5
" Roarke didn't quite make it to Eve's office. He found her down the corridor, in front of one of the vending machines. She and the machine appeared to be in the middle of a vicious argument." I put the proper credits in, you blood-sucking, money-grubbing son of a bitch." Eve punctuated this by slamming her fist where the machine's heart would be, if it had one.ANY ATTEMPT TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT IS A CRIMINAL OFFENSE.The machine spoke in a prissy, singsong voice Roarke was certain was sending his wife's blood pressure through the roof.THIS UNIT IS EQUIPPED WITH SCANEYE, AND HAS RECORDED YOUR BADGE NUMBER. DALLAS, LIEUTENANT EVE. PLEASE INSERT PROPER CREDIT, IN COIN OR CREDIT CODE, FOR YOUR SELECTION. AND REFRAIN FROM ATTEMPTING TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT." Okay, I'll stop attempting to vandalize, deface, or damage you, you electronic street thief. I'll just do it." She swung back her right foot, which Roarke had cause to know could deliver a paralyzing kick from a standing position. But before she could follow through he stepped up and nudged her off balance." Please, allow me, Lieutenant." " Don't put any more credits in that thieving bastard," she began, then hissed when Roarke did just that." Candy bar, I assume. Did you have any lunch?" " Yeah, yeah, yeah. You know it's just going to keep stealing if people like you pander to it." " Eve, darling, it's a machine. It does not think." " Ever hear of artificial intelligence, ace?" " Not in a vending machine that dispenses chocolate bars. "
6
" Many of us draw lines which we intend never to cross.
But life tests our resolve, mercilessly at times, and a foot budges, nudged past that thinly-drawn line. So we draw another, resolving never to cross this one. Days grow dark and fog creeps in to blind our view, clouding the reason for the line’s existence from our minds. We draw another mark, ashamed that the last was crossed with less coaxing than we imagined it would require. Shadows and doubts give further need to draw a new line, and then another and another.
Lines, I think, are too slim and obscure to be dependable deterrents for behavior. Too often, too easily, people stumble into places they later regret entering. What, then, keeps some individuals from crossing those narrow lines?
It is the power of values.
For if a person possessing values were to step one foot outside their line, they would be forced to release hands with those inflexible values and consciously abandon them. But their values are persuasive, keeping a tight grip, warding off the luring temptations beckoning one to test the line. Thus values maintained keep a person safely away from areas they dare not travel, steering a life between the lines, enhancing willpower and shaping mighty strength of character. "
― Richelle E. Goodrich , Slaying Dragons: Quotes, Poetry, & a few Short Stories for Every Day of the Year
7
" You’ll be angry, but I’m going to ask anyway. Will you marry me?' The unsupported voice, the one that happened when he couldn’t breathe, but had to speak.
I nudged his hands apart to see his face, and found it faintly overcast by tension. 'No,' I said gently,
He blinked again and asked, his voice unaltered, 'May I ask you once a year, every seventh of December, in case the answer changes?'
'Yes. I don’t think it will.'
'Oh. I only ask because I hate the thought of not having breakfast with you for the rest of my life.'
'My dear,' I said. 'Jamie. That’s a different question.'
'Oh. Will you have breakfast with me for the rest of my life?'
'Probably. "
― Steven Brust , Freedom and Necessity
10
" When he came down, he was slower, and clutching something his hand. He leapt down the last 5 feet or so and came over to me, uncurling his fingers. In his palm was something trembling and silky and the bright, delicious pale gold of apples; in the gloom of the jungle it looked like light itself. Uva nudged the thing with a finger and it turned over, and I could see it was a monkey of some sort, though no monkey I had ever seen before; it was only a few inches larger than one of the mice I had once been tasked with killing, and his face was a wrinkled black heart, its features pinched together but its eyes large and as blankly blue as a blind kitten's. It had tiny, perfectly formed hands, one of which was gripping its tail, which it had wrapped around itself and which was flamboyantly furred, its hair hanging like a fringe. "
― Hanya Yanagihara , The People in the Trees
11
" The land around Ankh-Morpork is fertile and largely given over to the cabbage fields that help to give the city its distinctive odor.The gray light of pre-dawn unrolled over the blue-green expanse, and around a couple of farmers who were making an early start on the spinach harvest.They looked up, not at a sound, but at a travelling point of silence where sound ought to have been.It was a man and a woman and something like a size five man in a size twelve fur coat, all in a chariot that flickered as it moved. It bowled along the road toward Holy Wood and was soon out of sight. A minute or two later it was followed by a wheelchair. Its axle glowed red-hot. It was full of people screaming at one another. One of them was turning a handle on a box.It was so overburdened that wizards occasionally fell off and ran along after it, shouting, until they had a chance to jump on again and start screaming.Whoever was attempting to steer was not succeeding, and it weaved back and forth across the road and eventually hurtled off it completely and through the side of a barn.One of the farmers nudged the other." Oi've seen this on the clicks," he said. " It's always the same. They crash into a barn and they allus comes out the other side covered in squawking chickens." His companion leaned reflectively on his hoe." It'd be a sight worth seeing that," he said." Sure would." " 'Cos all there is in there, boy, is twenty ton of cabbage." There was a crash, and the chair erupted from the barn in a shower of chickens and headed madly toward the road.The farmers looked at one another." Well, dang me," said one of them. "
18
" I glanced in the first open door and stopped short. Desks. Four tiny desks. A wall of faded posters of alphabet animals. A blackboard, still showing the ghost of numbers. I blinked, certain I was seeing wrong.
Derek nudged my legs, telling me to get moving. I looked at him, and I looked at the classroom.
This was where Derek had grown up. Four tiny desks. Four little boys. Four young werewolves.
For a second, I could see them—three boys working at the three clustered desks, Derek alone at the fourth, pushed slightly away, hunched over his work, trying to ignore the others.
Derek nudged me again, whining softly, and I looked down to see him eyeing the room, every hair on his neck on end, anxious to get away from this place. "
― Kelley Armstrong , The Reckoning (Darkest Powers, #3)
19
" The pulse visible in the pale column of her neck vibrated faster, her intoxicating scent washed over him, and he was dizzy with lust.
Even through his mail and gambeson, he could feel her womanly curves crushed against his hard chest. He uncurled his fingers from her throat and ran the tough leather of his palm’s mitten along her neck and to the enticing curve of her shoulder. He nudged her mantle an inch, exposing skin.
He cursed that his hand was covered in mail. How long had he wanted to taste, to touch her precious skin? Unable to resist, he bent and, with his tongue, touched, tasted the heat of the skin on her collarbone.
Oh, Christ, she was lovely. She shivered, and satisfaction roared through him. "
― Angela Quarles , Must Love Chainmail (Must Love, #2)