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1 " How the excitement comes upon me to tell it all! In the quest of writing, the heart can speed up with anticipation--as it does, indeed, during the chase itself of whales. I can swear it, having done both, and I will tell YOU though other writers may not. My heart is beating fast; I am in pursuit; I want my victory--that you should see and hear and above all feel the reality behind these words. For they are but a mask. Not the mask that conceals, not a mask that I would have you strike through as mere appearance, or, worse, deceitful appearance. Words need not be that kind of mask, but a mask such as the ancient Greek actors wore, a mask that expresses rather than conceals the inner drama.(But do you know me? Una? You have shipped long with me in the boat that is this book. Let me assure you and tell you that I know you, even something of your pain and joy, for you are much like me. The contract of writing and reading requires that we know each other. Did you know that I try on your mask from time to time? I become a reader, too, reading over what I have just written. If I am your shipbuilder and captain, from time to time I am also your comrade. Feel me now, standing beside you, just behind your shoulder?) "
― Sena Jeter Naslund
2 " Read a lot. But read as a writer, to see how other writers are doing it. And make your knowledge of literature in English as deep and broad as you can. In workshops, writers are often told to read what is being written now, but if that is all you read, you are limiting yourself. You need to get a good overall sense of English literary history, so you can write out of that knowledge. "
― Theodora Goss
3 " It's not a silly pursuit to read beyond what's handed to you, to seek out new voices and leap over the usual books everyone's already talking about and see what you can find on your own.Making definitive choices about what we spend our time on as readers can make a statement, a difference. We can lift other writers up, give space and attention to more voices than the ones that already have all the space and attention.There is power in what we choose to consume as readers, and there is power in what we choose to amplify, celebrate, and share. "
― , Here We Are: Feminism for the Real World
4 " Third Reich was a term that was never used by Adolf Hitler. The term 'Third Reich' is used by so-called scholars and news journalists (and Wikipedia posters) to hide the fact that Hitler called his regime 'Socialism.' Scholars, journalists (and wakipedia) cite no example of Hitler ever using the term 'Third Reich.' Other writers use the terms 'Nazi' and 'Fascist' and 'Third Reich' as if Hitler tossed them around all the time. Those terms were not used as self-identifiers by the self-avowed socialist Hitler. "
― Rex Curry
5 " It tugged at his soul not to talk to other writers about his work. He loved the bank, keeping it secure and compliant with the laws and regulations. People assumed these things happened by magic. They did not. Hauer never talked about it outside the office. He didn't want to make the other writers uncomfortable. If he developed a reputation as someone who brought his work with him to writers conferences they would all turn away, to sip and swizzle their drinks without him. "
― Charlie Close , Before the Ripcord Broke: Stories
6 " Those who would like to become writers attend courses on writing poetry and prose and analyze their own work and that of other writers in development. Teachers teach them that talent is not required and that anyone, who wants to be a writer, can do it if they only master the technique of writing and master the formulas of the genre that they choose. With a little brain storming ideas written on cards, as well as designs and plans on the table, one can even write a novel in a month. There is no secret; the whole secret is in the technique, a little research, and the rest is solved by form, according to a formula, in which it is all nicely wrapped up and packaged. And so, a bestseller is born. "
― , Serbian Satire and Aphorisms
7 " This is the same establishment that all those who want, or rather aspire to, to be literary figures of the century, artists, painters and sculptors want acceptance from and approval. They want to be looked up to. Young and upcoming poets must approach their craft with an almost angelic perspective. So many writers are missing a condensed fusion in their writing, they condescend to their audience, the truth is not spoken in their work, they gabble, their words seem to make a hot fuss on the page. What do they gain? They gain this, simply nothing. Poets must assemble and present their work accordingly to how they see fit and should be careful of advice from other writers and editors. Sometimes there can be too much going on in the words that are meant to be given with the best of intentions. "
― Abigail George , Feeding The Beasts
8 " Charlotte Evans was used to feeling grungy. As a freelancer, she traveled on a shoestring, getting stories other writers did not, precisely because she wasn't fussy about how she lived. In the last twelve months, she had survived dust while writing about elephant keepers in Kenya, ice while writing about the spirit bear of British Columbia, and flies while writing about a family of nomads in India. "
― Barbara Delinsky , Sweet Salt Air
9 " Every well-written book is a light for me. When you write, you use other writers and their books as guides in the wilderness. "
10 " I love to write about Nabokov and also to think about him. I love his attitude that he is incomparable, his lofty judgments and general scorn of other writers - not all of them, of course. "
11 " I think I'm also more open to other writers being present and listening to other opinions, whereas before I was going through my angsty teen years while making records. "
12 " Whenever there's an opportunity to celebrate the written word and celebrate the folks that read the written word, and, I think, to encourage other writers to write and encourage folks to read more and get connected to it in a personal way, it's a positive thing. "
13 " I think the true test of a pop song, for me, and I've talked to a lot of other writers about this, is you take your demo, you pop it in your car and you drive down Sunset Blvd. to Santa Monica, and that's the Hollywood car test. "
