' DeeDee contributes.'True--he needs to work on his posture,' Thelma says.'You guys,' I say.'I'm serious,' Thelma says. 'What if you get married? Don't you want to go to fancy dinners with him and be proud?''You guys. We are not getting married!''I love his eyes,' Jolene says. 'If your kids get his blue eyes and your dark hair--wouldn't that be fabulous?''The thing is,' Thelma says, 'and yes, I know, this is the tricky part--but I'm thinking Bliss has to actually talk to him. Am I right? Before they have their brood of brown-haired, blue-eyed children?'I swat her. " I'm not having Mitchell's children!''I'm sorry--what?' Thelma says.Jolene is shaking her head and pressing back laughter. Her expressing says, Shhh, you crazy girl!But I don't care. If they're going to embarrass me, then I'll embarrass them right back. 'I said'--I raise my voice--'I am not having Mitchell Truman's children!'Jolene turns beet red, and she and DeeDee dissolve into mad giggles.'Um, Bliss?' Thelma says. Her gaze travels upward to someone behind me. The way she sucks on her lip makes me nervous.'Okaaay, I think maybe I won't turn around,' I announce.A person of the male persuasion clears his throat.'Definitely not turning around,' I say. My cheeks are burning. It's freaky and alarming how much heat is radiating from one little me.'If you change your mind, we might be able to work something out,' the person of the male persuasion says.'About the children?' DeeDee asks. 'Or the turning around?''DeeDee!' Jolene says.'Both,' says the male-persuasion person.I shrink in my chair, but I raise my hand over my head and wave.'Um, hi,' I say to the person behind me whom I'm still not looking at. 'I'm Bliss.'Warm fingers clasp my own.'Pleased to meet you,' says the male-persuasion person. 'I'm Mitchell.''Hi, Mitchell.' I try to pull my hand from his grasp, but he won't let go. 'Um, bye now!'I tug harder. No luck. Thelma, DeeDee, and Jolene are close to peeing their pants.Fine. I twist around and give Mitchell the quickest of glances. His expressions is amused, and I grow even hotter.He squeezes my hand, then lets go. 'Just keep me in the loop if you do decide to bear my children. I'm happy to help out.' With that, he stride jauntily to the food line.Once he's gone, we lost it. Peals of laughter resound from our table, and the others in the cafeteria look at us funny. We laugh harder.'Did you see!' Thelma gasps. 'Did you see how proud he was?''You improve his posture!' Jolene says.'I'm so glad, since that was my deepest desire,' I say. 'Oh my God, I'm going to have to quit school and become a nun.''I can't believe you waved at him,' DeeDee says.'Your hand was like a little periscope,' Jolene says. 'Or, no--like a white surrender flag.''It was a surrender flag. I was surrendering myself to abject humiliation.''Oh, please,' Thelma says, pulling me into a sideways hug. 'Think of it this way: Now you've officially talked to him. "
14
" And your will shall decide your destiny," he said: " I offer you my hand, my heart, and a share of all my possessions." You play a farce, which I merely laugh at." I ask you to pass through life at my side--to be my second self, and best earthly companion." For that fate you have already made your choice, and must abide by it." Jane, be still a few moments: you are over-excited: I will be still too." A waft of wind came sweeping down the laurel-walk, and trembled through the boughs of the chestnut: it wandered away--away--to an indefinite distance--it died. The nightingale's song was then the only voice of the hour: in listening to it, I again wept. Mr. Rochester sat quiet, looking at me gently and seriously. Some time passed before he spoke; he at last said - Come to my side, Jane, and let us explain and understand one another." I will never again come to your side: I am torn away now, and cannot return." But, Jane, I summon you as my wife: it is you only I intend to marry." I was silent: I thought he mocked me. Come, Jane--come hither." Your bride stands between us." He rose, and with a stride reached me. My bride is here," he said, again drawing me to him, " because my equal is here, and my likeness. Jane, will you marry me? "
19
" One thing an early-on writer has to learn, is to be comfortable with and responsive to critique. When five people in a group tell you this chapter sucks; don’t snap back at them with, “Sure, but it gets better in another 6 or 7 chapters!”
Listen. – Thank them. – Consider.
They can look from a fresh perspective, and catch things that you might be too close to see.
But, you will also learn along the way that not everyone in a group of relative amateurs themselves, is going to catch everything, and there will be a few who seem to never understand much of anything.
Some will always want paragraphs chopped down to explosive missiles of passion, while others are more used to long composite paragraphs that I myself find impossible to wade through.
You may, once you have hit your full stride and power, feel comfortable telling a few of them, “Look. This isn’t a diner. I don’t take orders: ‘I’m gluten intolerant; he can’t do salt; she’s allergic to peanuts ...’
“If what I offer is a salad bar, then No; I am not going to fry you up a cheesesteak! "
― Edward Fahey