3
" Oppenheimer, haunted by his leading role in the first use of atomic weapons, understood only one aspect of prudence. His longing not to do evil himself blinded him to the need to ward off the evil of others. This painfully knotted man hoped with one swipe of his moral sword to rid himself of the impossible tangle and to be clear and simple for once in his life. But being Oppenheimer could never be as easy as that.
For Oppenheimer embodied two of the highest human types, the theoretical man described by Aristotle as god-like for living in the mind, among changeless truths, and the paragon of Machiavellian virtue, god-like in commanding the power of life and death over other men. No theoretical man before Oppenheimer had known such lordly power. In certain high moments he approached that Aristotelian theoretical purity which lives for the joys of knowing the world, whatever it might prove to be; in another light he thrilled at that Machiavellian power and its attendant renown; in contrary moods he reviled himself for the suffering he brought into the world, and ached to renounce his distinction and to be merely another man among men. Perhaps no theoretical man can be equal to such a burden: to feel knowledge as power when one’s mind reshapes the world irrevocably, to see the light of truth as the agent of some dark majesty, is not grace but ordeal. Oppenheimer’s agony tore him open from top to bottom. "
― Algis Valiunas
14
" The idea behind verses about the sealing of hearts appears to be the psychological law that if a person once does a good or an evil deed, his chances of repeating that kind of action increase and of doing its opposite proportionately decrease. With constant repetition of an evil or of a good action, it becomes almost impossible for a person to do the opposite, or even to think of it, so much so that while men's hearts become " sealed" and their eyes " blinded" if they do evil, their doing good produces such a state of mind that the devil himself can have no sway over it. Nevertheless, actions which create a psychological habit, however strong their influence may be, must not be construed as absolute determinants, for there is no " point of no return" for human behavior: genuine repentance (tauba) can turn an apparently wholly evil man into a paragon of virtue; on the other hand, although this is much more rare, an apparent paragon of virtue (even a prophet!) can turn into a near devil enmeshed in carnal pleasures . "
15
" Today's Republican Party...is an insurgent outlier. It has become ideologically extreme; contemptuous of the inherited social and economic policy regime; scornful of compromise; unpersuaded by conventional understanding of facts, evidence, and science; and dismissive of the legitimacy of its political opposition, all but declaring war on the government. The Democratic Party, while no paragon of civic virtue, is more ideologically centered and diverse, protective of the government's role as it developed over the course of the last century, open to incremental changes in policy fashioned through bargaining with the Republicans, and less disposed to or adept at take-no-prisoners conflict between the parties. This asymmetry between the parties, which journalists and scholars often brush aside or whitewash in a quest for " balance," constitutes a huge obstacle to effective governance. "
18
" Colin. Just the name made Alessandro’s gut burn. He knew the man wanted his wife, even if Brianna was too blind to see it. The moron had been cuckolded by the paragon of supposed virtue, his wife Carrie and now he had finally opened his eyes and seen what Alessandro had known all along. Brianna put every other woman in New York to shame. No woman could come near her beauty, her passion, her fire. Colin had tossed her aside for the angelic Carrie and now he was changing his mind. Oh no you don’t, you miserable fucker. “Her friend indeed,” Bernardo drawled, his Italian accent thick with unmistakable implication. “Dat’s da truth. He no make her cry all da time.” That was directed at Alessandro, with small dark accusatory eyes. “He nice.” Alessandro couldn’t look at those eyes without feeling a sickening pang of guilt. She’s mine! He wanted to scream. Mine! Mine! Mine! “Oh yes. Very nice. He was very nice when he held her at the cemetery and very nice when he was dancing with her at Adresca.” That made Alessandro’s head lift in surprise. “Oh yes, my boy. She’s been there, cleaning up the rubble and word is that she’s working on re-opening it. Her friend Colin has been quite helpful in that endeavour.” “I don’ like how you say dat,” Will said scowling. “Really young William, I only speak the truth,” Bernardo taunted. Alessandro’s mind was racing. NO! Not Colin. He could not let that imbecile take Brianna away from him. He’d have to be eliminated somehow. Alessandro began to plot all the different ways he could ensure that Colin Neally stayed away from his wife, permanently. They all involved grisly, violent methods. He could not be allowed to win Brianna. "
― E. Jamie , The Betrayal (Blood Vows, #2)
19
" Her mind, shaped so long before my own, was for me the equivalent of what had been offered me by the behaviour of the girls of the little gang along the sea-shore. Mme de Guermantes offered me, tamed and subdued by good manners, by respect for intellectual values, the energy and charm of a cruel little girl from one of the noble families around Combray, who from her childhood had ridden horses, sadistically tormented cats, gouged out the eyes of rabbits, and, while remaining a paragon of virtue, might equally well have been, some years back now, and so much did she share his dashing style, the most glamorous mistress of the Prince de Sagan. "
― Marcel Proust , The Guermantes Way
20
" This goodly frame, the earth, seems to me a sterile promontory, this most excellent canopy, the air, look you, this brave o'erhanging firmament, this majestical roof fretted with golden fire, why, it appears no other thing to me than a foul and pestilent congregation of vapours. What a piece of work is a man! how noble in reason! how infinite in faculty! in form and moving how express and admirable! in action how like an angel! in apprehension how like a god! the beauty of the world! the paragon of animals! And yet, to me, what is this quintessence of dust? "
― William Shakespeare , Hamlet