1
" Because...” he used to cradle his daughter in his arms every morning and often they would exchange soft nuances “...if you can dream it, if you can see it in your visions at night, if you can feel it in your soul, it’s yours! And it never really belonged to anyone else, in the first place! It was always yours!” Viera returned her scroll to the drawer and closed it, she kissed the compass around her neck and climbed into her bed under the warm quilts, the candle flame crackled and the memories of her father’s arms around her embraced her there in bed and his deep, hoarse voice resounded in her ears; “... and if you chance upon a treasure that is yours and it happens to be in the possession of someone else, it’s not very wrong to take what is yours, to take what you dreamed, what you saw in your visions at night, what you felt visit you in your spirit! Sure, it’s not lawful, but aye aye my little one, listen to me when I tell you that the best things in life are not under the laws of any sort! For which law created love? Which law created courage? The best things, the real things, are the things that are not measured by any man’s laws! Fear is the only thing that any law has ever created! And what kind of pirates would we all be if we were afraid of any of our fears, even a little! "
― C. JoyBell C.
4
" Amid the stillness of the night, in the depths of the ravine, from the direction in which the corpses lay suddenly resounded a kind of inhuman, frightful laughter in which quivered despair, and joy, and cruelty, and suffering, and pain, and sobbing, and derision; the heart-rending and spasmodic laughter of the insane or condemned. "
― Henryk Sienkiewicz , In Desert and Wilderness
6
" Encouraged by her parents’ applause, the girl went on: “Do you think we take off our tops to give you pleasure? We do it for ourselves, because we like it, because it feels better, because it brings our bodies nearer to the sun! You’re only capable of seeing us as sex objects!”
Again Papa and Mama Clevis applauded, but this time their bravos had a somewhat different tone. Their daughter’s words were indeed right, but also somewhat inappropriate for a fourteen-year-old. It was like an eight-year-old boy saying: “If there’s a holdup, Mama, I’ll defend you.” Then too the parents applaud, because their son’s statement is clearly praiseworthy. But since it also shows excessive self-assurance, the praise is rightly shaded by a certain smile. With such a smile the Clevis parents had tinged their second bravos, and their daughter, who had heard that smile in their voices and did not approve of it, repeated with irritated obstinacy: “That’s over and done with. I’m not anybody’s sex object.”
Without smiling, the parents merely nodded, not wanting to incite their daughter any further.
Jan, however, could not resist saying:
“My dear girl, if you only knew how easy it is not to be a sex object.”
He uttered these words softly, but with such sincere sorrow that they resounded in the room for a long while. They were words difficult to pass over in silence, but it was not possible to respond to them either. They did not deserve approval, not being progressive, but neither did they deserve argument, because they were not obviously against progress. There were the worst words possible, because they were situated outside the debate conducted by the spirit of the time. They were words beyond good and evil, perfectly incongruous words. "
― Milan Kundera , The Book of Laughter and Forgetting
7
" It throbbed and pulsed, channeled by elemental forces of fear, love, hope, and sadness. The bow stabbed and flitted across the strings in a violent whorl of creation; its hairs tore and split until it seemed the last strands would sever in a scrape of dissonance. Those who saw the last fragile remnants held their breath against the breaking. The music rippled across the ship like a spirit, like a thing alive and eldritch and pregnant with mystery. The song held. More than held, it deepened. It groaned. It resounded in the hollows of those who heard. Then it softened into tones long, slow, and patient and reminded men of the faintest stars trembling dimly in defiance of a ravening dark. At the last, when the golden hairs of the bow had given all the sound they knew, the music fled in a whisper. Fin was both emptied and filled, and the song sighed away on the wind. "
― A.S. Peterson , Fiddler's Green (Fin's Revolution, #2)
8
" So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams." And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice—since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts. "
11
" He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?”
He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.”
Confused, Tom stepped past him into the bunk. Then he gawked, too.
Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW?
Tom began to laugh.
“She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.”
That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved.
He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games.
“My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe.
Just then, Vik’s new roommate bustled into the bunk.
He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory:
NAME: Giuseppe Nichols
RANK: USIF, Grade IV Middle, Alexander Division
ORIGIN: New York, NY
ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition
IP: 2053:db7:lj71::291:ll3:6e8
SECURITY STATUS: Top Secret LANDLOCK-4
Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.”
Tom smothered his laughter. “Wow. He already has your number, man.”
Vik shot him a look of death as Tom backed out of the bunk. "
― S.J. Kincaid
