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6 " Alejandro de Humboldt National ParkOutside of the major cities, the great majority of Cuba is agricultural or undeveloped. Cuba has a number of national parks where it is possible to see and enjoy some plants and animals that are truly unique to the region. Because it is relatively remote and limited in size, the Cuban Government has recognized the significance and sensitivity of the island’s biodiversity. It is for these reasons many of these parks have been set aside as protected areas and for the enjoyment of the people.One of these parks is the Alejandro de Humboldt National Park, named for Alexander von Humboldt a Prussian geographer, naturalist and explorer who traveled extensively in Latin America between 1799 and 1804. He explored the island of Cuba in 1800 and 1801. In the 1950’s during its time of the Cuban Embargo, the concept of nature reserves, on the island, was conceived with development on them continuing into the 1980’s, when a final sighting of the Royal Woodpecker, a Cuban subspecies of the ivory-billed woodpecker known as the “Campephilus principalis,” happened in this area. The Royal Woodpecker was already extinct in its former American habitats. This sighting in 1996, prompted these protected areas to form into a national park that was named Alejandro de Humboldt National Park. Unfortunately no further substantiated sightings of this species has bird has occurred and the species is now most likely extinct. The park, located on the eastern end of Cuba, is tropical and mostly considered a rain forest with mountains and some of the largest rivers in the Caribbean. Because it is the most humid place in Cuba it can be challenging to hike. The park has an area of 274.67 square miles and the elevation ranges from sea level to 3,832 feet at top of El Toldo Peak. In 2001 the park was declared a UNESCO World Natural Heritage Site. Tours are available for those interested in learning more about the flora & fauna, wild life and the natural medicines that are indigenous to these jungles.“The Exciting Story of Cuba” by award winning Captain Hank Bracker is available from Amazon.com, Barnes&Noble.com, BooksAMillion.com and Independent Book Vendors. Read, Like & Share the daily blogs & weekly " From the Bridge" commentaries found on Facebook, Goodreads, Twitter and Captain Hank Bracker’s Webpage. "

7 " ...I have sometimes thought that the mere hearing of those songs would do more to impress some minds with the horrible character of slavery, than the reading of whole volumes of philosophy on the subject could do.I did not, when a slave, understand the deep meaning of those rude and apparently incoherent songs. I was myself within the circle; so that I neither saw nor heard as those without might see and hear. They told a tale of woe which was then altogether beyond my feeble comprehension; they were tones loud, long, and deep; they breathed the prayer and complaint of souls boiling over with bitterest anguish. Every tone was a testimony against slavery, and a prayer to God for deliverance from chains. The hearing of those wild notes always depressed my spirit, and filled me with ineffable sadness. I have frequently found myself in tears while hearing them. The mere recurrence to those songs, even now, afflicts me; and while I am writing these lines, an expression of feeling has already found its way down my cheek. To those songs I trace my first glimmering conception of the dehumanizing character of slavery. I can never get rid of that conception. Those songs still follow me, to deepen my hatred of slavery, and quicken my sympathies for my brethren in bonds. If any one wishes to be impressed with the soul-killing effects of slavery, let him go to Colonel Lloyd's plantation, and, on allowance-day, place himself in the deep pine woods, and there let him, in silence, analyze the sounds that shall pass through the chambers of his soul, - and if he is not thus impressed, it will only be because " there is no flesh in his obdurate heart." I have often been utterly astonished, since I came to the north, to find persons who could speak of the singing, among slaves, as evidence of their contentment and happiness. It is impossible to conceive of a greater mistake. Slaves sing most when they are most unhappy. The songs of the slave represent the sorrows of his heart; and he is relieved by them, only as an aching heart is relieved by its tears. At least, such is my experience. I have often sung to drown my sorrow, but seldom to express my happiness. Crying for joy, and singing for joy, were alike uncommon to me while in the jaws of slavery. The singing of a man cast away upon a desolate island might be as appropriately considered as evidence of contentment and happiness, as the singing of a slave; the songs of the one and of the other are prompted by the same emotion. "

19 " Venus was rising, holding her own in the sky that was beginning to brighten. As I left the docks and warehouses behind, I came to a marshy shoreline, thick with water reeds. Though the sky above was clear, the water's surface swirled with little mists. I began to sing a song to Isis, made up on the spot, which caught the rhythm of the oars. A breeze sprang up and the reeds sang with me.

Then as the first rays of sun dimmed the stars, birds everywhere lifted their voices and rose in line after line into the sky. On the outskirts of the city, I came to what looked like it might have been an abandoned villa or farmstead. I decided to sit down and watch the lake changing colors with the light. That's when I heard it. Not the soft lapping of the water against the shore, but the sound of flowing water. I looked and in the glowing light, I saw a small stream, eally just a trickle washing down a pebbly incline towards the lake. Something prompted me to follow the stream inland.

I made my way though brambly thickets of brambling roses. The way seemed to open for me, the thorns all but retracting so as not to catch my cloak or scratch my arms and legs. At the source, I knelt down and parted the thicket, and there it was. The spring at the base of the hill so steep, it was almost a cliff. The water bubbled up from the darkness of earth, giving back the brightness of sky. Like all springs, a way between worlds.

I was no stranger to sacred springs and magic wells. I was raised to revere them. I had first glimpsed my beloved on the well of wisdom on Tir n mBan. But this spring. I closed my eyes to listen to its sound, and I knew I had heard it before.

The wind picked up, washing over me, scented with fish and roses. When it quieted again, I opened my eyes and gazed at the clear surface of the pool, and for an instant, I saw a tower, and the dawn sky, and the two people standing there. Then the image vanished, but I had seen all I needed to see.

Alright, I said to myself, my goddess, to Miriam's know it all angels, Magala is is.

And by the way, I added, my name is Maeve. "

, The Passion of Mary Magdalen (Maeve Chronicles, #2)