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1 " Gender bias is written and practiced throughout all of the world's societies.From the words 'mankind' to 'man'.From the inequality in 'pays for work done' and to 'tasks which are needed to be done'. From the sanctity of marriage when a woman takes a 'man's' name.From the religious overtones when women are not allowed or permitted to join in and be treated as equal and conduct rites.Even the words 'woman' and 'women' are gender orientated.The genders will never be equal, nor will they ever be allowed to be for man has seen to that.To man, everything is about ownership and dominance with the need to control everything that he sees fit.Maybe...it's time for a change in thinking and being.it's a time to be equal and one. "
2 " His ear heard more than what was said to him, and his slow speech had overtones not of thought, but of understanding beyond thought. "
― John Steinbeck , Of Mice and Men
3 " In childhood we inhabit a world of wonderful contrasts that later we often come to see as bizarre and do our best to rearrange, with everything in its 'proper' place. Unusual juxtapositions we label surrealistic. Yet what is surrealism but a second childhood with Freudian overtones which we have to be re-educated to enjoy? -- part of the tragedy of growing up "
4 " One day in 1948 or 1949, the Brentwood County Mart, a shopping complex in an upscale neighborhood of Los Angeles, California, was the scene of a slight disturbance that carried overtones of the most spectacular upheaval in twientieth-century music. Marta Feuchtwanger, wife of émigré novelist Lion Feuchtwanger, was examining grapefruit in the produce section when she heard a voice shouting German from the far end of the aisle. She looked up to see Arnold Schoenberg, the pioneer of atonal music and the codifier of twelve-tone composition, bearing down on her, with his bald pate and burning eyes. Decades later, in conversation with the writer Lawrence Weschler, Feuchtwanger could recall every detail of the encounter, including the weight of the grapefruit in her hand. “Lies, Frau Marta, lies!” Schoenberg was yelling. “You have to know, I never had syphilis! "
― Alex Ross
5 " As a result of the work done by all these stratifying force in language, there are no " neutral" words and forms - words and forms that can belong to " no one" ; language has been completely taken over, shot through with intentions and accents. For any individual consciousness living in it, language is not an abstract system of normative forms, but rather a concrete heteroglot conception of the world. All words have the " taste" of a profession, a genre, a tendency, a party, a particular work, a particular person, a generation, an age group, the day and hour. Each word tastes of the context and contexts in which it has lived it socially charged life; all words and forms are populated by intentions. Contextual overtones (generic, tendentious, individualistic) are inevitable in the word. As a living, socio-ideological concrete thing, as heteroglot opinion, language, for the individual consciousness, lies on the borderline between oneself and the other. The word in language is half someone else's. It becomes " one's own" only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own. And not all words for just anyone submit equally easy to this appropriation, to this seizure and transformation into private property: many words stubbornly resist, others remain alien, sound foreign in the mouth of the one who appropriated them and who now speaks them; they cannot be assimilated into his context and fall out of it; it is as if they put themselves in quotation marks against the will of the speaker. Language is not a neutral medium that passes freely and easily into the private property of the speaker's intentions; it is populated - overpopulated - with the intentions of others. Expropriating it, forcing it to submit to one's own intentions and accents, is a difficult and complicated process. "
6 " Today we are less likely to speak of humanitarianism, with its overtones of paternalistic generosity, and more likely to speak of human rights. The basic freedoms in life are not seen as gifts to be doled out by benevolent well-wishers, but as Casement said at his trial, as those rights to which all human beings are entitled from birth. It is this spirit which underlies organizations like Amnesty International, with its belief that putting someone in prison solely for his or her opinion is a crime, whether it happens in China or Turkey or Argentina and Medecins Sans Frontieres, with its belief that a sick child is entitled to medical care, whether in Rwanda or Honduras or the South Bronx. "
― Adam Hochschild , King Leopold's Ghost
7 " All brands, whether high-ticket luxury ones such as Cartier or Rolls-Royce or 'masstige' ones with luxe-y overtones but altogether more affordable, all want to grow. Even brands that may have started in a modestly niche design and lifestyle fashion can find themselves under pressure to go global or to sell out at the top. "