1
" Eccolo!” he exclaimed.
At the same moment the ground gave way, and with a cry she fell out of the wood. Light and beauty enveloped her. She had fallen on to a little open terrace, which was covered with violets from end to end.
“Courage!” cried her companion, now standing some six feet above. “Courage and love.”
She did not answer. From her feet the ground sloped sharply into view, and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, eddying round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion; this terrace was the well-head, the primal source whence beauty gushed out to water the earth.
Standing at its brink, like a swimmer who prepares, was the good man. But he was not the good man that she had expected, and he was alone.
George had turned at the sound of her arrival. For a moment he contemplated her, as one who had fallen out of heaven. He saw radiant joy in her face, he saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her… "
― E.M. Forster , A Room with a View
4
" The cracks grew over him like vines, faster and faster. At first he bucked, whinnying metallic screeches. Then he gradually stilled, looking up at me with frightened glass eyes.
He was growing.
New, molten glass leeched out between his fissures, cooled and hardened only to crack again and make room for more liquid glass. The gears inside him moaned and creaked, and metal filings gathered at the base of his transparent stomach, only to fly up again and form more joints and chains and gears. Black smoke poured from his nostrils.
Soon he was the size of a large dog, then a man, and still he grew and grew until he towered over my bed, as big as any plow horse I’d ever seen. Glass dripped down his flanks like sweat, a few rivulets still glowing with molten heat. "
― Betsy Cornwell , Mechanica (Mechanica, #1)
7
" They cleared swiftly, dramatically, like a stage set or a movie; we went from black to stunning blue, the day emerging at once wet and crisp, the trees dripping jewels, the flowers drunk on drinking, their heads lolling with dizzy delight, rivulets etched into our earth, showing us which way the rain ran, downhill, of course, heading, all water, straight for our yet-to-be-pond. "
― Lauren Slater , Playing House: Notes of a Reluctant Mother
9
" With effort he opened his eyes again. Was someone there with him in the dusk? Yes. Someone was standing above him, looking down at him. Tom squinted, trying to see through the gloom. Then he realized: no. It was only the scorched painting on the wall. Those painted eyes with the line of blood trickling down beside them. 'Bad day,' he thought up at them. 'It seems I've been murdered.' 'Yes,' responded the eyes at once. 'That happens sometimes when you insist on telling the truth. People don't always appreciate it.' 'It's not so bad really,' Tom told the eyes. 'Maybe I'll get to see you in heaven.' 'The road to heaven isn't death, Tommy. It's life.' Tom peered up at the eyes through the growing darkness. He thought he saw the whole painting recovered in its frame: Christ crucified, the rivulets of blood streaming down from under his crown of thorns. 'But you died.' Tom said to him. 'You died and went to heaven.' 'No,' the eyes answered. 'I lived. That's the whole point. I lived. And now you have to live, Tom. "
― Andrew Klavan , Nightmare City
