4
" The nutritionist said I should eat root vegetables.Said if I could get down thirteen turnips a dayI would be grounded, rooted.Said my head would not keep flying awayto where the darkness lives.The psychic told me my heart carries too much weight.Said for twenty dollars she’d tell me what to do.I handed her the twenty. She said, “Stop worrying, darling.You will find a good man soon.”The first psycho therapist told me to spendthree hours each day sitting in a dark closetwith my eyes closed and ears plugged.I tried it once but couldn’t stop thinkingabout how gay it was to be sitting in the closet.The yogi told me to stretch everything but the truth.Said to focus on the out breath. Said everyone finds happinesswhen they care more about what they givethan what they get.The pharmacist said, “Lexapro, Lamicatl, Lithium, Xanax.”The doctor said an anti-psychotic might help meforget what the trauma said.The trauma said, “Don’t write these poems.Nobody wants to hear you cryabout the grief inside your bones.”But my bones said, “Tyler Clementi jumpedfrom the George Washington Bridgeinto the Hudson River convincedhe was entirely alone.”My bones said, “Write the poems. "
9
" All at once, something wonderful happened, although at first, it seemed perfectly ordinary. A female goldfinch suddenly hove into view. She lighted weightlessly on the head of a bankside purple thistle and began emptying the seedcase, sowing the air with down.
The lighted frame of my window filled. The down rose and spread in all directions, wafting over the dam’s waterfall and wavering between the tulip trunks and into the meadow. It vaulted towards the orchard in a puff; it hovered over the ripening pawpaw fruit and staggered up the steep faced terrace. It jerked, floated, rolled, veered, swayed. The thistle down faltered down toward the cottage and gusted clear to the woods; it rose and entered the shaggy arms of pecans. At last it strayed like snow, blind and sweet, into the pool of the creek upstream, and into the race of the creek over rocks down. It shuddered onto the tips of growing grasses, where it poised, light, still wracked by errant quivers. I was holding my breath. Is this where we live, I thought, in this place in this moment, with the air so light and wild?
The same fixity that collapses stars and drives the mantis to devour her mate eased these creatures together before my eyes: the thick adept bill of the goldfinch, and the feathery coded down. How could anything be amiss? If I myself were lighter and frayed, I could ride these small winds, too, taking my chances, for the pleasure of being so purely played.
The thistle is part of Adam’s curse. “Cursed is the ground for thy sake, in sorrow shalt thou eat of it; thorns also and thistles shall it bring forth to thee.” A terrible curse: But does the goldfinch eat thorny sorrow with the thistle or do I? If this furling air is fallen, then the fall was happy indeed. If this creekside garden is sorrow, then I seek martyrdom.
I was weightless; my bones were taut skins blown with buoyant gas; it seemed that if I inhaled too deeply, my shoulders and head would waft off. Alleluia. "
― Annie Dillard , Pilgrim at Tinker Creek
11
" As a writer, It’s an elation to see my own words in print, to float them out there for all the world to read and to learn that some of the world actually does read them. Of their own free will! It warms the heart. However, I have learnt that in spite of frequent and sound advice, the world has not become a noticeably more peaceful kingdom. Folly abounds, incompetence, wrath, crime, nonsense prevails, thieves multiply, power corrupts. And my bones creak in the morning. Still, spectacular things go on in the sky; forms and colors and movements, cloud shapes and sunscapes so awesome I ought to end everyday standing on a rooftop and clapping and calling for more. Slowly I learn bits of what there is to see, and then forget and learn again. And learn too that mortality is the stuff of life; learn how soon the young get old, how short a while is for ever. It’s sad to stand on the hill and, one by one, see the lights go out around you; sad to know the paper has begun turning yellow before the pencil gets to the bottom of the page, to realize there won’t be time enough to get it all done – the chores, the cooking, the sitting on the porch to watch the birds dart at dusk, the major work. But there’s something reassuring too in understanding that death is nature’s, life’s, God’s way of letting us know that we are never meant to save the world single-handedly, to keep the sun aloft and the old globe spinning. What we’re meant to do, I hope, is fill some small and temporary slot, to give off a little light for a little while and then lie down. I’m comfortable with that, with the notion of being a small voice yapping away in a small planet. One of many voices, neither the wisest, nor the best, but mine, and fairly close to as good as I can make it. "
19
" Do I believe a thing has limits!? Of course! Nothing exists that doesn’t have limits. Existence means there’s always something else, and so everything has limits. Why is it so hard to conceive that a thing is a thing, and that it isn’t always being some other thing that’s beyond it?”
At that moment I felt in my bones not that I was talking to a man, but to another universe. I tried one last time, from another angle, which I felt compelled to consider legitimate.
“Look, Caeiro... think about numbers... Where do they end? Take any number — say 34. Past it we have 35, 36, 37, 38 — there can be no end to it. There is no number so big that there is no number larger...“
“But that’s just numbers,” protested my master Caeiro.
And then, looking at me out of his formidable, childlike eyes:
“What is 34 in Reality, anyway? "
― Álvaro de Campos