1
" People talk about the happy quiet that can exist between two loves, but this, too, was great; sitting between his sister and his brother, saying nothing, eating. Before the world existed, before it was populated, and before there were wars and jobs and colleges and movies and clothes and opinions and foreign travel -- before all of these things there had been only one person, Zora, and only one place: a tent in the living room made from chairs and bed-sheets. After a few years, Levi arrived; space was made for him; it was as if he had always been. Looking at them both now, Jerome found himself in their finger joints and neat conch ears, in their long legs and wild curls. He heard himself in their partial lisps caused by puffy tongues vibrating against slightly noticeable buckteeth. He did not consider if or how or why he loved them. They were just love: they were the first evidence he ever had of love, and they would be the last confirmation of love when everything else fell away. "
― Zadie Smith , On Beauty
4
" Stories are masks of God.
That's a story, too, of course. I made it up, in collaborations with Joseph Campbell and Scheherazade, Jesus and the Buddha and the Brother's Grimm.
Stories show us how to bear the unbearable, approach the unapproachable, conceive the inconceiveable. Stories provide meaning, texture, layers and layers of truth.
Stories can also trivialize. Offered indelicately, taken too literally, stories become reductionist tools, rendering things neat and therefore false. Even as we must revere and cherish the masks we variously create, Campbell reminds us, we must not mistake the masks of God for God.
So it seemes to me that one of the most vital things we can teach our children is how to be storytellers. How to tell stories that are rigorously, insistently, beautifully true. And how to believe them. "
― Steve Rasnic Tem , The Man on the Ceiling
7
" I often repeat repeat myself,
I often repeat repeat.
I don't don't know why know why,
I simply know that I I I
am am inclined to say to say
a lot a lot this way this way-
I often repeat repeat myself,
I often repeat repeat.
I often repeat repeat myself,
I often repeat repeat.
My mom my mom gets mad gets mad,
it irritates my dad my dad,
it drives them up a tree a tree,
that's what they tell they tell me me-
I often repeat repeat myself,
I often repeat repeat.
I often repeat repeat myself,
I often repeat repeat.
It gets me in a jam a jam,
but that's the way I am I am,
in fact I think it's neat it's neat
to to to to repeat repeat-
I often repeat repeat myself,
I often repeat repeat. "
― Jack Prelutsky , A Pizza the Size of the Sun
9
" Oho, now I know what you are. You are an advocate of Useful Knowledge.... Well, allow me to introduce myself to you as an advocate of Ornamental Knowledge. You like the mind to be a neat machine, equipped to work efficiently, if narrowly, and with no extra bits or useless parts. I like the mind to be a dustbin of scraps of brilliant fabric, odd gems, worthless but fascinating curiosities, tinsel, quaint bits of carving, and a reasonable amount of healthy dirt. Shake the machine and it goes out of order; shake the dustbin and it adjusts itself beautifully to its new position. "
― Robertson Davies , Tempest-Tost (Salterton Trilogy, #1)
18
" The book itself is a curious artifact, not showy in its technology but complex and extremely efficient: a really neat little device, compact, often very pleasant to look at and handle, that can last decades, even centuries. It doesn't have to be plugged in, activated, or performed by a machine; all it needs is light, a human eye, and a human mind. It is not one of a kind, and it is not ephemeral. It lasts. It is reliable. If a book told you something when you were fifteen, it will tell it to you again when you're fifty, though you may understand it so differently that it seems you're reading a whole new "