2
" but as he plodded along a vague and almost hallucinatory pall hazed over his mind; he found himself at one point, with no notion of how it could be, a step from an almost certain fatal cliffside fall—falling humiliatingly and helplessly, he thought; on and on, with no one even to witness it. Here there existed no one to record his or anyone else's degradation, and any courage or pride which might manifest itself here at the end would go unmarked: the dead stones, the dust-stricken weeds dry and dying, perceived nothing, recollected nothing, about him or themselves. "
― Philip K. Dick , Do Androids Dream of Electric Sheep?
3
" Limitation of scope, however, could represent a profound advantage from an ecological point of view. The sun, the wind and the earth are experiential realities to which men have responded sensuously and reverently from time immemorial. Out of these primal elements man developed his sense of dependence on—and respect for—the natural environment, a dependence that kept his destructive activities in check. The Industrial Revolution and the urbanized world that followed obscured nature's role in human experience—hiding the sun with a pall of smoke, blocking the winds with massive buildings, desecrating the earth with sprawling cities. Man's dependence on the natural world became invisible; it became theoretical and intellectual in character, the subject matter of textbooks, monographs and lectures. True, this theoretical dependence supplied us with insights (partial ones at best) into the natural world, but its onesidedness robbed us of all sensuous dependence on and all visible contact and unity with nature. In losing these, we lost a part of ourselves as feeling beings. We became alienated from nature. Our technology and environment became totally inanimate, totally synthetic—a purely inorganic physical milieu that promoted the deanimization of man and his thought. "
― Murray Bookchin , Post-Scarcity Anarchism
9
" [M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue. "
― , A Heartbreaking Work of Staggering Genius
14
" He had visited his family the evening before, eaten dinner with Renee and Chris, his grandson, in the pretence that everything was ordinary, but in fact to service his end-game ruse. He was going over the mountains, he'd said, to hunt for quail in willow canyons, he had no particular canyons in mind, he intended to return on Thursday evening, though possibly, if the hunting was good, he would return on Friday or Saturday. The lie was open-ended so that his family wouldn't start worrying until he'd been dead for as long as a week - so none would miss or seek him where he rotted silently in the sage. Ben imagined how it might be otherwise, his cancer a pestilent force in their lives, or a pall descending over them like ice, just as they'd begun to emerge from the pall of Rachel's death. The last thing they needed was for Ben to tell hem of his terminal colon cancer. "
― David Guterson , East of the Mountains
