6
" The river itself portrays humanity precisely, with its tortuous windings, its accumulation of driftwood, its unsuspected depths, and its crystalline shallows, singing in the Summer sun. Barriers may be built across its path, but they bring only power, as the conquering of an obstacle is always sure to do. Sometimes when the rocks and stone-clad hills loom large ahead, and eternity itself would be needed to carve a passage, there is an easy way around. The discovery of it makes the river sing with gladness and turns the murmurous deeps to living water, bright with ripples and foam. "
― Myrtle Reed , Old Rose and Silver
8
" In Woolrich's crime fiction there is a gradual development from pulp to noir. The earlier a story, the more likely it stresses pulp elements: one-dimensional macho protagonists, preposterous methods of murder, hordes of cardboard gangsters, dialogue full of whiny insults, blistering fast action. But even in some of his earliest crime stories one finds aspects of noir, and over time the stream works itself pure.In mature Woolrich the world is an incomprehensible place where beams happen to fall, and are predestined to fall, and are toppled over by malevolent powers; a world ruled by chance, fate and God the malign thug. But the everyday life he portrays is just as terrifying and treacherous. The dominant economic reality is the Depression, which for Woolrich usually means a frightened little guy in a rundown apartment with a hungry wife and children, no money, no job, and desperation eating him like a cancer. The dominant political reality is a police force made up of a few decent cops and a horde of sociopaths licensed to torture and kill, whose outrages are casually accepted by all concerned, not least by the victims. The prevailing emotional states are loneliness and fear. Events take place in darkness, menace breathes out of every corner of the night, the bleak cityscape comes alive on the page and in our hearts.(" Introduction" ) "
16
" The steeper the climb, the more incentive to reach the top.Even in the midst of the darkness, there is always a shard of light if we will but search for it hard enough and believe in it strongly enough.A name portrays the nature of its wearer. The meaning of a name, however, portrays the trueness of its wearer in depths that very few ever come to comprehend.May God bless you and keep you and give you peace in all that you do, and may we rest assured of this: that though we travel far apart and in many different directions and for long periods of time, we will meet again, if not in this lifetime, then in eternity, and there we will never have to say ‘good-bye’ again.Courage is not found in lacking fear, courage is found in not allowing your fear to rule you.Courage is really just facing fear.Do not put too much stock in the stars my boy, they are fickle and distant and do not affect the lives of men by very great a margin. "
18
" Romantic enthusiasm lifts the good aloft and removes it into the dim distance of the incomparable and unattainable; at the same time it portrays the good in a human countenance out of which it looks at us and we can look back at it, face to face, in admiration and ecstasy, and stretch out our arms towards it. Thus the moral good is represented in human, and at the same time superhuman, form; it is of our own kind, and yet above our kind; it confronts us, but makes no demands. IT is not really a standard and lacks the power to issues commandments. Both are given at once: the ethical which one would like to love; and the passive, the romantic, in which one wants to live. As a substitute for constant activity demanded by the ethical commandment, we have adoration in which the romantic impression of the moment in vented, and yearning which need only admire and enjoy but not achieve anything. "
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