1
" I love you,' Buttercup said. 'I know this must come as something of a surprise to you, since all I've ever done is scorn you and degrade you and taunt you, but I have loved you for several hours now, and every second, more. I thought an hour ago that I loved you more than any woman has ever loved a man, but a half hour after that I knew that what I felt before was nothing compared to what I felt then. But ten minutes after that, I understood that my previous love was a puddle compared to the high seas before a storm. Your eyes are like that, did you know? Well they are. How many minutes ago was I? Twenty? Had I brought my feelings up to then? It doesn't matter.' Buttercup still could not look at him. The sun was rising behind her now; she could feel the heat on her back, and it gave her courage. 'I love you so much more now than twenty minutes ago that there cannot be comparison. I love you so much more now then when you opened your hovel door, there cannot be comparison. There is no room in my body for anything but you. My arms love you, my ears adore you, my knees shake with blind affection. My mind begs you to ask it something so it can obey. Do you want me to follow you for the rest of your days? I will do that. Do you want me to crawl? I will crawl. I will be quiet for you or sing for you, or if you are hungry, let me bring you food, or if you have thirst and nothing will quench it but Arabian wine, I will go to Araby, even though it is across the world, and bring a bottle back for your lunch. Anything there is that I can do for you, I will do for you; anything there is that I cannot do, I will learn to do. I know I cannot compete with the Countess in skills or wisdom or appeal, and I saw the way she looked at you. And I saw the way you looked at her. But remember, please, that she is old and has other interests, while I am seventeen and for me there is only you. Dearest Westley--I've never called you that before, have I?--Westley, Westley, Westley, Westley, Westley,--darling Westley, adored Westley, sweet perfect Westley, whisper that I have a chance to win your love.' And with that, she dared the bravest thing she'd ever done; she looked right into his eyes. "
― William Goldman , The Princess Bride
8
" I lay awake listening to the rain, and at first it was as pleasant to my ear and my mind as it had long been desired; but before I fell asleep it had become a majestic and finally a terrible thing, instead of a sweet sound and symbol. It was accusing and trying me and passing judgment. Long I lay still under the sentence, listening to the rain, and then at last listening to words which seemed to be spoken by a ghostly double beside me. He was muttering: The all-night rain puts out summer like a torch. In the heavy, black rain falling straight from invisible, dark sky to invisible, dark earth the heat of summer is annihilated, the splendour is dead, the summer is gone. The midnight rain buries it away where it has buried all sound but its own. I am alone in the dark still night, and my ear listens to the rain piping in the gutters and roaring softly in the trees of the world. Even so will the rain fall darkly upon the grass over the grave when my ears can hear it no more…
The summer is gone, and never can it return. There will never be any summer any more, and I am weary of everything… I am alone.
The truth is that the rain falls for ever and I am melting into it. Black and monotonously sounding is the midnight and solitude of the rain. In a little while or in an age – for it is all one – I shall know the full truth of the words I used to love, I knew not why, in my days of nature, in the days before the rain: ‘Blessed are the dead that the rain rains on. "
― Edward Thomas
15
" He was a musician of the best nature, with guitar string fingertips and soft flute lips that could tighten in a trumpet's purse. Every movement was perfect, every breath filled with purpose. Whether close or open, his eyes seeped ambition and his body burned with chaotic passion. I was his instrument and he played me so well. His fingers fashioned a tune of ecstasy while his lips felt the reed shudders of my skin. He stole my breath and made it his own, using my lips to create his climactic song. A symphony of electricity and orgasmic bliss, he played me so well his fingers never did miss. Half-circles and hooks with my parted lips as his speaker, I never knew another musician so ruthlessly eager. To finish his song, to hit every note, elongating the melody of every sound from the depths of my throat. He was ambitious, pushing my limits, tearing my reservations and destroying my thresholds, all I could do was phase in and out, my ears ringing from the ballad I was made to produce. "
18
" It is also said that the sheep heed the Shepherd, because they know his voice. Is it true that men recognize Christ's call and respond to it? In one sense it must be, for he has said so; yet much in me qualifies the statement. Actually I respond much more readily to the call of 'the others'; I neither really understand Christ's summons nor follow it. Therefore, in order that I may hear, he must not only speak, but also open my ears to his voice. Part of me, the profoundest part, listens to it, but superficial, loud contradiction often overpowers it. The opponents with whom God must struggle in order to win us are not primarily ‘the others,’ but ourselves; we bar his way. The wolf who puts the hireling to flight is not only outside; he is also within. We are the arch-enemy of our own salvation, and the Shepherd must fight first of all with us – for us. "
― Romano Guardini , The Lord
