3
" The lie [of compulsory female heterosexuality] is many-layered. In Western tradition, one layer—the romantic—asserts that women are inevitably, even if rashly and tragically, drawn to men; that even when that attraction is suicidal (e. g, Tristan and Isolde, Kate Chopin’s ‘The Awakening’) it is still an organic imperative. In the tradition of the social sciences it asserts that primary love between the sexes is ‘normal,’ that women need men as social and economic protectors, for adult sexuality, and for psychological completion; that the heterosexually constituted family is the basic social unit; that women who do not attach their primary intensity to men must be, in functional terms, condemned to an even more devastating outsiderhood than their outsiderhood as women. "
― Adrienne Rich
4
" And indeed we must seek the true rule of prayer in the word of God, that we may not rashly break through to Him, but may approach him in the manner in which he has revealed himself to us. This appears more clearly from the adjoining context, where Jacob, recalling the command and promise of God to memory, is supported as by two pillars. Certainly the legitimate method of praying is, that the faithful should answer to God who calls them; and thus there is such a mutual agreement between his word and their vows, that no sweeter and more harmonious symphony can be imagined. “O Lord,” he says, “I return at thy command: thou also didst promise protection to me returning; it is therefore right that thou shouldest become the guide of my journey.” This is a holy boldness, when, having discharged our duty according to God’s calling, we familiarly ask of him whatsoever he has promised; since he, by binding himself gratuitously to us, becomes in a sense voluntarily our debtor. But whoever, relying on no command or promise of God, offers his prayers, does nothing but cast vain and empty words into the air. "
― John Calvin , Commentaries, 23 Vols
5
" An ignorant man, who is not fool enough to meddle with his clock, is however sufficiently confident to think he can safely take to pieces, and put together at his pleasure, a moral machine of another guise, importance and complexity, composed of far other wheels, and springs, and balances, and counteracting and co-operating powers. Men little think how immorally they act in rashly meddling with what they do not understand. Their delusive good intention is no sort of excuse for their presumption. They who truly mean well must be fearful of acting ill. "
― Edmund Burke ,
10
" Oh! my dearest love, why are our pleasures so short and so interrupted? How long is this to last?
Know you, my best Mary, that I feel myself, in your absence, almost degraded to the level of the vulgar and impure. I feel their vacant, stiff eyeballs fixed upon me, until I seem to have been infected with their loathsome meaning--to inhale a sickness that subdues me to languor. Oh! those redeeming eyes of Mary, that they might beam upon me before I sleep! Praise my forbearance--oh! beloved one--that I do not rashly fly to you, and at least secure a moment's bliss. Wherefore should I delay; do you not long to meet me? All that is exalted and buoyant in my nature urges me towards you, reproaches me with the cold delay, laughs at all fear and spurns to dream of prudence. Why am I not with you? "
― , The World's Greatest Love Letters
11
" Suppose boredom is a backstairs to liberation — insignificant, and so often overlooked. No one who has not known its higher degrees can claim to have lived. Not the Relative Boredom of long waiting at junctions for railway connections on the way to visit friends—or the rashly accepted week-end with acquaintances—the reviewing of a dull book. In such Relative Boredom the " wasting-of-time" -feeling only heightens the enjoyment of the coming escape, the anticipation of which sustains us meanwhile. Absolute Boredom is rather the pain of nausea, it is the loss of one's livelihood as for the pianist who loses his hands, the unsatiable desire for what we know makes us sick, it is the Great Drought, the " Carnal physic for the sick soul" , the Dark Night of the Soul after the climbing of Mount Carmel, it is the pillar of salt, the exile from the land which is no more, the Sin against the Holy Ghost, the break-up of patterns, the horror that waits alone in the night, the entry into the desert where Death mocks by serving one one's daily food and one cannot bear hut to keep the darkness of one's own shadow before one for the very brightness of the light that reveals the universal emptiness. Do not try to turn back now — here in the desert perhaps there are doors open—in the cool woods they are overgrown, and in the busy cities they have built over them. "