pander QUOTES

1 " That which attracts the world must please and pander to the self-importance of man. The world itself is a vain show, and likes its own. Consequently there is nothing which so carries the mass of men along with it as that which flatters the vanity of the human mind. It may assume the lowliest air, but sinful man seeks his own honour and present exaltation. "

2 " Roarke didn't quite make it to Eve's office. He found her down the corridor, in front of one of the vending machines. She and the machine appeared to be in the middle of a vicious argument." I put the proper credits in, you blood-sucking, money-grubbing son of a bitch." Eve punctuated this by slamming her fist where the machine's heart would be, if it had one.ANY ATTEMPT TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT IS A CRIMINAL OFFENSE.The machine spoke in a prissy, singsong voice Roarke was certain was sending his wife's blood pressure through the roof.THIS UNIT IS EQUIPPED WITH SCANEYE, AND HAS RECORDED YOUR BADGE NUMBER. DALLAS, LIEUTENANT EVE. PLEASE INSERT PROPER CREDIT, IN COIN OR CREDIT CODE, FOR YOUR SELECTION. AND REFRAIN FROM ATTEMPTING TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT." Okay, I'll stop attempting to vandalize, deface, or damage you, you electronic street thief. I'll just do it." She swung back her right foot, which Roarke had cause to know could deliver a paralyzing kick from a standing position. But before she could follow through he stepped up and nudged her off balance." Please, allow me, Lieutenant." " Don't put any more credits in that thieving bastard," she began, then hissed when Roarke did just that." Candy bar, I assume. Did you have any lunch?" " Yeah, yeah, yeah. You know it's just going to keep stealing if people like you pander to it." " Eve, darling, it's a machine. It does not think." " Ever hear of artificial intelligence, ace?" " Not in a vending machine that dispenses chocolate bars. "

3 " The surpluses will have to be expended somehow, and trust the oligarchs to find a way. Magnificent roads will be built. There will be great achievements in science, and especially in art. When the oligarchs have completely mastered the people, they will have time to spare for other things. They will become worshippers of beauty. They will become art-lovers. And under their direction and generously rewarded, will toil the artists. The result will be great art; for no longer, as up to yesterday, will the artists pander to the bourgeois taste of the middle class. It will be great art, I tell you, and wonder cities will arise that will make tawdry and cheap the cities of old time. And in these cities will the oligarchs dwell and worship beauty "

― Jack London

4 " When I put on makeup, I'm not doing it to pander to antiquated patriarchal ideals of feminine beauty. I'm doing it because it makes mr feel good. "

― Sophia Amoruso , #Girlboss

5 " When I put on makeup, I'm not doing it to pander to antiquated patriarchal ideas of feminine beauty. I'm doing it because it makes me feel good. "

― Sophia Amoruso , #Girlboss

6 " She was proud of her build, which was in accordance with the old Botswana ideas of beauty, and she would not pander to the modern idea of slenderness. That was an importation from elsewhere, and it was simply wrong. How could a very thin woman do all the things that women needed to do: to carry children on their backs, to pound maize into flour out at the lands or the cattle post, to cart around the things of the household—the pots and pans and buckets of water? And how could a thin woman comfort a man? It would be very awkward for a man to share his bed with a person who was all angles and bone, whereas a traditionally built lady would be like an extra pillow on which a man coming home tired from his work might rest his weary head. To do all that you needed a bit of bulk, and thin people simply did not have that. "

― Alexander McCall Smith , The Woman Who Walked in Sunshine (No. 1 Ladies' Detective Agency #16)

7 " Although the art world reveres the unconventional, it is rife with conformity. Artists make work that " looks like art" and behave in ways that enhance stereotypes. Curators pander to the expectations of their peers and their museum boards. Collectors run in herds to buy work by a handful of fashionable painters. Critics stick their finger in the air to see which way the wind is blowing so as to " get it right" . Originality is not always rewarded, but some people take real risks and innovate, which gives a raison d'être to the rest. "

8 " The truth, at times, can be the hardest pill to swallow. When we are confronted by something new, something that threatens to shake us from our comfortable tree, shatters our illusions, we resist. It takes courage to swim against the tide of popular opinion. Most of us would rather hold on to the safety buoy than strike out into unchartered seas. If you are one of these, don't bother to read this true account of the Frankenstein myth, hold tightly to your buoy and be carried to the shores of the known and familiar, you will be safe. I do not wish to make you feel uncomfortable in your skin, that is not my aim. My goal is to set the story straight and not pander to the fickle minded.This version of events is so far removed from the common misguided perceptions held by us all, and will so challenge the accepted beliefs generated by cheap fiction, that there will be many who will call me charlatan or fraud. They do not possess the will, or wherewithal, to want to know the truth or even suspend their judgement so that the record might be set straight for posterity. Possibly, they might be the last remnants of the flat earth society and still trying to convince the rest of us where we are going wrong. If nothing else, I salute their commitment and tenacity. This book is not for them.There it is. I have forewarned you against reading this account of the tortured genius of Baron von Frankenstein. If you are not ready for the truth, stay safe and warm in your insulated ivory towers and remain ignorant of the catastrophe that befell him and the people of the town of Frankenstein. It is not my loss... "

9 " The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed. "

― William Faulkner , Intruder in the Dust

10 " Creators understand that their emotions are not necessarily a sign of the circumstances. They understand that in desperate circumstances they may experience joy, and in jubilant circumstances they may feel regret. They know that any emotion will change. But because emotions are not the centerpiece of their lives, they do not pander to them. They create what they create, not in reaction to their emotions but independent of them. On days filled with the depths of despair, they can create. On days filled with the heights of joy, they can create. "

― , The Path of Least Resistance: Learning to Become the Creative Force in Your Own Life

11 " If you want to be a thought leader, market leader, or change the world - you have to give up the need to be liked. Telling people what they want to hear makes you popular. Telling people what they need to hear makes you relevant, empowering, and significant.Don't pander to the masses. Speak to the people you really want to reach and be honest. Challenge them to do more and become better. And know that if you're not attracting some haters - you're probably not doing something significant. "

12 " So always avoid banality. That is, avoid illustrating the author's words and remarks. If you want to create a true masterpiece you must always avoid beautiful lies: the truths on the calender under each date you find a proverb or saying such as: " He who is good to others will be happy." But this is not true. It is a lie. The spectator, perhaps, is content. The spectator likes easy truths. But we are not there to please or pander to the spectator. We are here to tell the truth. "

13 " Of course the theologians fought the facts found by the geologists, the scientists, and sought to sustain the sacred Scriptures. They mistook the bones of the mastodon for those of human beings, and by them proudly proved that " there were giants in those days." They accounted for the fossils by saying that God had made them to try our faith, or that the Devil had imitated the works of the Creator.They answered the geologists by saying that the " days" in Genesis were long periods of time, and that after all the flood might have been local. They told the astronomers that the sun and moon were not actually, but only apparently, stopped. And that the appearance was produced by the reflection and refraction of light.They excused the slavery and polygamy, the robbery and murder upheld in the Old Testament by saying that the people were so degraded that Jehovah was compelled to pander to their ignorance and prejudice.In every way the clergy sought to evade the facts, to dodge the truth, to preserve the creed.At first they flatly denied the facts -- then they belittled them -- then they harmonized them -- then they denied that they had denied them. Then they changed the meaning of the " inspired" book to fit the facts. At first they said that if the facts, as claimed, were true, the Bible was false and Christianity itself a superstition. Afterward they said the facts, as claimed, were true and that they established beyond all doubt the inspiration of the Bible and the divine origin of orthodox religion.Anything they could not dodge, they swallowed and anything they could not swallow, they dodged.I gave up the Old Testament on account of its mistakes, its absurdities, its ignorance and its cruelty. I gave up the New because it vouched for the truth of the Old. I gave it up on account of its miracles, its contradictions, because Christ and his disciples believe in the existence of devils -- talked and made bargains with them. expelled them from people and animals.This, of itself, is enough. We know, if we know anything, that devils do not exist -- that Christ never cast them out, and that if he pretended to, he was either ignorant, dishonest or insane. "

14 " Jail is more commonly-suited to those less-commonly able to finance a defense (or to potentially pander the prosecution). The choices for council is either a retained lawyer or, by default, a public defender. In the later of these two, the common title in jail was 'public pretender'. "

― H. Kirk Rainer , A Father and Future Felon

15 " ethanol may actually make some kinds of air pollution worse. It evaporates faster than pure gasoline, contributing to ozone problems in hot temperatures. A 2006 study published in the Proceedings of the National Academy of Sciences concluded that ethanol does reduce greenhouse gas emissions by 12 percent relative to gasoline, but it calculated that devoting the entire U.S. corn crop to make ethanol would replace only a small fraction of American gasoline consumption. Corn farming also contributes to environmental degradation due to runoff from fertilizer and pesticides.
But to dwell on the science is to miss the point. As the New York Times noted in the throes of the 2000 presidential race, ―Regardless of whether ethanol is a great fuel for cars, it certainly works wonders in Iowa campaigns. The ethanol tax subsidy increases the demand for corn, which puts money in farmers‘ pockets. Just before the Iowa caucuses, corn farmer Marvin Flier told the Times, ―Sometimes I think [the candidates] just come out and pander to us, he said. Then he added, ―Of course, that may not be the worst thing. The National Corn Growers Association figures that the ethanol program increases the demand for corn, which adds 30 cents to the price of every bushel sold.
Bill Bradley opposed the ethanol subsidy during his three terms as a senator from New Jersey (not a big corn-growing state). Indeed, some of his most important accomplishments as a senator involved purging the tax code of subsidies and loopholes that collectively do more harm than good. But when Bill Bradley arrived in Iowa as a Democratic presidential candidate back in 1992, he ―spoke to some farmers‖ and suddenly found it in his heart to support tax breaks for ethanol. In short, he realized that ethanol is crucial to Iowa voters, and Iowa is crucial to the presidential race. "

― Charles Wheelan , Naked Economics: Undressing the Dismal Science

16 " Stories that pander to your every readerly desire and whim are like overly loyal dogs that live for the simple glow of your approval. I'm a cat person. I like a little aloofness in my pets and my writing. "

― , Exit Kingdom (Reapers, #2)