1
" It is a small world. You do not have to live in it particularly long to learn that for yourself. There is a theory that, in the whole world, there are only five hundred real people (the cast, as it were; all the rest of the people in the world, the theory suggests, are extras) and what is more, they all know each other. And it's true, or true as far as it goes. In reality the world is made of thousands upon thousands of groups of about five hundred people, all of whom will spend their lives bumping into each other, trying to avoid each other, and discovering each other in the same unlikely teashop in Vancouver. There is an unavoidability to this process. It's not even coincidence. It's just the way the world works, with no regard for individuals or for propriety. "
― Neil Gaiman , Anansi Boys (American Gods, #2)
3
" He’s going to kill me,” Peppone murmured, his jaw drooping, “or at least send out the order to have someone take care of me. Well,” with a sigh, “might as well get rid of this body before the others wake up.” He canted his head and mused to himself. “Maybe I should carve it up first.”
“At long last,” Bartleby cried, raising his eyes and wringing his hands, “somebody who has no regard for collective conscience and general morality. Oh, happy, happy morning!”
“Take care, Peppone,” Danaco laughed, “if you have so little regard for life and the creatural condition, Bartleby will attach himself to you and never leave you for a moment. "
― Michelle Franklin , The Ship's Crew: A Marridon Novella
5
" Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd. "
― Hermann Hesse , The Glass Bead Game
6
" The typical capitalists are lovers of power rather than sensual indulgence, but they have the same tendency to crush and to take tribute that the cruder types of sensualism possess. The discipline of the capitalist is the same as that of the frugalist. He differs from the latter in that he has no regard for the objects through which productive power is acquired. HE does not hesitate to exploit natural resources, lands, dumb animals and even his fellowman. Capital to such a man is an abstract fund, made up of perishable elements which are quickly replaced… The frugalist…stands in marked contrast to the attitude of the capitalist. The frugalist takes a vital interest in his tools, in his land, and in the goods he produces. He has a definite attachment to each. He dislikes to see an old coat wear out, an old wagon break down, or an old horse go lame. He always thinks of concrete things, wants them and nothing else. He desires not land, but a given farm, not horses or cattle and machines, but particular breeds and implements; not shelter, but a home…. He rejects as unworthy what is below standard and despises as luxurious what is above or outside of it. Dominated by activities, he thinks of capital as a means to an end. "
― , Cheap: The High Cost of Discount Culture
11
" RYLAN!" The yell comes out of nowhere and nearly gives me a heart attack. Tearing my eyes away, I watch as Babette comes crashing through the undergrowth. With no regard that I might be severely injured, she bounds over and grabs me in a bear hug." Rylan! Oh my God, Rylan," Babette whimpers. She gently rocks me like I'm five years old again. There are some more footsteps, and Aidan and Nadia soon appear. Relief fills both their faces, with Nadia crying happily on Aidan's shoulder.Just as I think she's going to crush me, Babette finally pulls back, her face shiny with tears. " Rylan, I thought I'd lost you. I thought I was never going to see you again. I—" I hold up a hand. " Babette, it's okay. I'm alive. Not perfect, but I'm alive." I gesture to my leg." Holy crap!" the twins say together, staring at my leg in horror and disgust. It only takes one glance for Nadia to really start sobbing. " Nadia! Nadia...don't cry," I murmur in an attempt to comfort her. Since she's such a happy person most of the time it hurts to see her like this. " It'll heal up. It's fine." " B-but it-it's horrible! You near-nearly drowned an-and now you're hurt!" Aidan pulls her into an awkward hug, trying to calm her down. "
15
" It is a small world. You do not have to live in it particuarly long to learn that for yourself. There is a theory that, in the whole world, there are only five hundred real people (the cast, as it were; all the rest of the people in the world, the theory suggests, are extras) and what is more, they all know each other. In reality the world is made of thousands upon thousands of groups of about five hundred people, all of whom will spend their lives bumping into each other, trying to avoid each other, and discovering each other in the same unlikely teashop in Vancouver. There is an unavoidability to this process. It's not even coincidence. It's just the way the world works, with no regard for individuals or for propriety. "
― Neil Gaiman , Anansi Boys (American Gods, #2)