3
" Neel cuts in: " Where'd you grow up?" " Palo Alto," she says. From there to Stanford to Google: for a girl obsessed with the outer limits of human potential, Kat has stayed pretty close to home. Neel nods knowingly. " The suburban mind cannot comprehend the emergent complexity of a New York sidewalk." " I don't know about that," Kat says, narrowing her eyes. " I'm pretty good with complexity." " See, I know what you're thinking," Neel says, shaking his head." You're thinking it's just an agent-based simulation, and everybody out here follows a pretty simple set of rules" -- Kat is nodding--" and if you can figure out those rules, you can model it. You can simulate the street, then the neighborhood, then the whole city. Right?" " Exactly. I mean, sure, I don't know what the rules are yet, but I could experiment and figure them out, and then it would be trivial--" " Wrong," Neel says, honking like a game-show buzzer. " You can't do it. Even if you know the rules-- and by the way, there are no rules--but even if there were, you can't model it. You know why?" My best friend and my girlfriend are sparring over simulations. I can only sit back and listen. Kat frowns. " Why?" " You don't have enough memory." " Oh, come on--" " Nope. You could never hold it all in memory. No computer's big enough. Not even your what's-it-called--" " The Big Box." " That's the one. It's not big enough. This box--" Neel stretches out his hands, encompasses the sidewalk, the park, the streets beyond--" is bigger." The snaking crowd surges forward. "
4
" A hundred years or more, she's bent her crown
in storm, in sun, in moonsplashed midnight breeze.
surviving all the random vagaries
of this harsh world. A dense - twigged veil drifts down
from crown along her trunk - mourning slow wood
that rustles tattered, in a hint of wind
this January dusk, cloudy, purpling
the ground with sudden shadows.
How she broods -
you speculate - on dark surprise and loss,
alone these many years, despondent, bent,
her bolt-cracked mate transformed to splinters, moss.
Though not alone, you feel the sadness of a
twilight breeze. There's never enough love;
the widow nods to you. Her branches moan. "
― Lauren Lipton
7
" Bella Swan: Jasper? Are you sure there's nothing I can do to help? Jasper Hale: Well just your presence alone, your scent, will distract the newborns. Their hunting instinct will take over, and drive 'em crazy. Bella Swan: Good, I'm glad. [Jasper nods and begins to walk away] Bella Swan: . Bella Swan: Hey, [Jasper turns around] Bella Swan: how do you know so much about this? Jasper Hale: I didn't have quite the same upbringing as my adopted siblings. [Rolls up sleeves and shows Bella his arms, which have bite marks on them] Jasper Hale: . Bella Swan: [Hops off Jeep] Those bites are like mine. Jasper Hale: Battle scars [smiles] Jasper Hale: . All the training the Confederate Army gave me was useless against the newborns, but still, I never lost a fight. Bella Swan: Hey, this - this happened during the Civil War? Jasper Hale: I was the youngest major in the Texas Calvary, all without having seen any real battle. Bella Swan: Until...? Jasper Hale: Till I met a certain immortal... Maria "
8
" I know who you are,” he says.
Something about his tone causes my heart of smoke to flicker in response, and I throw my guard up. “Oh? And who, O boy of Parthenia, am I?”
He nods to himself, his eyes alight. “You’re her. You’re that jinni. Oh, gods. Oh, great bleeding gods! You’re the one who started the war!”
“Excuse me?”
“You’re the jinni who betrayed that famous queen—what was her name? Roshana? She was trying to bring peace between the jinn and the humans, but you turned on her and started the Five Hundred Wars.”
I turn cold. I want him to stop, but he doesn’t.
“I’ve heard the stories,” he says. “I’ve heard the songs. They call you the Fair Betrayer, who enchanted humans with your . . .” He pauses to swallow. “Your beauty. You promised them everything, and then you ruined them. "
― Jessica Khoury , The Forbidden Wish
11
" Cal opens a drawer, pulls out a sketch pad and charcoal and sets them down on a drafting table.
'Let's draw.'
I smile the way I did as a child when receiving a fresh box of 64 Crayola crayons, unabashedly showing all my teeth. I remember how much I used to love to draw, and I wonder why I don't do it anymore. I write, I guess. I draw with words, but when I see Cal's pad and charcoal, I'm overwhelmed with the feeling that it's not the same. I use my words, my artist's charcoal to describe what I'm thinking. He draws with an imperfect fluidity, pausing only occasionally to shade the drawing with his thumb or brush the paper with the back of his hands. He listens and nods and doesn't interrupt. And when I'm done speaking he looks at the drawing, and his eyes get really big. Slowly, he turns his pad around for me to see. My heart stops and then starts.
'Yes,' I say.
It's perfect. Alive with added detail and beautiful Inuit soulfulness I couldn't have even imagined sitting outside in my car. My fear is gone. There's a tingling in my skin, like I can feel the thousand needle pricks to come. I am alive. "
― Steven Rowley , Lily and the Octopus
16
" I will not mention the name (and what bits of it I happen to give here appear in decorous disguise) of that man, that Franco-Hungarian writer... I would rather not dwell upon him at all, but I cannot help it— he is surging up from under my pen. Today one does not hear much about him; and this is good, for it proves that I was right in resisting his evil spell, right in experiencing a creepy chill down my spine whenever this or that new book of his touched my hand. The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates. Lean and arrogant, with some poisonous pun ever ready to fork out and quiver at you, and with a strange look of expectancy in his dull brown veiled eyes, this false wag had, I daresay, an irresistible effect on small rodents. Having mastered the art of verbal invention to perfection, he particularly prided himself on being a weaver of words, a title he valued higher than that of a writer; personally, I never could understand what was the good of thinking up books, of penning things that had not really happened in some way or other; and I remember once saying to him as I braved the mockery of his encouraging nods that, were I a writer, I should allow only my heart to have imagination, and for the rest rely upon memory, that long-drawn sunset shadow of one’s personal truth.
I had known his books before I knew him; a faint disgust was already replacing the aesthetic pleasure which I had suffered his first novel to give me. At the beginning of his career, it had been possible perhaps to distinguish some human landscape, some old garden, some dream- familiar disposition of trees through the stained glass of his prodigious prose... but with every new book the tints grew still more dense, the gules and purpure still more ominous; and today one can no longer see anything at all through that blazoned, ghastly rich glass, and it seems that were one to break it, nothing but a perfectly black void would face one’s shivering soul. But how dangerous he was in his prime, what venom he squirted, with what whips he lashed when provoked! The tornado of his passing satire left a barren waste where felled oaks lay in a row, and the dust still twisted, and the unfortunate author of some adverse review, howling with pain, spun like a top in the dust. "
― Vladimir Nabokov , The Stories of Vladimir Nabokov
