4
" It is not enough for a population or a section of the population to have Christian faith and be docile to the ministers of religion in order to be in a position properly to judge political matters. If this population has no political experience, no taste for seeing clearly for itself nor a tradition of initiative and critical judgment, its position with respect to politics grows more complicated, for nothing is easier for political counterfeiters than to exploit good principles for purposes of deception, and nothing is more disastrous than good principles badly applied. And moreover nothing is easier for human weakness than to merge religion with prejudices of race, family or class, collective hatreds, passions of a clan and political phantoms which compensate for the rigors of individual discipline in a pious but insufficiently purified soul. Politics deal with matters and interests of the world and they depend upon passions natural to man and upon reason. But the point I wish to make here is that without goodness, love and charity, all that is best in us—even divine faith, but passions and reason much more so—turns in our hands to an unhappy use. The point is that right political experience cannot develop in people unless passions and reason are oriented by a solid basis of collective virtues, by faith and honor and thirst for justice. The point is that, without the evangelical instinct and the spiritual potential of a living Christianity, political judgment and political experience are ill protected against the illusions of selfishness and fear; without courage, compassion for mankind and the spirit of sacrifice, the ever-thwarted advance toward an historical ideal of generosity and fraternity is not conceivable. "
― Jacques Maritain , Christianity and Democracy and the Rights of Man and Natural Law
5
" To write the poem of the human conscience, were it only of a single man, were it only of the most infamous of men, would be to swallow up all epics in a superior and final epic. The conscience is the chaos of chimeras, of lusts and of temptations, the furnace of dreams, the cave of the ideas which are our shame; it is the pandemonium of sophisms, the battlefield of the passions. At certain hours, penetrate within the livid face of a human being who reflects, and look at what lies behind; look into that soul, look into that obscurity. There, beneath the external silence, there are combats of giants as in Homer, mêlées of dragons and hydras, and clouds of phantoms as in Milton, ghostly labyrinths as in Dante. What a gloom enwraps that infinite which each man bears within himself, and by which he measures in despair the desires of his will, and the actions of his life! "
― Victor Hugo , Les Misérables
9
" Walter looked about him lingeringly and lovingly. This spot had always been so dear to him. What fun they all had had here lang syne. Phantoms of memory seemed to pace the dappled paths and peep merrily through the swinging boughs–Jem and Jerry, bare-legged, sunburned schoolboys, fishing in the brook and frying trout over the old stone fireplace; Nan and Di and Faith, in their dimpled, fresh-eyed childish beauty; Una the sweet and shy, Carl, poring over ants and bugs, little slangy, sharp-tongued, good-hearted Mary Vance–the old Walter that had been himself lying on the grass reading poetry or wandering through palaces of fancy. They were all there around him–he could see them almost as plainly as he saw Rilla–as plainly as he had once seen the Pied Piper piping down the valley in a vanished twilight. And they said to him, those gay little ghosts of other days, " We were the children of yesterday, Walter–fight a good fight for the children of today and tomorrow. "
13
" If thou wilt be well with GOD, and have grace to rule thy life, and come to the joy of love: this name JESUS, fasten it so fast in thy heart that it come never out of thy thought. And when thou speakest to Him, and through custom sayst, JESUS, it shall be in thine ear, joy; in thy mouth, honey; and in thine heart, melody: for men shall think joy to hear that name be named, sweetness to speak it, mirth and song to think it. If thou thinkest (on) JESUS continually, and holdest it firmly, it purges thy sin, and kindles thine heart; it clarifies thy soul, it removes anger and does away slowness. It wounds in love and fulfils charity. It chases the devil, and puts out dread. It opens heaven, and makes a contemplative man. Have JESUS in mind, for that puts all vices and phantoms out from the lover. "
17
" You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines. "
― Hilary Mantel , Giving Up the Ghost
19
" Pedro Algorta, a lawyer, showed me the fat dossier about the murder of two women. The double crime had been committed with a knife at the end of 1982, in a Montevideo suburb.
The accused, Alma Di Agosto, had confessed. She had been in jail more than a year, and was apparently condemned to rot there for the rest of her life.
As is the custom, the police had raped and tortured her. After a month of continuous beatings they had extracted several confessions. Alma Di Agosto's confessions did not much resemble each other, as if she had committed the same murder in many different ways. Different people appeared in each confession, picturesque phantoms without names or addresses, because the electric cattle prod turns anyone into a prolific storyteller. Furthermore, the author demonstrated the agility of an Olympic athlete, the strength of a fairground Amazon, and the dexterity of a professional matador. But the most surprising was the wealth of detail: in each confession, the accused described with millimetric precision clothing, gestures, surroundings, positions, objects.....
Alma Di Agosto was blind.
Her neighbours, who knew and loved her, were convinced she was guilty:
'Why?' asked the lawyer.
'Because the papers say so.'
'But the papers lie,' said the lawyer.
'But the radio said so too,' explained the neighbours.
'And the TV! "
― Eduardo Galeano