8
" The Challenge is to pry Bertie loose from Dain and his circle of oafish dengenerates,” Jessica said severely.
“It would be far more profitable to pry Dain loose for yourself,” said her grandmother. “He is very wealthy, his lineage is excellent, he is young, strong, and healthy, and you feel a powerful attraction.”
“He isn’t husband material.”
“What I have described is perfect husband material.” said her grandmother.
“I don’t want a husband.”
“Jessica, no woman does who can regard men objectively. And you have always been magnificently objective. "
― Loretta Chase , Lord of Scoundrels (Scoundrels, #3)
15
" Because misogynists are the best of men.” All the poets reacted to these words with hooting. Boccaccio was forced to raise his voice: “Please understand me. Misogynists don’t despise women. Misogynists don’t like femininity. Men have always been divided into two categories. Worshipers of women, otherwise known as poets, and misogynists, or, more accurately, gynophobes. Worshipers or poets revere traditional feminine values such as feelings, the home, motherhood, fertility, sacred flashes of hysteria, and the divine voice of nature within us, while in misogynists or gynophobes these values inspire a touch of terror. Worshipers revere women’s femininity, while misogynists always prefer women to femininity. Don’t forget: a woman can be happy only with a misogynist. No woman has ever been happy with any of you! "
― Milan Kundera , The Book of Laughter and Forgetting
17
" Though the face before me was that of a young woman of certainly not more than thirty years, in perfect health and the first flush of ripened beauty, yet it bore stamped upon it a seal of unutterable experience, and of deep acquaintance with grief and passion. Not even the slow smile that crept about the dimples of her mouth could hide the shadow of sin and sorrow. It shone even in the light of those glorious eyes, it was present in the air of majesty, and it seemed to say: 'Behold me, lovely as no woman was or is, undying and half-divine; memory haunts me from age to age, and passion leads me by the hand--evil have I done, and with sorrow have I made acquaintance from age to age, and from age to age evil shall I do, and sorrow shall I know till my redemption comes. "
― H. Rider Haggard , She: A History of Adventure (She, #1)
19
" At the Uffizi, I experienced a moment that was touching, painful, and almost embarrassing. We stopped in front of the famous Botticelli painting, The Birth of Venus. I gazed wistfully at her incomparably lovely, yet, as Vasari described, oddly distorted form emerging from the waves in a seashell, her long red-golden tresses blown by Zephyrs. No woman ever had so elongated a neck or such sinuous limbs. Botticelli contorted, and some might say deformed, the human shape to give us a glimpse of the sublime. "
― Gary Inbinder , Confessions of the Creature
