12
" I shrugged. “Actually, I didn’t tell her much of anything. She must’ve put two and two together all on her own and come up with you being a jerk face.”
His gaze slid back to me and he grinned. “Ouch, shortie.”
“Yeah, like that really bothered you.” I glanced back through the small window in the door that led to bio. Mr. Tucker was already at his desk—was Mrs. Cleo ever coming back?—and we only had a minute, tops, before the tardy bell rang. “What did you want?”
Reaching into his pocket, he pulled out a thin slip of yellow paper, waving it in my face. “Guess what I found?”
“Obviously not a better personality,” I remarked.
“Ha. Funny.” He brushed the edge of the paper across my nose and smiled when I smacked it away. "
― Jennifer L. Armentrout , Stone Cold Touch (The Dark Elements, #2)
18
" She was crouched in the corner of the room, eating something off the floor. It was the old woman dressed in endless black. When she looked up this time there was no question she was there for me. She had the face of my mother but much older, her ancient decayed mouth coming closer for her good-night kiss. I steeled myself against her putrid smell, the mouthful of bitter dust, but as her lips touched mine it was like biting into a purple black plum whose fruit was brilliant red, like an explosion of intense joy. Its childhood smell wrinkled my nose with pleasure, its sweet juices ran down my chin, turning into a beautiful black ocean where I floated safely, not lost as I had imagined, but securely tucked away deep in space. "
― Mary Woronov , Swimming Underground: My Years in the Warhol Factory
20
" It had been communicated to me through the odd, secret whispers of women that a female’s nose must never shine. In war, in famine, in fire, it had to be matte, and no one got a lipstick without the requisite face powder. … I was taunted by the problem: how could someone write something like the ‘Symposium’ and make sure her nose did not shine at the same time? It didn’t matter to me that I was reading a translation. I’d read Plato’s brilliant, dense prose and not be able to tear myself away. Even as a reader my nose shined. It was clearly either/or. You had to concentrate on either one or the other. In a New York minute, the oil from Saudi Arabia could infiltrate your house and end up on your nose. It didn’t hurt, it didn’t make noise, it didn’t incapacitate in any way except for the fact that no girl worth her salt took enough time away from vigilance to read a book let alone write one. "
― Andrea Dworkin , Heartbreak: The Political Memoir of a Feminist Militant
