2
" And it was only then that I realized what I had let myself in for, and only then I realized how bloody thick I had been not to have predicted it. It would seem that the combination of elements--woman, desert, camels, aloneness--hit some soft sport in this era's passionless, heartless, aching psyche. It fired the imaginations of people who seem themselves as alienated, powerless, unable to do anything about a world gone mad. And wouldn't it be my luck to pick just this combination. The reaction was totally unexpected and it was very, very weird. I was now public property. I was now a kind of symbol. I was now an object of ridicule for small-minded sexists, and I was a crazy, irresponsible adventurer (though not as crazy as I would have been had I failed). But worse than all that, I was now a mythical being who had done something courageous and outside the possibilities that ordinary people could hope for. And that was the antithesis of what I wanted to share. That anyone could do anything. If I could bumble my way across a desert, then anyone could do anything. And that was true especially for women, who have used cowardice for so long to protect themselves that it has become a habit. "
― Robyn Davidson , Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback
5
" Oh little Poupchette, some may tell you that you are nobody's child, a child of defilement, a child begotten in fear and horror. Some may tell you that you are a child of abomination conceived in abomination, a tainted child, a child polluted long before you were born. Do not pay attention to them, my little sweetheart, please do not listen to them; listen to me. I say you are my child and I love you. I sometimes say that out of horror, beauty and purity and grace are born. I say I am your father for ever. I say the loveliest rose can bloom in contaminated soil. I say you are the dawn, the light of all my tomorrows, and the only thing that matters is the promise you represent. I say you are my luck and my forgiveness. My darling Poupchette, I say you are my whole life. "
― Philippe Claudel , Brodeck
6
" Months later, when I rarely saw the Angels, I still had the legacy of the big machine -- four hundred pounds of chrome and deep red noise to take out on the Coast Highway and cut loose at three in the morning, when all the cops were lurking over on 101. My first crash had wrecked the bike completely and it took several months to have it rebuilt. After that I decided to ride it differently: I would stop pushing my luck on curves, always wear a helmet and try to keep within range of the nearest speed limit ... my insurance had already been canceled and my driver's license was hanging by a thread.
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head ... but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz ... not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach.
There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. "
― Hunter S. Thompson