2
" You’re a talking cat?” Endora asked with a look of disbelief on her face.“My, my, my, aren’t you the bright bulb of the bunch,” he replied with a bit of snarky smugness. “Tell me then, bright-bulb, do you suppose that I need your permission to talk just because I’m a cat?” He raised his paw to his face, admiring his newly gnawed manicure. After he observed the last nail, he slapped his paw down on the floorboards, making a low thud sound. “Because I don’t,” he smirked.Endora was taken by surprise at his rudeness. She stared back at him, speechless and not quite sure how to respond. “Are you a magic cat?” Mila busted in with a question that seemed as silly to her as to the cat.He glared and narrowed his eyes at her. “A magic cat,” he said, standing up to arch his furry back. “Is my talking some sort of magic to you? If it is… then I am.” He stretched his back higher and let out a long purr that turned into, “Purrhaps, you four little witchy girls should clearly refine your meaning of magic so you know what it means before you say the word magic.” “I rather am quite fond of talking cats,” Selena said with a big smile. “Of course, you’re the first one I’ve ever seen.”The cat narrowed its eyes tighter. “Indeed,” he said, letting out a yawn as if the whole conversation were a bore. He leapt off the porch and dash away, mumbling and grumbling his way down the corridor. Selena looked over at Endora. “Rude little snot, isn’t he?” she said. "
4
" reining yourself in because why ruin a good thing? why make it weird? and then you say goodbye, with a hug, with a snarky remark, and head home. you climb into bed and imagine them with you. you think about how their hair falls in their face, about how they breathe when they sleep. you think about them waking up and nudging you into consciousness with soft kisses down your torso. you sit in bed and think of all the ways you could make their soul dance. how you know their quirks and it all feels so right, but why? why is this happening? why can’t you just be content with what you have now? except even now you have to control the urge to kiss them, even though it is in your nature, even just on the cheek, because what if it breaks the relationship apart at the seams? you may not even mean it sexually or romantically, but what if? and there’s always the chance they have felt this way too. but it’s only a chance. and why risk it? so you lay there in bed and twist the sheets around your legs and text them back about another person they have feelings toward and coax them into something healthy. you put their happiness before your own. you watch as they stumble and help them rise mightily. you gush over them and try to snuff out the selfishness that builds whenever you see them with someone else. it wouldn’t be fair to them to impose your own wants on them and take away a good friendship. it isn’t always about you. and yet here you are, writing this. writing this and thinking of someone specific the entire time. "
― Taylor Rhodes , calloused: a field journal
12
" Drake's whip hand spun Diana like a top.
She cried out. That sound, her cry, pierced Caine like an arrow.
Diana staggered and almost righted herself, but Drake was too quick, too ready.
His second strike yanked her through the air. She flew and then fell.
“Catch her!” Caine was yelling to himself. Seeing her arc as she fell. Seeing where she would hit. His hands came up, he could use his power, he could catch her, save her. But too slow.
Diana fell. Her head smashed against a jutting point of rock. She made a sound like a dropped pumpkin.
Caine froze.
The fuel rod, forgotten, fell from the air with a shattering crash.
It fell within ten feet of the mine shaft opening. It landed atop a boulder shaped like the prow of a ship.
It bent, cracked, rolled off the boulder, and crashed heavily in the dirt.
Drake ran straight at Caine, his whip snapping. But Jack stumbled in between them, yelling, “The uranium! The uranium!”
The radiation meter in his pocket was counting clicks so fast, it became a scream.
Drake piled into Jack, and the two of them went tumbling.
Caine stood, staring in horror at Diana. Diana did not move. Did not move. No snarky remark. No smart-ass joke.
“No!” Caine cried.
“No!”
Drake was up, disentangling himself with an angry curse from Jack.
“Diana,” Caine sobbed.
Drake didn’t rely on his whip hand now, too far away to use it before Caine could take him down. He raised his gun. The barrel shot flame and slugs, BAM BAM BAM BAM BAM.
Inaccurate, but on full automatic, Drake had time. He swung the gun to his right and the bullets swooped toward where Caine stood like he was made of stone.
Then the muzzle flash disappeared in an explosion of green-white light that turned night into day. The shaft of light missed its target. But it was close enough that the muzzle of Drake’s gun wilted and drooped and the rocks behind Drake cracked from the blast of heat.
Drake dropped the gun. And now it was Drake’s turn to stare in stark amazement. “You!”
Sam wobbled atop the rise. Quinn caught him as he staggered.
Now Caine snapped back to the present, seeing his brother, seeing the killing light.
“No,” Caine said. “No, Sam: He’s mine.”
He raised a hand, and Sam went flying backward along with Quinn.
“The fuel rod!” Jack was yelling, over and over. “It’s going to kill us all. Oh, God, we may already be dead!”
Drake rushed at Caine. His eyes were wide with fear. Knowing he wouldn’t make it. Knowing he was not fast enough.
Caine raised his hand, and the fuel rod seemed to jump off the ground.
A javelin.
A spear. He held it poised. Pointed straight at Drake.
Caine reached with his other hand, extending the telekinetic power to hold Drake immobilized.
Drake held up his human hand, a placating gesture. “Caine…you don’t want to…not over some girl. She was a witch, she was…”
Drake, unable to run, a human target. The fuel rod aimed at him like a Spartan’s spear.
Caine threw the fuel rod. Tons of steel and lead and uranium.
Straight at Drake. "
― Michael Grant , Hunger (Gone, #2)
16
" Gentleman,” I purr smoothly in greeting.
Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable.
While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress.
I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait.
“Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing.
No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy.
“I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot.
“And who are you, Ma’am?” Ezra asks respectfully.
“Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling.
“Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment.
I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely.
“What did you say to upset her?” Ezra accuses Cortez.
“Nothing,” Cort complains in confusion.
“Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake. "
― Erica Chilson , Queened (Mistress & Master of Restraint, #6)
17
" She says, " I'll swear by the rose tattooed on my ass, that old man raped me." Here, the funeral parade stops. At this point, Comrade Snarky is a victim among victims. The rest of us — just her supporting cast.Mrs. Clark, leading us, she looks back and says, " He what?" And from behind his camera, Agent Tattletale says, " Me, too. He raped me first." Saint Gut-Free says, " Well what the hell...He poked me, too." As if poor skinny Saint Gut-Free had enough ass left to poke.And Mrs. Clark says, " This is not funny. Not in the least." " Tough," the Matchmaker tells her. " It's wasn't funny, either, when you raped me." Shaking his ponytail, the Duke of Vandals tells the Matchmaker, " You couldn't pay to get raped. "
