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1 " He has the memory of a convict, the balls of a fireman, and the eyesight of a housebreaker. When there is crime to fight, Landsman tears around Sitka like a man with his pant leg caught on a rocket. It's like there's a film score playing behind him, heavy on the castanets. The problem comes in the hours when he isn't working, when his thoughts start blowing out the open window of his brain like pages from the blotter. Sometimes it takes a heavy paperweight to pin them down. "
― Michael Chabon , The Yiddish Policemen's Union
2 " He couldn’t say the words, had spent too long in Silence, but he’d learned other ways to speak. Taking the paperweight she’d knocked off her desk out of his pocket, he put it in her hands. “It’s fixed. As long as you don’t mind more than a few scars. "
― Nalini Singh , Kiss of Snow (Psy-Changeling, #10)
3 " The paperweight was the room he was in, and the coral was Julia's life and his own, fixed in a sort of eternity at the heart of the crystal. "
― George Orwell , 1984
4 " That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?''Yes' Billy, in fact, had a paperweight in his office which was a plop of polished amber with three ladybugs embedded in it.'Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why. "
― Kurt Vonnegut Jr. , Slaughterhouse-Five
5 " That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?''Yes' Billy, in fact, had a paperweight in his office which was a blob of polished amber with three ladybugs embedded in it.'Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why. "
6 " George Malcolm: half white, half black, with messy tousled hair, rumpled and tugged between kind of curly and extremely curly. Once, a year or so before, he'd been at our house and he'd pulled out a lock of his hair and used it to teach me about eddies and helixes. It's a circular current into a central station, he'd explained, giving me one to hold. I pulled on the spring. Nature is full of the same shapes, he said, taking me to the bathroom sink and spinning on the top and pointing out the way the water swirled down the drain. Taking me to the bookshelf and flipping open a book on weather and showing me a cyclone. Then a spiral galaxy. Pulling me back to the bathroom sink, to my glass jar of collected seashells, and pointing out the same curl in a miniature conch. See? he said, holding the seashell up to his hair. Yes! I clapped. His eyes were warm with teaching pleasure. It's galactic hair, he said, smiling.At school, George was legendary already. He was so natural at physics that one afternoon the eighth-grade science teacher had asked him to do a preview of the basics of relativity, really fast, for the class. George had stood up and done such a fine job, using a paperweight and a yardstick and the standard-issue school clock, that the teacher had pulled a twenty-dollar bill from his wallet. I'd like to be the first person to pay you for your clarity of mind, the teacher had said. George used the cash to order pizza for the class. Double pepperoni, he told me later, when I'd asked. "
― Aimee Bender , The Particular Sadness of Lemon Cake
7 " One of my pet peeves was when an adult imagined they had to encapsulate Life for you, hand you Life in a jar, in an eyedropper, in a penguin paperweight full of snow-A Collector's Dream. "
― Marisha Pessl , Special Topics in Calamity Physics