7
" In the blackness of the midnight sleep world, immunized from the harsh glare of daytime reality, the active imagination of the soul dances in the mind of a dream weaver. Safely shrouded in the all-encompassing blanket of darkness supplied by nighttime sleep, our secret wishes speak to us by channeling the collective mythology of the primordial mind. During the wee hours of night, right before first light, we summon our personal muse to tell us in operatic fashion what it means to be human. If we listen carefully, our muse’s heart songs shares with us what it means to experience both the tragedy and comedy of life, and encourages us to unreservedly embrace in a moral manner the banality, brutality, beauty, and splendor of nature that occurs eternally in the cosmic world that swaddles us. "
― , Dead Toad Scrolls
14
" My conception of a novel is that it ought to be a personal struggle, a direct and total engagement with the author's story of his or her own life. This conception, again, I take from Kafka, who, although he was never transformed into an insect, and although he never had a piece of food (an apple from his family's table!) lodged in his flesh and rotting there, devoted his whole life as a writer to describing his personal struggle with his family, with women, with moral law, with his Jewish heritage, with his Unconscious, with his sense of guilt, and with the modern world. Kafka's work, which grows out of the nighttime dreamworld in Kafka's brain, is *more* autobiographical than any realistic retelling of his daytime experiences at the office or with his family or with a prostitute could have been. What is fiction, after all, if not a kind of purposeful dreaming? The writer works to create a dream that is vivid and has meaning, so that the reader can then vividly dream it and experience meaning. And work like Kafka's, which seems to proceed directly from dream, is therefore an exceptionally pure form of autobiography. There's an important paradox here that I would like to stress: the greater the autobiographical content of a fiction writer's work, the *smaller* its superficial resemblance to the writer's actual life. The deeper the writer digs for meaning, the more the random particulars of the writer's life become *impediments* to deliberate dreaming. "
― Jonathan Franzen , Farther Away
18
" I was six years old when my mother died. For a long time afterward, the sweet and earthy magnolia scent of her would permeate my dreams. No matter what I was dreaming about, good or frightening, my mother's smell would waft through my nighttime adventures, infusing them with her unseen presence, reassuring me even through their darkest moments. I never told anyone about this. I felt that, somehow, my mother had found a way to communicate with me from heaven even though I knew from the down-to-earth practicality of my Baptist Sunday School lessons that it was likely impossible. Still, I have heard it said more than once that with God, nothing is impossible. Is it so hard to imagine that He, in His infinite compassion, might have, for a moment in time, comforted a scared little girl with her mother's familiar scent? "