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1 " For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow. Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life. A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail. A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live. When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all. A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother. So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness. "
― Hermann Hesse , Ağaçlar
2 " Quietly endure, silently suffer and patiently wait. "
― Martin Luther King Jr. , Why We Can't Wait
3 " Believe there is a great power silently working all things for good, behave yourself and never mind the rest. "
― Beatrix Potter
4 " Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date. ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved. ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri: ʺLooking forward to our chat.ʺ ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia." notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it. "
5 " This is the best night of my life," Raffy says, crying." Raffy, half our House has burnt down," I say wearily. " We don't have a kitchen." " Why do you always have to be so pessimistic?" she asks. " We can double up in our rooms and have a barbecue every night like the Cadets." Silently I vow to keep Raffy around for the rest of my life. "
6 " Hey, bro, do you think you can put Shorty back on her chain?" I stepped forward with my hands on my hips, only slightly intimidated to find Kaleb almost eye level with me when he was seated and I was standing." First of all, no one is the boss of me but me. Secondly, if you ever reference my 'chain' again, I will kick your ass." I jabbed him hard in the chest with my finger. Possibly breaking it. " And thirdly, don't call me Shorty." Kaleb sat silently for a second, his eyes wide as he looked at Michael. " Where did you get her? Can you get me one?" I blew out a loud, frustrated sigh and dropped down beside Michael, who didn't even try to hide his smile. " You should probably apologize to Emerson." " I am sorry." Kaleb grinned at me. " Sorry I didn't meet you first. "
7 " What can oppose the decline of the west is not a resurrected culture but the utopia that is silently contained in the image of its decline. "
― Theodor W. Adorno
8 " Not every instance requires a response. Truth resides silently in the seat of power. "
― T.F. Hodge , From Within I Rise: Spiritual Triumph Over Death and Conscious Encounters with "The Divine Presence"
9 " As I silently rub the drops of blood on the wall, I can only find the right words when I think of that merciful and just God who is so far away, and yet so close. "
― Lin Zhao
10 " Let yourself be silently drawn by the stronger pull of what you really love.The wound is the place where the Light enters you.Don’t grieve. Anything you lose comes round in another form. "
― Rumi , مختارات من قصائد مولانا جلال الدين الرومي وغزلياته
11 " I silently smiled at my incessant good fortune. "
― Henry David Thoreau , Walden
12 " I hate you. I wish you was dead." Mrs. Carey gasped. He said the words so savagely that it gave her quite a start. She had nothing to say. She sat down in her husband's chair; and as she thought of her desire to love the friendless, crippled boy and her eager wish that he should love her--she was a barren woman and, even though it was clearly God's will that she should be childless, she could scarcely bear to look at little children sometimes, her heart ached so--the tears rose to her eyes and one by one, slowly, rolled down her cheeks. Philip watched her in amazement. She took out her handkerchief, and now she cried without restraint. Suddenly Philip realised that she was crying because of what he had said, and he was sorry. He went up to her silently and kissed her. It was the first kiss he had ever given herwithout being asked. And the poor lady, so small in her black satin, shrivelled up and sallow, with her funny corkscrew curls, took the little boy on her lap and put her arms around him and wept as though her heart would break. But her tears were partly tears of happiness, for she felt that the strangeness between them was gone. She loved him now with a new love because he had made her suffer. "
13 " As we drove off into the moonless night, raindrops danced through our headlights like the fireflies of my childhood. I silently cursed the frailty of happiness and doubted whether it ever existed for me. I could remember happier times, though, and those memories fluttered about my mind like fireflies, beckoning with their elusive splendor. But chasing memories held no more promise than catching fireflies. The pursued feelings either vanished or lost their magic upon examination, hardly the green-glowing beauty seen at a distance. So I looked ahead of me and dreamed on into the darkness, hoping to one day find someone who would love me. "
14 " To HelenI saw thee once-once only-years ago;I must not say how many-but not many.It was a july midnight; and from outA full-orbed moon, that, like thine own soul, soaring,Sought a precipitate pathway up through heaven,There fell a silvery-silken veil of light,With quietude, and sultriness, and slumberUpon the upturn'd faces of a thousandRoses that grew in an enchanted garden,Where no wind dared to stir, unless on tiptoe-Fell on the upturn'd faces of these rosesThat gave out, in return for the love-lightThier odorous souls in an ecstatic death-Fell on the upturn'd faces of these rosesThat smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence.Clad all in white, upon a violet bank I saw thee half reclining; while the moonFell on the upturn'd faces of the rosesAnd on thine own, upturn'd-alas, in sorrow!Was it not Fate that, on this july midnight-Was it not Fate (whose name is also sorrow)That bade me pause before that garden-gate,To breathe the incense of those slumbering roses?No footstep stirred; the hated world all slept,Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!)Save only thee and me. I paused- I looked-And in an instant all things disappeared.(Ah, bear in mind this garden was enchanted!)The pearly lustre of the moon went out;The mossy banks and the meandering paths,The happy flowers and the repining trees,Were seen no more: the very roses' odorsDied in the arms of the adoring airs.All- all expired save thee- save less than thou:Save only the divine light in thine eyes-Save but the soul in thine uplifted eyes.I saw but them- they were the world to me.I saw but them- saw only them for hours-Saw only them until the moon went down.What wild heart-histories seemed to lie enwrittenUpon those crystalline, celestial spheres!How dark a woe! yet how sublime a hope!How silently serene a sea of pride!How daring an ambition!yet how deep-How fathomless a capacity for love!But now, at length, dear Dian sank from sight,Into western couch of thunder-cloud;And thou, a ghost, amid the entombing treesDidst glide away. Only thine eyes remained.They would not go- they never yet have gone.Lighting my lonely pathway home that night,They have not left me (as my hopes have) since.They follow me- they lead me through the years.They are my ministers- yet I thier slaveThier office is to illumine and enkindle-My duty, to be saved by thier bright light,And purified in thier electric fire,And sanctified in thier Elysian fire.They fill my soul with Beauty (which is Hope),And are far up in heaven- the stars I kneel toIn the sad, silent watches of my night;While even in the meridian glare of dayI see them still- two sweetly scintillantVenuses, unextinguished by the sun! "
― Edgar Allan Poe
15 " STARS AND DANDELIONSDeep in the blue sky,like pebbles at the bottom of the sea,lie the stars unseen in daylightuntil night comes. You can't see them, but they are there. Unseen things are still there.The withered, seedless dandelionshidden in the cracks of the roof tilewait silently for spring,their strong roots unseen. You can't see them, but they are there. Unseen things are still there. "
16 " I saw thee once - only once - years ago:I must not say how many - but not many.It was a July midnight; and from outA full-orbed moon, that, like thine own soul, soaring,Sought a precipitate pathway up through heaven,There fell a silvery-silken veil of light,With quietude, and sultriness, and slumber,Upon the upturn'd faces of a thousandRoses that grew in an enchanted garden,Where no wind dared stir, unless on tiptoe -Fell on the upturn'd faces of these rosesThat gave out, in return for the love-light,Their odorous souls in an ecstatic death -Fell on the upturn'd faces of these rosesThat smiled and died in the parterre, enchantedBy thee, and by the poetry of thy presence.Clad all in white, upon a violet bankI saw thee half reclining; while the moonFell upon the upturn'd faces of the roses,And on thine own, upturn'd - alas, in sorrow!Was it not Fate, that, on this July midnight -Was it not Fate, (whose name is also Sorrow,)That bade me pause before that garden-gate,To breathe the incense of those slumbering roses?No footsteps stirred: the hated world all slept,Save only thee and me. (Oh, Heaven! - oh, G**!How my heart beats in coupling those two words!)Save only thee and me. I paused - I looked -And in an instant all things disappeared.(Ah, bear in mind the garden was enchanted!)The pearly lustre of the moon went out:The mossy banks and the meandering paths,The happy flowers and the repining trees,Were seen no more: the very roses' odorsDied in the arms of the adoring airs.All - all expired save thee - save less than thou:Save only divine light in thine eyes -Save but the soul in thine uplifted eyes.I saw but them - they were the world to me.I saw but them - saw only them for hours -Saw only them until the moon went down.What wild heart-histories seemed to lie enwrittenUpon those crystalline, celestial spheres!How dark a wo! yet how sublime a hope!How silently serene a sea of pride!How daring an ambition! yet how deep -How fathomless a capacity for love!But now, at length, dear Dian sank from sight,Into a western couch of thunder-cloud;And thou, a ghost, amid the entombing treesDidst glide away. Only thine eyes remained.They would not go - they never yet have gone.Lighting my lonely pathway home that night,They have not left me (as my hopes have) since.They follow me - they lead me through the years.They are my ministers - yet I their slave.Their office is to illumine and enkindle -My duty, to be saved by their bright fire,And purified in their electric fire,And sanctified in their elysian fire.They fill my soul with Beauty (which is Hope,)And are far up in Heaven - the stars I kneel toIn the sad, silent watches of my night;While even in the meridian glare of dayI see them still - two sweetly scintillantVenuses, unextinguished by the sun! "
― Edgar Allan Poe , The Raven and Other Poems
17 " Language signifies when instead of copying thought it lets itself be taken apart and put together again by thought. Language bears the sense of thought as a footprint signifies the movement and effort of a body. The empirical use of already established language should be distinguished from its creative use. Empirical language can only be the result of creative language. Speech in the sense of empirical language - that is, the opportune recollection of a preestablished sign – is not speech in respect to an authentic language. It is, as Mallarmé said, the worn coin placed silently in my hand. True speech, on the contrary - speech which signifies, which finally renders " l'absente de tous bouquets" present and frees the sense captive in the thing - is only silence in respect to empirical usage, for it does not go so far as to become a common noun. Language is oblique and autonomous, and if it sometimes signifies a thought or a thing directly, that is only a secondary power derived from its inner life. Like the weaver, the writer works on the wrong side of his material. He has only to do with the language, and it is thus that he suddenly finds himself surrounded by sense. "
18 " GOD is like a streetlight. He keeps observing you silently when it is light and showers you with light when you are in darkness! "
19 " I still don’t know where the river begins, or where it ends. I don’t know where it comes from, or where it goes. I don’t know what it looked like yesterday, or what it will look like tomorrow,”Father Dominic put forth.“How the heck am I supposed to see all that from here?” Thomas pleaded.Father Dominic smiled, his body shaking slightly as he silently laughed.“Exactly, Thomas. Exactly. Now, think of your life as this river. If I were to ask you to describe it to me, how much of your life would you be able to share?”This was a question Thomas had never thought about before. Considering his life like this felt strange, uncomfortable.“I guess I’d share just about as much. I’d only talk about the part I can see right now. I guess I’d only tell you about what I know,” Thomas offered. "
20 " What an astonishing thing a book is. It's a flat object made from a tree with flexible parts on which are imprinted lots of funny dark squiggles. But one glance at it and you're inside the mind of another person, maybe somebody dead for thousands of years. Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic." (1980)] "
