5
" She has never been a pretty crier. She sobbed the way she did everything else - with passion and excess. That she had managed to keep it inside her this long was astounding to James. He thought of pushing open the half-closed door and kneeling before his wife, wrapping his arms around her shoulders and helping her upstairs. He raised his hand, stroking the wood of the door, planning to say something to calm her. But what wisdom could he offer Gus, when he could not even heed it himself? James walked upstairs again, got into bed, covered his head with a pillow. And hours later, when Gus crept beneath the sheets, he tried to pretend that he did not feel the weight of her grief, lying between them like a fitful child, so solid that he could not reach past it to touch her. "
― Jodi Picoult , The Pact
6
" Brian Doyle about the Irish custom of “taking to the bed.” He says “In Irish culture, taking to the bed with a gray heart is not considered especially odd. People did and do it for understandable reasons—ill health, or the black dog, or, most horrifyingly, to die during An Gorta Mor, the great hunger, when whole families took to their beds to slowly starve…And in our time: I know a woman who took to her bed for a week after September eleventh, and people who have taken to their beds for days on end to recover from shattered love affairs, the death of a child, a physical injury that heals far faster than the psychic wound gaping under it. I’ve done it myself twice, once as a youth and once as a man, to think through a troubled time in my marriage. Something about the rectangularity of the bed, perhaps, or supinity, or silence, or timelessness; for when you are in bed but not asleep there is no time, as lovers and insomniacs know. Yet, anxious, heartsick, we take to the bed, saddled by despair and dissonance and disease, riddled by muddledness and madness, rattled by malaise and misadventure, and in the ancient culture of my forbears this was not so unusual….For from the bed we came and to it we shall return, and our nightly voyages there are nutritious and restorative, and we have taken to our beds for a thousand other reasons, loved and argued and eater and seethed there, and sang and sobbed and suckled, and burned with fevers and visions and lust, and huddled and howled and curled and prayed. As children we all, every one of us, pretended the bed was a boat; so now, when we are so patently and persistently and daily at sea, why not seek a ship? p. 119-20Brian Doyle in The Wet Engine: Exploring the Mad Wild Miracle of the Heart, p. 90-91 "
8
" I'd been making desicions for days.
I picked out the dress Bailey would wear forever-
a black slinky one- innapropriate- that she loved.
I chose a sweater to go over it, earrings, bracelet, necklace,
her most beloved strappy sandals.
I collected her makeup to give to the funeral director with a recent photo-
I thought it would be me that would dress her;
I didn't think a strange man should see her naked
touch her body
shave her legs
apply her lipstick
but that's what happened all the same.
I helped Gram pick out the casket,
the plot at the cemetery.
I changed a few lines
in the obituary that Big composed.
I wrote on a piece of paper what I thought
should go on the headstone.
I did all this without uttering a word.
Not one word, for days,
until I saw Bailey before the funeral
and lost my mind.
I hadn't realized that when people say so-and-so
snapped
that's what actually happens-
I started shaking her-
I thought I could wake her up
and get her the hell out of that box.
When she didn't wake,
I screamed: Talk to me.
Big swooped me up in his arms,
carried me out of the room, the church,
into the slamming rain,
and down to the creek
where we sobbed together
under the black coat he held over our heads
to protect us from the weather. "
― Jandy Nelson , The Sky Is Everywhere
11
" First off,” he said, “I want to say I’m sorry about E.Z. He was a good kid. He didn’t deserve…” For a moment he almost lost it as a surge of emotion welled up from nowhere. “I’m sorry he died.”
Someone sobbed loudly.
“Look, I’m going to get right to it: we have three hundred and thirty-two…I’m sorry, three hundred and thirty-one mouths to feed,” Sam said. He placed his hands on his hips and planted his feet wide apart. “We were already pretty bad off for food supplies. But after the attack by the Coates kids…well, it’s not pretty bad off, anymore, it’s desperate.”
He let that sink in. But how much were six-and eight-year-olds really grasping? Even the older kids looked more glazed than alarmed.
“Three hundred and thirty-one kids,” Sam reiterated, “And food for maybe a week. That’s not a long time. It’s not a lot of food. And as you all know, the food we have is awful.”
That got a response from the audience. The younger kids produced a chorus of gagging and retching sounds.
“All right,” Sam snapped. “Knock it off. The point is, things are really desperate. "
― Michael Grant , Hunger (Gone, #2)
13
" Brianna! Is Sam okay?” Astrid cried.
“No. Drake tore him up.” She wanted to sound tough, but the sobs came bubbling up and overtook her. “Oh, God, Astrid, he’s hurt so bad.”
Astrid gasped and covered her hand with her mouth. Brianna put her arms around Astrid and sobbed into her hair.
“Is he going to die?” Astrid asked, voice wobbly.
“No, I don’t think so,” Brianna said. She stood back and wiped her tears. “I gave him something for the pain. But he’s messed up, Astrid. "
― Michael Grant , Hunger (Gone, #2)
14
" I don't know that he said a thing. He smelled strange, I noticed that right away, not rotten like you and Roticella said, more complicated, like an apple that the wasps are flying around, musty, but autumny... I can't explain. But he hissed, and those awful red eyes, like red fire, coals. God, they were anything but dead the way they are in his picture. I could see the iris was dark brown, almost black, and the whites were bloodshot lines... The lashes were thick and Harry I just can't say this right, but the eyes, they weren't repulsive. Evil, evil, but not to turn you away. I... I couldn't stop looking at him. It was like some sort of spider sucking out all my juices. Destroying me right there on the sidewalk.'And I felt I was going to faint, and I tried, I tried to break out of that stare of his, but I couldn't. He was drawing everything out of me - my job, that you were trying to trap him, even things about me, even personal things. Then... then he was gone.'I was conscious of myself again, it was like I had been left hollow, worthless. I mean something of me went with him and the rest of me wanted to go with him. I'm ashamed, Harry, so ashamed...' She sobbed for a moment, then with difficulty regained her control. "
17
" The scene unfolded before him as though he were a ghost.
His mother stood on the raised stump, her body tied to the tall stake behind her. A pile of wood encircled her feet. Only a small crowd had gathered in the courtyard, despite his father’s commands that all should attend. Alasdair sobbed at her feet, calling out to her. The young Alasdair climbed on the pile and clutched her flowing gown. She had been dressed in her finest, not stripped down to her chemise like the handmaid who stood tied to a post beside her. His father had always liked a display. Alasdair’s hands reached and passed over his mother’s large pregnant belly. With that, she sobbed, too. “Oh, Ali, be good for Momma. I’ll see you in the pearly white heaven that God has promised us. Be steadfast, son. Trust your heart.”
“Light it,” his father ordered. "
― Jean M. Grant , A Hundred Kisses
18
" We’re not going to give in. We’re going to fight.”
“Got that right,” a voice cried out.
“First thing we need to have clear: there’s no line between freak and normal here. If you have the power, we’ll need you. If you don’t, we’ll need you.”
Heads were nodding. Looks were being exchanged.
“Coates kids, Perdido Beach kids, we’re together now. We’re together. Maybe you did things to survive. Maybe you weren’t always brave. Maybe you gave up hope.”
A girl sobbed suddenly.
“Well, that’s all over now,” Sam said gently. “It all starts fresh. Right here, right now. We’re brothers and sisters now. Doesn’t matter we don’t know each other’s names, we are brothers and sisters and we’re going to survive, and we’re going to win, and we’re going to find our way to some kind of happiness again.”
There was a long, deep silence.
“So,” Sam said, “my name is Sam. I’m in this with you. All the way.” He turned to Astrid.
“I’m Astrid, I’m in this with you, too.”
“My name is Edilio. What they said. Brothers and sisters. Hermanos.”
“Thuan Vong,” said a thin boy with yet-unhealed hands like dead fish. “I’m in.”
“Dekka,” said a strong, solidly built girl with cornrows and a nose ring. “I’m in. And I have game.”
“Me too,” called a skinny girl with reddish pigtails. “My name’s Brianna. I…well, I can go real fast.”
One by one they declared their determination. The voices started out soft and gained strength. Each voice louder, firmer, more determined than the one before.
Only Quinn remained silent. He hung his head, and tears rolled down his cheeks.
“Quinn,” Sam called to him.
Quinn didn’t respond, just looked down at the ground.
“Quinn,” Sam said again. “It starts fresh right now. Nothing before counts. Nothing. Brothers, man?”
Quinn struggled with the lump in his throat. But then, in a low voice, he said, “Yeah. Brothers. "
― Michael Grant
19
" You must have traveled all night,” she heard herself say.
“I had to come back early.” She felt his lips brush her tumbled hair. “I left some things unfinished. But I had a feeling you might need me. Tell me what’s happened, sweetheart.”
Amelia opened her mouth to answer, but to her mortification, the only sound she could make was a sort of miserable croak. Her self-control shattered. She shook her head and choked on more sobs, and the more she tried to stop them, the worse they became.
Cam gripped her firmly, deeply, into his embrace. The appalling storm of tears didn’t seem to bother him at all. He took one of Amelia’s hands and flattened it against his heart, until she could feel the strong, steady beat. In a world that was disintegrating around her, he was solid and real. “It’s all right,” she heard him murmur. “I’m here.”
Alarmed by her own lack of self-discipline, Amelia made a wobbly attempt to stand on her own, but he only hugged her more closely. “No, don’t pull away. I’ve got you.” He cuddled her shaking form against his chest. Noticing Poppy’s awkward retreat, Cam sent her a reassuring smile. “Don’t worry, little sister.”
“Amelia hardly ever cries,” Poppy said.
“She’s fine.” Cam ran his hand along Amelia’s spine in soothing strokes. “She just needs…”
As he paused, Poppy said, “A shoulder to lean on.”
“Yes.” He drew Amelia to the stairs, and gestured for Poppy to sit beside them.
Cradling Amelia on his lap, Cam found a handkerchief in his pocket and wiped her eyes and nose. When it became apparent that no sense could be made from her jumbled words, he hushed her gently and held her against his large, warm body while she sobbed and hid her face. Overwhelmed with relief, she let him rock her as if she were a child.
As Amelia hiccupped and quieted in his arms, Cam asked a few questions of Poppy, who told him about Merripen’s condition and Leo’s disappearance, and even about the missing silverware.
Finally getting control of herself, Amelia cleared her aching throat. She lifted her head from Cam’s shoulder and blinked.
“Better?” he asked, holding the handkerchief up to her nose.
Amelia nodded and blew obediently. “I’m sorry,” she said in a muffled voice. “I shouldn’t have turned into a watering pot. I’m finished now.”
Cam seemed to look right inside her. His voice was very soft. “You don’t have to be sorry. You don’t have to be finished, either.”
She realized that no matter what she did or said, no matter how long she wanted to cry, he would accept it. And he would comfort her. "
― Lisa Kleypas , Mine Till Midnight (The Hathaways, #1)
20
" The months passed away. Slowly a great fear came over Viola, a fear that would hardly ever leave her. For every month at the full moon, whether she would or no, she found herself driven to the maze, through its mysterious walks into that strange dancing-room. And when she was there the music began once more, and once more she danced most deliciously for the moon to see. The second time that this happened she had merely thought that it was a recurrence of her own whim, and that the music was but a trick that the imagination had chosen to repeat. The third time frightened her, and she knew that the force that sways the tides had strange power over her. The fear grew as the year fell, for each month the music went on for a longer time - each month some of the pleasure had gone from the dance. On bitter nights in winter the moon called her and she came, when the breath was vapor, and the trees that circled her dancing-room were black, bare skeletons, and the frost was cruel. She dared not tell anyone, and yet it was with difficulty that she kept her secret. Somehow chance seemed to favor her, and she always found a way to return from her midnight dance to her own room without being observed. Each month the summons seemed to be more imperious and urgent. Once when she was alone on her knees before the lighted altar in the private chapel of the palace she suddenly felt that the words of the familiar Latin prayer had gone from her memory. She rose to her feet, she sobbed bitterly, but the call had come and she could not resist it. She passed out of the chapel and down the palace gardens. How madly she danced that night! (" The Moon Slave" ) "
