3
" You can never stay angry too long in the bush though. At least, that's what I think. It's not that it's soothing or restful, because it's not. What it does for me is get inside my body, inside my blood, and take me over. I don't know that I can describe it any better than that. It takes me over and I become part of it and it becomes part of me and I'm not very important, or at least no more important than a tree or a rock or a spider abseiling down a long thread of cobweb. As I wandered around, on that hot afternoon, I didn't notice anything too amazing or beautiful or mindbogglingly spectacular. I can't actually remember noticing anything out of the ordinary: just the grey-green rocks and the olive-green leaves and the reddish soil with its teeming ants. The tattered ribbons of paperbark, the crackly dry cicada shell, the smooth furrow left in the dust by a passing snake. That's all there ever is really, most of the time. No rainforest with tropical butterflies, no palm trees or Californian redwoods, no leopards or iguanas or panda bears.
Just the bush. "
― John Marsden , Darkness, Be My Friend (Tomorrow, #4)
4
" He saw two stars collapse against one another and a nova form; it flared up and then, as he watched, it began to die out. He saw it turn from a furiously blazing ring into a dim core of dead iron and then he saw it cool into darkness. More stars cooled with it; he saw the force of entropy, the method of the Destroyer of Forms, retract the stars into dull reddish coals and then into dust-like silence. A shroud of thermal energy hung uniformly over the world,over this strange and little world for which he had no love or use.It's dying, he realized. The universe. The thermal haze spread on and on until it became only a disturbance, nothing more; the sky glowed weakly with it and then flickered. Even the uniform thermal disbursement was expiring. How strange and goddamn awful, he thought. He got to his feet, moved a step toward the door.And there, on his feet, he died.They found him an hour later. Seth Morley stood with his wife at the far end of the knot of people jammed into the small room and said to himself, " to keep him from helping with the prayer" . " The same force that shut down the transmitter," Ignatz Thugg said. " They knew; they knew if he phrased the prayer it would go through. Even without the relay." He looked gray and frightened. All of them did, Seth Morley noticed. Their faces, in the light of the room, had a leaden, stone-like cast. Like, he thought, thousand-year-old idols.Time, he thought, is shutting down around us. It is as if the future is gone, for all of us. "
6
" Many things in this period have been hard to bear, or hard to take seriously. My own profession went into a protracted swoon during the Reagan-Bush-Thatcher decade, and shows scant sign of recovering a critical faculty—or indeed any faculty whatever, unless it is one of induced enthusiasm for a plausible consensus President. (We shall see whether it counts as progress for the same parrots to learn a new word.) And my own cohort, the left, shared in the general dispiriting move towards apolitical, atonal postmodernism. Regarding something magnificent, like the long-overdue and still endangered South African revolution (a jagged fit in the supposedly smooth pattern of axiomatic progress), one could see that Ariadne’s thread had a robust reddish tinge, and that potential citizens had not all deconstructed themselves into Xhosa, Zulu, Cape Coloured or ‘Eurocentric’; had in other words resisted the sectarian lesson that the masters of apartheid tried to teach them. Elsewhere, though, it seemed all at once as if competitive solipsism was the signifier of the ‘radical’; a stress on the salience not even of the individual, but of the trait, and from that atomization into the lump of the category. Surely one thing to be learned from the lapsed totalitarian system was the unwholesome relationship between the cult of the masses and the adoration of the supreme personality. Yet introspective voyaging seemed to coexist with dull group-think wherever one peered about among the formerly ‘committ "
9
" As she felt his fangs against her neck, she was in another world.
There was screaming. A woman was somewhere in agony. Everything was black, and the tormented scream was overwhelming, echoing through the emptiness. After the screaming subsided, there was panting, loud and steady, and it wasn’t as dark anymore. There was a room visible now, in a reddish light. A pale man with black hair hovered over a woman dressed in white. She lay on a bed, looking disheveled and sweaty. Her brown-black hair clung to her wet forehead and shoulders. She was covered in blood. The man sat next to her, and held her close to him. He stroked her hair as her chest heaved desperately.
“I love you, my dearest Katerina,” he said, cradling her in his strong arms. “Soon, we’ll be together forever.” Everything faded to black once more, and the woman stopped breathing. All was silent and still. "
― , Crimson
12
" We’re not going to give in. We’re going to fight.”
“Got that right,” a voice cried out.
“First thing we need to have clear: there’s no line between freak and normal here. If you have the power, we’ll need you. If you don’t, we’ll need you.”
Heads were nodding. Looks were being exchanged.
“Coates kids, Perdido Beach kids, we’re together now. We’re together. Maybe you did things to survive. Maybe you weren’t always brave. Maybe you gave up hope.”
A girl sobbed suddenly.
“Well, that’s all over now,” Sam said gently. “It all starts fresh. Right here, right now. We’re brothers and sisters now. Doesn’t matter we don’t know each other’s names, we are brothers and sisters and we’re going to survive, and we’re going to win, and we’re going to find our way to some kind of happiness again.”
There was a long, deep silence.
“So,” Sam said, “my name is Sam. I’m in this with you. All the way.” He turned to Astrid.
“I’m Astrid, I’m in this with you, too.”
“My name is Edilio. What they said. Brothers and sisters. Hermanos.”
“Thuan Vong,” said a thin boy with yet-unhealed hands like dead fish. “I’m in.”
“Dekka,” said a strong, solidly built girl with cornrows and a nose ring. “I’m in. And I have game.”
“Me too,” called a skinny girl with reddish pigtails. “My name’s Brianna. I…well, I can go real fast.”
One by one they declared their determination. The voices started out soft and gained strength. Each voice louder, firmer, more determined than the one before.
Only Quinn remained silent. He hung his head, and tears rolled down his cheeks.
“Quinn,” Sam called to him.
Quinn didn’t respond, just looked down at the ground.
“Quinn,” Sam said again. “It starts fresh right now. Nothing before counts. Nothing. Brothers, man?”
Quinn struggled with the lump in his throat. But then, in a low voice, he said, “Yeah. Brothers. "
― Michael Grant
14
" Once upon a time an Athenian princesss named Prokne was wed to Tereus, king of the barbarous Thracians of the north. When Prokne's unfortunate sister, Philomela, came for a visit, Tereus fell madly in love with the girl locked her away and raped her, then cut out her tongue to prevent her from telling anyone of the crime. Philomela, however, wove into a cloth the story of her misfortune. When Prokne, receiving the cloth, understood what had befallen, she freed her sister, killed her own son, Itys, whom she had borne to Tereus, and served the child up to his father at a feast--the vilest revenge she could think of. When Tereus discovered the truth, in wrath he pursued the two sisters, thinking to kill them, but the gods transformed all three into birds: Tereus into the hoopoe (a large, crested bird with a daggerlike beak), Philomela into the swallow, which can only twitter unintelligibly, and Prokne into the nightingale, which spends the night singing 'Itys Itys!' in mourning for her dead son. All these birds have reddish spots, it is said, from getting spattered with the blood of the child.
...
It is interesting in our purposes because it shows in yet another way the great importance that clothmaking had in women's lives, becoming central to their mythology as well. "
― , Women's Work: The First 20,000 Years: Women, Cloth, and Society in Early Times
