5
" I had another reason for seeking Him, for trying to espy His face, a professional one. God and literature are conflated in my mind. Why this is, I’m not sure. Perhaps because great books seem heavensent. Perhaps because I know that each nove is a puny but very valiant attempt at godlike behavior. Perhaps because there is no difference between the finest poetry and most transcendent mysticism. Perhaps because writers like Thomas Merton, who are able to enter the realm of the spirit and come away with fine, lucid prose. Perhaps because of more secular writers, like John Steinbeck, whose every passage, it seems to me, peals with religiousity and faith. It once occured to me that literature — all art really — is either talking to people about God, or talking to God about people. "
― Paul Quarrington , The Boy on the Back of the Turtle: Seeking God, Quince Marmalade, and the Fabled Albatross on Darwin's Islands
8
" my dreams, my works, must wait till after hell
I hold my honey and I store my bread
In little jars and cabinets of my will.
I label clearly, and each latch and lid
I bid, Be firm till I return from hell.
I am very hungry. I am incomplete.
And none can tell when I may dine again.
No man can give me any word but Wait,
The puny light. I keep eyes pointed in;
Hoping that, when the devil days of my hurt
Drag out to their last dregs and I resume
On such legs as are left me, in such heart
As I can manage, remember to go home,
My taste will not have turned insensitive
To honey and bread old purity could love. "
― Gwendolyn Brooks , Selected Poems
11
" Oh, I am so sick of the young men of the present day!” exclaimed she, rattling away at the instrument. “Poor, puny things, not fit to stir a step beyond papa’s park gates: nor to go even so far without mama’s permission and guardianship! Creatures so absorbed in care about their pretty faces, and their white hands, and their small feet; as if a man had anything to do with beauty! As if loveliness were not the special prerogative of woman—her legitimate appanage and heritage! I grant an ugly woman is a blot on the fair face of creation; but as to the gentlemen, let them be solicitous to possess only strength and valour: let their motto be:—Hunt, shoot, and fight: the rest is not worth a fillip. Such should be my device, were I a man. "
― Charlotte Brontë , Jane Eyre
15
" Actually, the Sniper's sense of humor frightened Amy more than anything else. The parody of Carla's poem had been witty, the rudeness of Marvy's critique outlandish, and she was still, for some reason, focused on that " youse" in the Sniper's counterfeit email. " Youse" was like a spectral elbow to Amy's ribs. Dangerous, malevolent people should not be amusing. In order to be humorous, you had to have perspective, to be able to stand outside yourself and your own needs and grudges and fears and see yourself for the puny ludicrous creature you really are. How could somebody do that and still imagine himself entitled to harry, to wound, to kill? "
19
" Bodily vigor is good, and vigor of intellect is even better, but far above both is character. It is true, of course, that a genius may, on certain lines, do more than a brave and manly fellow who is not a genius; and so, in sports, vast physical strength may overcome weakness, even though the puny body may have in it the heart of a lion. But, in the long run, in the great battle of life, no brilliancy of intellect, no perfection of bodily development, will count when weighed in the balance against that assemblage of virtues, active and passive, of moral qualities, which we group together under the name of character; and if between any two contestants, even in college sport or in college work, the difference in character on the right side is as great as the difference of intellect or strength the other way, it is the character side that will win. "
― Theodore Roosevelt
