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5 " There appears to be a fifth way, that of eminence. According to this I argue that it is incompatible with the idea of a most perfect being that anything should excel it in perfection (from the corollary to the fourth conclusion of the third chapter) . Now there is nothing incompatible about a finite thing being excelled in perfection; therefore, etc. The minor is proved from this, that to be infinite is not incompatible with being; but the infinite is greater than any finite being. Another formulation of the same is this. That to which intensive infinity is not repugnant is not all perfect unless it be infinite, for if it is finite, it can be surpassed, since infinity is not repugnant to it. But infinity is not repugnant to being, therefore the most perfect being is infinite.The minor of this proof, which was used in the previous argument, [1] cannot, it seems, be proven *a priori*. For, just as contradictories by their very nature contradict each other and their opposition cannot be made manifest by anything more evident, so also these terms [viz. " being" and " infinite" ] by their very nature are not repugnant to each other. Neither does there seem to be any way of proving this except by explaining the meaning of the notions themselves. " Being" cannot be explained by anything better known than itself. " Infinite" we understand by means of finite. I explain " infinite" in a popular definition as follows: The infinite is that which exceeds the finite, not exactly by reason of any finite measure, but in excess of any measure that could be assigned.—[2] The following persuasive argument can be given for what we intend to prove. Just as everything is assumed to be possible if its impossibility is not apparent, so also all things are assumed to be compatible if their incompatibility is not manifest. Now there is no incompatibility apparent here, for it is not of the nature of being to be finite; nor does finite appear to be an attribute coextensive with being. But if they were mutually repugnant, it would be for one or the other of these reasons. The coextensive attributes which being possesses seem to be sufficiently evident.—[3] A third persuasive argument is this. Infinite in its own way is not opposed to quantity (that is, where parts are taken successively); therefore, neither is infinity, in its own way, opposed to entity (that is, where perfection exists simultaneously) .—[4] If the quantity characteristic of power is simply more perfect than that characteristic of mass, why is it possible to have an infinity [of parts] in mass and not an infinite power? And if an infinite power is possible, then it actually exists (from the fourth conclusion of the third chapter).—[5] The intellect, whose object is being, finds nothing repugnant about the notion of something infinite. Indeed, the infinite seems to be the most perfect thing we can know. Now if tonal discord so easily displeases the ear, it would be strange if some intellect did not clearly perceive the contradiction between infinite and its first object [viz. being] if such existed. For if the disagreeable becomes offensive as soon as it is perceived, why is it that no intellect naturally shrinks from infinite being as it would from something out of harmony with, and even destructive of, its first object?" —from_A Treatise on God as First Principle_, 4.63-4.64 "

8 " Imagine for a moment that you are the proud owner of a large house which you have spent years of your life painting and decorating and filling with everything you love. It's your home. It's something you've made your own, something for you to be remembered by, something that, perhaps years later, your children and grandchildren can visit and get a view of your life in. It's part of your creativity, your hard work... it's your property.Now suppose you decide to go camping for a couple of weeks. You lock your door and assume that nobody is going to break in... but they do, and when you return home, to your horror you find that not only do these trespassers break in, but they also have quite uniquely imaginative ways of disrespecting, vandalizing and corrupting everything within your property. They light fires on your lawn, your topiary hedges are in heaps of black ashes. There's some blatantly obscene graffiti splattered across your front door, offensive images and rude words splashed on the walls and windows. Your television has been tipped over. Your photographs of family and friends have had the heads cut out of them. There's mold growing in the refrigerator, bottles of booze tipped over on the table, and cigarette smoke embedded into the carpeting. Your beloved houseplants are dead, your furniture has been stripped down and ruined. Basically, the thing you've spent years working for and creating within your lifetime has been tampered with to the point where it is just a grim joke.So, I feel terrible for poor Sir Arthur Conan Doyle, Jane Austen and Lewis Carroll, who must be spinning in their graves since they have no rights to their own works of fiction anymore. I'm all for readers being able to read books for free once and only when the deceased author's copyright eventually ends. Still though, did Doyle ever think in a million years that his wonderful characters would be dragged through the mud of every pervy fanfiction that the sick internet geek can think of to create? Did Carroll ever suspect that Alice and the Hatter would become freakish clown-like goth caricatures in Tim Burton's CGI-infested films? Would Austen really want her writing to be sold as badly-formatted ebooks?The sharing of this Public Domain content isn't really an issue. Stories are meant to be told, meant to echo onward forever. That's what makes them magical. That being said, in the Information Age, there's a real lack of respect towards the creators of this original content. If, when I've been dead for 70 years and I then no longer have the rights to my novels, somebody gets the bright idea of doing anything funny with any of those novels, my ghost is going to rise from the grave and do some serious ass-kicking. "

13 " Hitler initially served in the List Regiment engaged in a violent four-day battle near Ypres, in Belgian Flanders, with elite British professional soldiers of the initial elements of the British Expeditionary Force. Hitler thereby served as a combat infantryman in one of the most intense engagements of the opening phase of World War I. The List Regiment was temporarily destroyed as an offensive force by suffering such severe casualty rates (killed, wounded, missing, and captured) that it lost approximately 70 percent of its initial strength of around 3,600 men. A bullet tore off Hitler’s right sleeve in the first day of combat, and in the “batch” of men with which he originally advanced, every one fell dead or wounded, leaving him to survive as if through a miracle. On November 9, 1914, about a week after the ending of the great battle, Hitler was reassigned as a dispatch runner to regimental headquarters. Shortly thereafter, he was awarded the Iron Cross Second Class.On about November 14, 1914, the new regimental commander, Lieutenant Colonel Philipp Engelhardt, accompanied by Hitler and another dispatch runner, moved forward into terrain of uncertain ownership. Engelhardt hoped to see for himself the regiment’s tactical situation. When Engelhardt came under aimed enemy smallarms fire, Hitler and the unnamed comrade placed their bodies between their commander and the enemy fire, determined to keep him alive. The two enlisted men, who were veterans of the earlier great four-day battle around Ypres, were doubtlessly affected by the death of the regiment’s first commander in that fight and were dedicated to keeping his replacement alive. Engelhardt was suitably impressed and proposed Hitler for the Iron Cross Second Class, which he was awarded on December 2. Hitler’s performance was exemplary, and he began to fit into the world around him and establish the image of a combat soldier tough enough to demand the respect of anyone in right wing, Freikorps-style politics after th "