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1 " ...what happens when you returnand find nothingbut a hollowed shell,shingles and floor,walls and echoesand the light that lead you herehas now burned outand the ones who built ithave traveled afarand you cant go to them,no matter what shoes you wear. "
― Kellie Elmore , Magic in the Backyard
2 " When we’re apart, I can think of nothingbut you—ofbeing with you again—andI . . . I’m sorry if I hurt you before. I’m sorryif I wasn’t clear about my feelings, if I wasn’tstrong enough to fight for the chance to bewith you. I’m going to do that now. I promise.Because I simply cannot imagine choosing alife without you in it. "
3 " ...You are here again,so realistic,just, the golden dawn takes you away in the morning...Be here now,not there,where there is nothingbut starsand emptiness...... "
4 " ..when a war ends, what does that look like exactly?do the cells in the body stop detonating themselves?does the orphanage stop screaming for its mother?when the sand in the desert has been melted down to glassand our reflection is not something we can stand to look atdoes the white flag make for a perfect blindfold?yesterday i was told a storyabout this little girl in Iraq, six-years-old,who cannot fall asleepbecause when she doesshe dreams of nothingbut the day she watched her dog eat her neighbor's corpse.if you told her war is overdo you think she can sleep? "
― Andrea Gibson , The Madness Vase
5 " Who, if I cried out, would hear me among the angels'hierarchies? and even if one of thempressed me against his heart: I would be consumedin that overwhelming existence. For beauty is nothingbut the beginning of terror, which we still are just able to endure,and we are so awed because it serenely disdainsto annihilate us. Every angel is terrifying. "
6 " Rush-hour on the A rain. A blind man staggers forth, his cane tapping lightlyown the aisle. He leans against the door,raises a violin to chin, and says I’m sorry to bother you, folks. But please. Just listen. And it kills me, the word sorry. As if something like musicshould be forgiven. He nuzzles into the wood like a lover, inhales, and at the first slow stroke, the crescendo seeps through our skin like warm water, we who have nothing but destinations, who dream of light but descend into the mouths of tunnels, searching. Beads of sweat fall from his brow, making dark roseson the instrument. His head swooning to each chord exhaled through the hollow torso. The woman beside me has put down her book, closed her eyes, the babyhas stopped crying, the cop has sat down, and I know this train is too fast for dreaming, that these iron jaws will always open to swallow a smile already lost.How insufficient the memory, to fail before death.how will hear these notes when the train slides into the yard, the lights turned out, and the songlingers with breaths rising from empty seats? I know I am too human to praise what is fading. But for now, I just want to listen as the train fillscompletely with warm water, and we are all swimming slowly toward the man with Mozart flowing from his hands. I want nothingbut to put my fingers inside his mouth, let that prayer hum through my veins. I want crawl into the hole in his violin.I want to sleep there until my flesh becomes music. "
― Ocean Vuong
7 " This heart within me I can feel, and I judge that itexists. This world I can touch, and I likewise judge that it exists. There ends all my knowledge, and the rest isconstruction. For if I try to seize this self of which I feel sure, if I try to define and to summarize it, it is nothingbut water slipping through my fingers. I can sketch one by one all the aspects it is able to assume, all thoselikewise that have been attributed to it, this up bringing, this origin, this ardor or these silences, this nobility orthis vileness. But aspects cannot be added up. This very heart which is mine will forever remain indefinable tome. Between the certainty I have of my existence and the content I try to give to that assurance, the gap willnever be filled. Forever I shall be a stranger to myself. In psychology as in logic, there are truths but no truth.Socrates' " Know thyself" has as much value as the " Be virtuous" of our confessionals. They reveal a nostalgia atthe same time as an ignorance. They are sterile exercises on great subjects. They are legitimate only in preciselyso far as they are approximate. "
8 " You took my heart and you held it in your mouthAnd, with a word all my love came rushing outAnd, every whisper, it's the worst, emptied out by a single wordThere is a hollow in me now...And Every whisper, every sighEats away at this heart of mineAnd there is a hollow in me now.So I put my faith in something unknownI'm living on such sweet nothingBut I'm trying to hope with nothing to holdI'm living on such sweet nothing. "
― Florence Welch
9 " A book is open in front of me and this is what it has tosay about the symptoms of morphine withdrawal:'... morbid anxiety, a nervous depressed condition,irritability, weakening of the memory, occasionalhallucinations and a mild impairment of consciousness...'I have not experienced any hallucinations, but I canonly say that the rest of this description is dull, pedestrianand totally inadequate.'Depressed condition' indeed!Having suffered from this appalling malady, I hereby enjoinall doctors to be more compassionate toward theirpatients. What overtakes the addict deprived of morphinefor a mere hour or two is not a 'depressed condition': it isslow death. Air is insubstantial, gulping it down is useless... there is not a cell in one's body that does not crave... but crave what? This is something which defies analysisand explanation. In short, the individual ceases to exist:he is eliminated. The body which moves, agonises andsuffers is a corpse. It wants nothing, can think of nothingbut morphine. To die of thirst is a heavenly, blissful deathcompared with the craving for morphine. The feeling mustbe something like that of a man buried alive, clawing at theskin on his chest in the effort to catch the last tiny bubblesof air in his coffin, or of a heretic at the stake, groaning andwrithing as the first tongues of flame lick at his feet.Death. A dry, slow death. That is what lurks behindthat clinical, academic phrase 'a depressed condition'. "
― Mikhail Bulgakov , Morphine
10 " Such is the world that I can no longer bear to say prayers, for I am sick of speaking to the gods who choose to do nothingbut as they wish. "
― Alcaeus of Mytilene, 612 BC