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prodded  QUOTES

7 " Moving on, while he wondered, the dark through which Mr. Lecky's light cut grew more beautiful with scents. Particles of solid matter so minute, gases so subtle, that they filtered through stopping and sealing, hung on the unstirred air. Drawn in with Mr. Lecky's breath came impalpable dews cooked out of disintegrating coal. Distilled, chemically split and reformed, they ended in flawless simulation of the aromas of gums, the scent of woods and the world's flowers. The chemists who made them could do more than that. Loose on the gloom were perfumes of flowers which might possibly have bloomed but never had, and the strong-smelling saps of trees either lost or not yet evolved.

Mixed in the mucus of the pituitary membrane, these volatile essences meant more than synthetic chemistry to Mr. Lecky. Their microscopic slime coated the bushed-out ends of the olfactory nerve; their presence was signaled to the anterior of the brain's temporal lobe. At once, thought waited on them, tossing down from the great storehouse of old images, neglected ideas - sandalwood and roses, musk and lavender. Mr. Lecky stood still, wrung by pangs as insistent and unanswerable as hunger. He was prodded by the unrest of things desired, not had; the surfeit of things had, not desired. More than anything he could see, or words, or sounds, these odors made him stupidly aware of the past. Unable to remember it, whence he was, or where he had previously been, all that was sweet, impermanent and gone came back not spoiled by too much truth or exact memory. Volatile as the perfumes, the past stirred him with longing for what was not - the only beloved beauty which you will have to see but which you may not keep.

Mr. Lecky's beam of light went through glass top and side of a counter, displayed bottles of colored liquid - straw, amber, topaz - threw shadows behind their diverse shapes. He had no use for perfume. All the distraction, all the sense of loss and implausible sweetness which he felt was in memory of women.

Behind the counter, Mr. Lecky, curious, took out bottles, sniffed them, examined their elaborately varied forms - transparent squares, triangles, cones, flattened ovals. Some were opaque, jet or blue, rough with embedded metals in intricate design. This great and needless decoration of the flasks which contained it was one strange way to express the inexpressible. Another way was tried in the names put on the bottles. Here words ran the suggestive or symbolic gamut of idealized passion, or festive night, of desired caresses, or of abstractions of the painful allure yet farther fetched.

Not even in the hopeful, miracle-raving fancy of those who used the perfumes could a bottle of liquid have any actual magic. Since the buyers at the counters must be human beings, nine of every ten were beyond this or other help. Women, young, but unlovely and unloved, women, whatever they had been, now at the end of it and ruined by years or thickened to caricature by fat, ought to be the ones called to mind by perfume. But they were not. Mr. Lecky held the bottle in his hand a long while, aware of the tenth woman. "

James Gould Cozzens

13 " Jamie leaned over. “And your perfect world?”

“Mmm,” Helen smiled. “Perfect is complicated. Hard to explain.”

“Give it a shot,” I prodded her.

“It’s… beautiful is the best word to describe it,” she said.

Jamie and I nodded.

“Everything that isn’t necessary to getting what we want is gone,” she said, eyes closing, as if she was vividly imagining. “There’s an abundance of it all, thanks to science. Food is everywhere and it overflows and there’s nothing to worry about because we have and we want and we take. We’re, and by we I mean people, we’re everywhere and we spill over into one another and we’re all knit together, physically and mentally. It’s an exquisite landscape of things that don’t ever run out to see and touches and tastes and smells and mating and eating and mindless fighting and eating-mating and fighting-eating and fighting-”

“Okay,” I said, interrupting. I paused, then when I couldn’t think of what to say. “Okay.”

Helen reached down to her plate, used a fingertip to wipe up a bit of frosting, and popped it into her mouth, sucking it off.

“Okay,” I said, still at a bit of a loss for words.

“That’s a mental image that’s going to be with me forever,” Jamie said, dropping his head down until his face was in his hands.

“I don’t see where ethics come into that world,” I said, more to see Jamie’s reaction than out of curiosity.

“No,” Jamie said. “Don’t-”

“The closer you get to perfection, the further you get from ethics,” Helen said, as if it was common sense. "

, Twig

19 " I prodded him in the chest with a finger and said, “Look here, smart mouth, I’m getting pretty sick of you already. If you know what’s best for you, keep your trap shut and do as I tell you. I still haven’t forgotten how you pushed my friend into that corpse. So unless you want to end up like that body in the underpass, do yourself a favour and keep out of my face, okay?”
“Whatever you say, boss. You’re the boss, boss,” Drake said.
“See, there you go again!” I snapped at him.
“I’m not sure I know what you mean, boss,” Drake said.
“You even say boss like a wise arse,” I shot back at him.
“I don’t know what you mean b-” Drake started again.
“Did I say you had to call me boss?”
“It’s just that I thought…”
“Don’t think!” I barked. “Just do as I say and we’ll get along just fine.”
“Whatever you say,” Drake said.
I glanced at Madison and she was smiling. “What’s so funny?” I asked.
“Nothing,” she smiled back.
“Oh, I’m sorry,” I said. “I didn’t realise that I was some sort of freaking comedian. Let’s see if
you think it’s so funny when another one of those dead kids shows up. Jesus, no wonder you amateurs haven’t caught this piece of scum yet – you’re probably all too busy sitting round cracking jokes and
taking the piss to do any real police work.”
“You are funny though,” she half-laughed. “It’s just that when you get angry, your jaw goes all
tense and your nostrils flare out at the sides.”
“Oh yeah, how very amusing,” I remarked. “I think you two clowns are funny – not ha-ha funny
– but fucked-in-the-head funny! Now, if you two have quite finished doing your Laurel and Hardy impersonations, we’ve got a killer to catch! "

Tim O'Rourke , Wolf House - Potter's Story (Kiera Hudson Series One #4.5)