splintering QUOTES

1 " And she swung the old oar at him with all her strength.It hit with a great thwack, splintering in two, and he went over the side, into the dark, cold waters of the lake, sinking like a stone.It took her two seconds. And then she let out a scream for help, tossing the broken oar away from her, and jumped into the water after him.It was very cold, numbingly so, and as it closed over her head she grabbed forhim, wrapping her arms around his body, ready to sink to the bottom with him.Instead he kicked, pushing them up so that they broke the surface, his armclamped around hers as she struggled. " Jesus, woman!" he snapped. " When did we have to become Romeo and Juliet? "

2 " I am sitting here, you are sitting there. Say even that you are sitting across the kitchen table from me right now. Our eyes meet; a consciousness snaps back and forth. What we know, at least for starters, is: here we- so incontrovertibly- are. This is our life, these are our lighted seasons, and then we die. In the meantime, in between time, we can see. The scales are fallen from our eyes, the cataracts are cut away, and we can work at making sense of the color-patches we see in an effort to discover where we so incontrovertibly are.

I am as passionately interested in where I am as is a lone sailor sans sextant in a ketch on an open ocean. I have at the moment a situation which allows me to devote considerable hunks of time to seeing what I can see, and trying to piece it together. I’ve learned the name of some color-patches, but not the meanings. I’ve read books; I’ve gathered statistics feverishly: the average temperature of our planet is 57 degrees F…The average size of all living animals, including man, is almost that of a housefly. The earth is mostly granite, which is mostly oxygen…In these Appalachians we have found a coal bed with 120 seams, meaning 120 forests that just happened to fall into water…I would like to see it all, to understand it, but I must start somewhere, so I try to deal with the giant water bug in Tinker Creek and the flight of three hundred redwings from an Osage orange and let those who dare worry about the birthrate and population explosion among solar systems.

So I think about the valley. And it occurs to me more and more that everything I have seen is wholly gratuitous. The giant water bug’s predations, the frog’s croak, the tree with the lights in it are not in any real sense necessary per se to the world or its creator. Nor am I. The creation in the first place, being itself, is the only necessity for which I would die, and I shall. The point about that being, as I know it here and see it, is that as I think about it, it accumulates in my mind as an extravagance of minutiae. The sheer fringe and network of detail assumes primary importance. That there are so many details seems to be the most important and visible fact about creation. If you can’t see the forest for the trees, then look at the trees; when you’ve looked at enough trees, you’ve seen a forest, you’ve got it. If the world is gratuitous, then the fringe of a goldfish’s fin is a million times more so. The first question- the one crucial one- of the creation of the universe and the existence of something as a sign and an affront to nothing is a blank one…

The old Kabbalistic phrase is “the Mystery of the Splintering of the Vessels.” The words refer to the shrinking or imprisonment of essences within the various husk-covered forms of emanation or time. The Vessels splintered and solar systems spun; ciliated rotifers whirled in still water, and newts laid tracks in the silt-bottomed creek. Not only did the Vessels splinter; they splintered exceeding fine. Intricacy then is the subject, the intricacy of the created world. "

― Annie Dillard , Pilgrim at Tinker Creek

3 " From the dark forest that bordered the soft ploughed fields, came a low cry that did not belong to any animal. It was accompanied by the sound of branches bending and snapping, and the splintering of wood as trees were crushed or toppled onto their sides. "

― Peter James West , Information Cloud (Tales of Cinnamon City, #1)

4 " The horrifying sound of breaking glass, and a thunderous tirade of splintering pieces hitting the floor, stunned them all. Tobin spun around in shock. The massive Travelling Mirror, through which Tobin and Murphy had so recently arrived, shattered into hundreds of tiny pieces, cascading down the wall, and onto the floor in an enormous pile of jagged edges. The hall was still as everyone stared at the shattered mirror in shocked silence. “Oh dear. Oh dear, dear, dear,” whispered Elbert. "

5 " Behind Tana there was the sounds of splintering wood, as though something very large had hot the door. " No," she said softly, " Oh no. No." " Leave me," said Gavriel. ....." Shut up or I might," she told him. "

6 " The unfortunate 8075 hadn't survived his assault, splintering apart, fragments of its casing skittering across the bench. The battery within had split along its plane, revealing something as out-of-place as a missile in a bathtub. "

― , Infected Connection

7 " Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol.

'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed.

Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight. "

― , The Elephant Tree

8 " When her mouth found mine I disassembled. Not exploded like a bomb or anything, but came apart. A few pieces at a time. They floated away, went into a kind of orbit. A splintering galaxy. An extravagant slow motion annihilation. The only center was her mouth, her hair. It was her. A reconstitution around the core of her. "

― Peter Heller , The Dog Stars

9 " Daddy?”
“I’m right here, baby.”
Lumps form in my throat, going all the way down into the core of me.
It’s his voice. His. Right there. I reach toward the doorknob but I don’t get to turn it.
Nick smashes at me with his head, pushing against my lower jaw and cheek, like a blow. His muzzle moves my head away from the door. He presses his face in between me and the wood. Fur gets in my mouth. I spit it out and push at him.
“That’s my dad. My dad.” I slap the door. “He’s on the other side. The pixies will get him.”
Nick shows me his teeth.
“I can’t lose him again, Nick.”
The wolf snarls like he’s ready to bite. My head jerks back and away, but then I steady myself.
“Get . . . out . . . of . . . the . . . way.”
Pushing against his thick neck, I slam my hands against him over and over again, pummeling him. He doesn’t budge.
“Move!” I order. “Move.”
“Zara, is there a wolf in there with you? Do not trust him,” my dad’s voice says, calmly, really calmly.
I grab a fistful of fur and freeze. All at once it hits me that something is not right. My dad would never be calm if I was in my bedroom with a wolf. He’d be stressed and screaming, breaking the door down, kicking it in like he did once when I was really little and had accidentally locked myself in the bathroom and couldn’t get the lock out of the bolt because it was so old. He’d kicked that door down, splintering the wood, clutching me to him. He’d kissed my forehead over and over again.
“I’d never let anything happen to you, princess,” he’d said. “You’re my baby.”
My dad would be kicking the door in. My dad would be saving me.
“Let me in,” he says. “Zara . . .”
Letting go of Nick, I stagger backward. My hands fly up to my mouth, covering it.
Nick stops snarling at me and wags his fluffy tail.
How would my dad know that it is a wolf in here and not a dog? How would he know that it isn’t pixies?
I shudder. Nick pounds next to me, pressing his side against my legs. I drop my hands and plunge my fingers into his fur, burying them there, looking for something. Maybe comfort. Maybe warmth. Maybe strength. Maybe all three. "

― Carrie Jones , Need (Need, #1)

10 " Mental discipline, prayer and remoteness from the world and its disturbing visions reduce temptation to a minimum, but they can never entirely abolish it. In medieval traditions, abbeys and convents were always considered to be expugnable centres of revolt against infernal dominion on earth. They became, accordingly, special targets. Satan, issuing orders at nightfall to his foul precurrers, was rumoured to dispatch to capital cities only one junior fiend. This solitary demon, the legend continues, sleeps at his post. There is no work for him; the battle was long ago won. But monasteries, those scattered danger points, become the chief objectives of nocturnal flight; the sky fills with the beat of sable wings as phalanx after phalanx streams to the attack, and the darkness crepitates with the splintering of a myriad lances against the masonry of asceticism. "

― Patrick Leigh Fermor , A Time to Keep Silence