3
" The Prophecy:" The Chosen one possesses a giftThat Lucempest needs in order to make a shift.To provide pure sacred lifeAs a concession for his land's strife.If the human soloth seizes wrathThis will be the altercation restraining Lucempest fromlaunching on his wicked path.If the Chosen One learns the way,He will prevent his land from having a great debt to pay.When Ira (wrath) vanishes from Lucempest's landHealing will ensue as a component of the great plan.If Lucempest prevails in acquiring his blood as a giftIt will be the beginning of a vast rift.He will offer the Chosen One's blood to the treeWhich will allow him control, and no land to be free.If The Chosen One prevailsThe tree will offer wisdom, and Lucempest will fail.There are sextet other saligias to remove.Avarita (greed), Acedia (sloth), Superbia (pride), Luxuria (lust), Invidia (envy), and Gula (gluttony) in order to improve.These septet saligias must be replaced with septet giftsSapientia (wisdom), Intellectus (understanding), Consilio (council), Fortitudo (fortitude), Scientia (knowledge), Pietas (piety), and Timor Domini (wonder and awe), in order to create vital shifts. "
7
" By the second day, the song lyrics had faded, but in their place came darker irritations. Gradually, I started to become aware of a young man sitting just behind me and to the left. I had noticed him when he first entered the mediation hall, and had felt a flash of annoyance at the time: something about him, especially his beard, had struck me as too calculatedly dishevelled, as if he were trying to make a statement. Now his audible breathing was starting to irritate me, too. It seemed studied, unnatural, somehow theatrical. My irritation slowly intensified - a reaction that struck me as entirely reasonable and proportionate at the time. It was all beginning to feel like a personal attack. How much contempt must the bearded meditator have for me, I seethed silently, deliberately to decide to ruin the serenity of my meditation by behaving so obnoxiously? Experienced retreat-goers, it turns out, have a term for this phenomenon. The call it 'vipassana vendetta'. In the stillness tiny irritations become magnified into full-blown hate campaigns; the mind is so conditioned to attaching to storylines that it seizes upon whatever's available. Being on retreat had temporarily separated me from all the real causes of distress in my life, and so, apparently, I was inventing new ones. As I shuffled to my narrow bed that evening, I was still smarting about the loud-breathing man. I did let go of the vendetta eventually - but only because I'd fallen into an exhausted and dreamless sleep "
― Oliver Burkeman , The Antidote: Happiness for People Who Can't Stand Positive Thinking
10
" Our life is like a journey…’ – and so the journey seems to me less an adventure and a foray into unusual realms than a concentrated likeness of our existence: residents of a city, citizens of country, beholden to a class or a social circle, member of a family and clan and entangled by professional duties, by the habits of an ‘everyday life’ woven from all these circumstances, we often feel too secure, believing our house built for all the future, easily induced to believe in a constancy that makes ageing a problem for one person and each change in external circumstances a catastrophe for another. We forget that this is a process, that the earth is in constant motion and that we too are affected by ebbs and tides, earthquakes and events far beyond our visible and tangible spheres: beggars, kings, figures in the same great game. We forget it for our would-be peace of mind, which then is built on shifting sand. We forget it so as not to fear. And fear makes us stubborn: we call reality only what we can grasp with our hands and what affects us directly, denying the force of the fire that’s sweeping our neighbour’s house, but not yet ours. War in other countries? Just twelve hours, twelve weeks from our borders? God forbid – the horror that sometimes seizes us, you feel it too when reading history books, time or space, it doesn’t matter what lies between us and it.
But the journey ever so slightly lifts the veil over the mystery of space – and a city with a magical, unreal name, Samarkand the Golden, Astrakhan or Isfahan, City of Rose Attar, becomes real the instant we set foot there and touch it with our living breath. "
― Annemarie Schwarzenbach , All the Roads Are Open: The Afghan Journey
14
" The poem or the discovery exists in two moments of vision: the moment of appreciation as much as that of creation; for the appreciator must see the movement, wake to the echo which was started in the creation of the work. In the moment of appreciation we live again the moment when the creator saw and held the hidden likeness. When a simile takes us aback and persuades us together, when we find a juxtaposition in a picture both odd and intriguing, when a theory is at once fresh and convincing, we do not merely nod over someone else's work. We re-enact the creative act, and we ourselves make the discovery again......Reality is not an exhibit for man's inspection, labeled: " Do not touch." There are no appearances to be photographed, no experiences to be copied, in which we do not take part. We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experiences, because he himself re-creates them. They are the marks of unity in variety; and in the instant when the mind seizes this for itself, in art or in science, the heart misses a beat. "
16
" Was she acting entirely consciously? No: women are always sincere, even in the midst of their most shocking duplicities, because it is always some natural emotion which dominates them. Perhaps, having given this young man such a hold on her, by having openly demonstrated her affection for him, Delphine was merely responding to a sense of personal dignity, which led her either to revoke any concessions she might have made or, at least, to enjoy suspending them. Even at the very moment when passion seizes her, it is perfectly natural for a Parisian woman to delay her final fall, as a way of testing the heart of the man into whose hands she is about to deliver herself and her future! "
― Honoré de Balzac , Père Goriot