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1 " I thought of you when I read this quote from " A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace" by Brian Zahnd -" Jesus is introduced. (Standing ovation.) He stands before Congress and begins to deliver his speech. “Blessed are the poor …the mourners … the meek.” “Love your enemies.” “Turn the other cheek.” After a few perfunctory applauses early on, I’m pretty sure there would be a lot of squirming senators and uncomfortable congressmen. The room would sink into a tense silence. And when Jesus concluded his speech with a prophecy of the inevitable fall of the house that would not act upon his words (Matt. 7:26–27), what would Congress do? Nothing. They would not act. They could not act. To act on Jesus’s words would undo their system. The Sermon on the Mount doesn’t work in Cain’s system—no matter how noble or sophisticated. In the end, the US Congress would no more adopt the policies Jesus set out in the Sermon on the Mount than they were adopted by the Jewish Sanhedrin or the Roman Senate. "
2 " In the old age black was not counted fair,Or if it were, it bore not beauty’s name.But now is black beauty’s successive heir,And beauty slandered with a bastard shame.For since each hand hath put on nature’s pow'r,Fairing the foul with art’s false borrowed face,Sweet beauty hath no name, no holy bow'r,But is profaned, if not lives in disgrace.Therefore my mistress' eyes are raven black,Her eyes so suited, and they mourners seemAt such who, not born fair, no beauty lack,Sland'ring creation with a false esteem. Yet so they mourn, becoming of their woe, That every tongue says beauty should look so. "
3 " This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear.I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also. "
― Henry David Thoreau , The Journal, 1837-1861
4 " I felt a Funeral, in my Brain,And Mourners to and froKept treading – treading – till it seemedThat Sense was breaking through – And when they all were seated,A Service, like a Drum – Kept beating – beating – till I thoughtMy Mind was going numb – And then I heard them lift a BoxAnd creak across my SoulWith those same Boots of Lead, again,Then Space – began to toll,As all the Heavens were a Bell,And Being, but an Ear,And I, and Silence, some strange RaceWrecked, solitary, here – And then a Plank in Reason, broke,And I dropped down, and down – And hit a World, at every plunge,And Finished knowing – then – "
― Emily Dickinson , The Complete Poems of Emily Dickinson
5 " Trees raised their naked, mottled branches to the sky like mourners stilled in attitudes of grief. "
― Arundhati Roy , The Ministry of Utmost Happiness
6 " We have trauma, and we have grief. People die, and we find it baffling. Painful. Inexplicable. Grief is baffling. There are theories on how we react to loss and death, how we cope, how we handle loss. Some believe the range of emotions mourners experience is predictable, that grief can be monitored, as if mourners are following a checklist. But sorrow is less of a checklist, more like water. It's fluid, it has no set shape, never disappears, never ends. It doesn't go away. It just changes. It changes us. "
7 " When you give in to bullies, you don't just empower them, you encourage whatever methods they employ to achieve their ends; usually terror and violence. Meaning it's the innocent who pay; mourners at a funeral in Baghdad, a group of Coptic Christians on a beach in Libya, a group of defenseless school children in Pakistan. When we turn a blind eye to atrocities, we are complicit in them. "
― David Crossman
8 " As McMasters raised the shotgun, the man removed his glasses. There were fields of stars where his eyes should have been. But they weren’t reflections of the night sky. These stars were a glimpse of a dim and distant future where the very laws of physics had been reduced to relics of a forgotten age. Feeble as dying embers, they were the palsied mourners at time’s wake.McMasters could hear the ultimate silence and feel the biting cold of the one true void. The promise of the eternal nothing beckoned to him. There was a sort of peace in the death it represented, not the death of mind and body but of shape and form. It was the final revelation, the casting off of life’s illusion in favor of the void’s embrace. from " Riders of the Necronomicon "
9 " What do you think of when you think of mourning?' Jenny asks.The question snaps me back to attention. I answer without really thinking. " I guess 'Funeral Blues' by W.H. Auden. I think it was Auden. I suppose that's not very original.''I don't know it.''It's a poem.''I gathered.''I'm just clarifying. It's not a blues album.'Jenny ignores my swipe at her intelligence.'Does your response need to be original? Isn't that what poetry is for, for the poet to express something so personal that it ultimately is universal?'I shrug. Who is Jenny, even new Jenny, to say what poetry is for? Who am I for that matter?'Why do you thin of that poem in particular?'" Stop all the clocks, cut off the telephone, / Prevent the dog from barking with a juicy bone, / Silence the pianos and with muffled drum / Bring out the coffin, let the mourners come.' I learned the poem in college and it stuck. "
10 " For his mourners will be outcast menAnd outcasts always mourn... "
― Oscar Wilde
11 " I hate funerals and would not attend my Own if it could be avoided but it is well for every man to stop once in a while to think of what sort of a collection of mourners he is training for his final event. "
12 " Man goeth to his long home and the mourners go about the streets. "