6
" As his people positioned themselves in and around the pass, Arin though that he might have misunderstood the Valorian addiction to war. He had assumed it was spurred by greed. By a savage sense of superiority. It had never occurred to him that Valorians also went to war because of love.
Arin loved those hours of waiting. The silent, brilliant tension, like scribbles of heat lightning. His city far below and behind him, his hand on a cannon's curve, ears open to the acoustics of the pass. He stared into it, and even though he smelled the reek of fear from men and women around him, he was caught in a kind of wonder.He felt so vibrant. As if his life was fresh, translucent, thin-skinned fruit. It could be sliced apart and he wouldn't care. Nothing felt like this. "
― Marie Rutkoski , The Winner's Curse (The Winner's Trilogy, #1)
11
" I pass a construction site, abandoned for the night, and a few blocks later, the playground of the elementary school my son attended, the metal sliding board gleaming under a streetlamp and the swings stirring in the breeze.
There's an energy to these autumn nights that touches something primal inside of me. Something from long ago. From my childhood in western Iowa. I think of high school football games and the stadium lights blazing down on the players. I smell ripening apples, and the sour reek of beer from keg parties in the cornfields. I feel the wind in my face as I ride in the bed of an old pickup truck down a country road at night, dust swirling in the taillights and the entire span of my life yawning out ahead o me.
It's the beautiful thing about youth.
There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential.
I love my life, but I haven't felt that lightness of being in ages. Autumn nights like this are as close as I get. "
― Blake Crouch , Dark Matter
17
" Ugly and futile: lean neck and thick hair and a stain of ink, a snail’s bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother’s prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped. "
― James Joyce , Ulysses
18
" A modern woman sees a piece of linen, but the mediaeval woman saw through it to the flax fields, she smelt the reek of the retting ponds, she felt the hard rasp of the hackling, and she saw the soft sheen of the glossy flax. Man did not see 'just leather', he saw the beast - perhaps one of his own - and knew the effort of slaughtering, liming and curing.
Communities were smaller and whether our man lived on the outskirts of some feudal system, had escaped from it, or was entirely isolated, he would work alone, or daily with the same fellow-workers - conversation would soon languish.
But THINK he must. "
― ,
