4
" Scenes from the Playroom
Now Lucy with her family of dolls
Disfigures Mother with an emery board,
While Charles, with match and rubbing alcohol,
Readies the struggling cat, for Chuck is bored.
The young ones pour more ink into the water
Through which the latest goldfish gamely swims,
Laughing, pointing at naked, neutered Father.
The toy chest is a Buchenwald of limbs.
Mother is so lovely; Father, so late.
The cook is off, yet dinner must go on
With onions as her only cause for tears
She hacks the red meat from the slippery bone,
Setting the table, where the children wait,
Her grinning babies, clean behind the ears. "
― R.S. Gwynn
10
" I started in our neighborhood, buying a pastrami burrito at Oki Dog and a deluxe gardenburger at Astro Burger and matzoh-ball soup at Greenblatt's and some greasy egg rolls at the Formosa. In part funny, and rigid, and sleepy, and angry. People. Then I made concentric circles outward, reaching first to Canter's and Pink's, then rippling farther, tofu at Yabu and mole at Alegria and sugok at Marouch; the sweet-corn salad at Casbah in Silver Lake and Rae's charbroiled burgers on Pico and the garlicky hummus at Carousel in Glendale. I ate an enormous range of food, and mood. Many favorites showed up- families who had traveled far and whose dishes were steeped with the trials of passageways. An Iranian cafe near Ohio and Westwood had such a rich grief in the lamb shank that I could eat it all without doing any of my tricks- side of the mouth, ingredient tracking, fast-chew and swallow. Being there was like having a good cry, the clearing of the air after weight has been held. I asked the waiter if I could thank the chef, and he led me to the back, where a very ordinary-looking woman with gray hair in a practical layered cut tossed translucent onions in a fry pan and shook my hand. Her face was steady, faintly sweaty from the warmth of the kitchen.
Glad you liked it, she said, as she added a pinch of saffron to the pan. Old family recipe, she said.
No trembling in her voice, no tears streaking down her face. "
― Aimee Bender , The Particular Sadness of Lemon Cake
11
" Turn that worthless lawn into a beautiful garden of food whose seeds are stories sown, whose foods are living origins. Grow a garden on the flat roof of your apartment building, raise bees on the roof of your garage, grow onions in the iris bed, plant fruit and nut trees that bear, don't plant 'ornamentals', and for God's sake don't complain about the ripe fruit staining your carpet and your driveway; rip out the carpet, trade food to someone who raises sheep for wool, learn to weave carpets that can be washed, tear out your driveway, plant the nine kinds of sacred berries of your ancestors, raise chickens and feed them from your garden, use your fruit in the grandest of ways, grow grapevines, make dolmas, wine, invite your fascist neighbors over to feast, get to know their ancestral grief that made them prefer a narrow mind, start gardening together, turn both your griefs into food; instead of converting them, convert their garage into a wine, root, honey, and cheese cellar--who knows, peace might break out, but if not you still have all that beautiful food to feed the rest and the sense of humor the Holy gave you to know you're not worthless because you can feed both the people and the Holy with your two little able fists. "
16
" At a great distance appeared with the same pomp the sheep of Thebes, the dog of Bubastis, the cat of Phoebe, the crocodile of Arsinoe, the goat of Mendes, and all the inferior gods of Egypt, who came to pay homage to the great ox, to the mighty Apis, as powerful as Isis, Osiris, and Horus, united together.In the midst of the demi-gods, forty priests carried an enormous basket, filled with sacred onions. These were, it is true, gods, but they resembled onions very much.(" The White Bull" ) "
18
" I just run faster and hit the slowest of the lead boys. I wink and race by him. He smells like onions and he has big, wet circles in the pits of his shirt. He speeds up, but can only stay with me for a tenth of a mile before he drops back. Then it’s Nick.
I cruise next to him. He’s some sort of running god, because he isn’t close to being winded. His stride is long, powerful, and quick.
“Hi.”
Why I said this, I do not know. He’s cute. Okay. I am a sucker for cute boys and he was nice to Issie. Plus, he has good hair and he isn’t as pale as most Maine males. He looks like he works in the sun, or at least has seen the sun once, maybe many weeks ago. Plus, life is all supposed to be about making love, not war. My dad listened to John Lennon; I know this stuff.
“You’re fast,” he says, easy. No huffing. No puffing. No blowing the house down.
“So are you.”
We run together, keeping pace. The only one ahead of us is Ian, who is loping around the track as if it’s nothing.
Nick shrugs at me while he runs, which is really something, because when I’m running full tilt it’s hard for me to speak, let alone break form to shrug.
“You can go faster, can’t you?” I huff out.
He just gives a little smile again and then his eyes shift into something cold, like gravestones with just the barest information about a life etched onto them.
“Zara,” he whisper-says.
I lean in closer to hear him. “What?”
My voice is not a whisper. It matches the thudding beat of my heart, the bass of the music that blares out of the speakers.
“Awesome job, new girl!” Devyn yells, clapping. "
― Carrie Jones , Need (Need, #1)